【摘要】：正珍珠與玉向來并稱于世,是中國人審美意識(shí)和文化傳承的載體。中國具有非常悠久的使用珍珠的歷史。在古代,珍珠不僅具有裝飾功能和經(jīng)濟(jì)價(jià)值,還是社會(huì)等級(jí)的象征。圓美,豐盈,瑩潤(rùn),流轉(zhuǎn),這些由珍珠的形態(tài)而獲得的審美感悟,也成了沿襲至今的審美情趣和美學(xué)追求。古人將珍珠分為九品,以形態(tài)渾圓、色澤瑩潤(rùn)為美,形體傾斜不正或有皺褶、色澤帶有黃暈,都屬于是瑕疵。而珍珠的顆粒越大,圓美光潔,能發(fā)出七彩的虹光,就越值錢,也就是所謂的"一分圓一分錢"。清人趙翼的《檐曝雜記》,對(duì)清
[Abstract]:Zhenzhu and Jade have always been known in the world, is the carrier of Chinese aesthetic consciousness and cultural heritage. China has a very long history of using pearls. In ancient times, pearls not only had decorative function and economic value, but also a symbol of social class. Round beauty, abundance, glittering, circulation, these aesthetic perception obtained from the form of pearls, has also become the aesthetic taste and aesthetic pursuit. The ancients divided pearls into nine products: round in shape, beautiful in lustre, uneven or wrinkled in shape, yellow in color and blemish. The bigger the pearl is, the more beautiful it is, and the more valuable it is, the more valuable it is. Zhao Yi of Qing Dynasty "Eaves exposure Miscellaneous Notes", to the Qing Dynasty
【分類號(hào)】：K209

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