發(fā)布時間：2018-02-09 22:13

  本文關(guān)鍵詞： 釋迦與十六尊者像 噶瑪噶舉派 卻英多吉　出處：《湖北民族學(xué)院學(xué)報(哲學(xué)社會科學(xué)版)》2017年05期 　論文類型：期刊論文

【摘要】：在云南省麗江市博物院收藏有一套釋迦與十六尊者的宗教畫,它是十七世紀(jì)由卻英多吉在麗江為木氏家族成員木靖所做。卻英多吉是藏傳佛教噶瑪噶舉派第十世噶瑪巴,也是藏傳佛教藝術(shù)中噶智風(fēng)格的開創(chuàng)者。這組作品有很高的藝術(shù)價值,由于出自宗教領(lǐng)袖之手,它具有更高的象征意義。本文以這組宗教畫為切入點,分析了西藏政教斗爭、噶瑪噶舉派與木氏土司之間供施關(guān)系的結(jié)成,是十七世紀(jì)末噶瑪噶舉派傳教中心南移的歷史背景,而噶瑪噶舉派傳教中心的南移對云南藏傳佛教分布格局及藏傳佛教藝術(shù)都產(chǎn)生了深遠(yuǎn)的影響。
[Abstract]:At the Lijiang Museum in Yunnan Province, there is a set of religious paintings of Sakya and 16 Venerable people, which were made by Cho Ying Dodge in 17th century for Mujing, a member of the Muji family in Lijiang, who is the 10th Karmapa sect of Tibetan Buddhism. This group of works has high artistic value, because of the work of religious leaders, it has higher symbolic significance. This article uses this group of religious paintings as a breakthrough point to analyze the struggle between the state and religion in Tibet. The formation of the relationship between Karma Kagyu and Mushi Tusi was the historical background of the southward shift of the Karma Kagyu mission center at the end of 17th century. However, the southward shift of Karma Kagyu Missionary Center had a profound influence on the distribution pattern of Tibetan Buddhism and Tibetan Buddhist art in Yunnan.
【作者單位】： 中央民族大學(xué)歷史文化學(xué)院;
【基金】：國家社會科學(xué)基金項目“護(hù)法神廢供問題對云南藏區(qū)的影響研究”階段成果(項目編號:14BMZ035)
【分類號】：B949;K879.4

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