【摘要】：達(dá)姆羅什將"世界文學(xué)"視為一種關(guān)系,將民族文學(xué)以翻譯的方式推進(jìn)到全球文學(xué)傳播和全球閱讀的流程與空間當(dāng)中。本文借助于這種"世界文學(xué)"理論,重新審視海外漢學(xué)研究中的"西方主義"與"東方主義"傾向,指出兩者有其相通之處,都致力于強(qiáng)化中西差異,形塑先進(jìn)文明的西方形象,往往輕易地把中西文學(xué)的不對(duì)等現(xiàn)象簡(jiǎn)單歸之為"扭曲"或"誤用"。"西方主義"所蘊(yùn)含的精英本位的意識(shí),也忽略了現(xiàn)代性不只是知識(shí)精英的文化博弈,它同時(shí)也指向日常生活和大眾實(shí)踐。在世界文學(xué)語(yǔ)境下,民族文學(xué)的觀念已經(jīng)漸漸喪失其權(quán)威性和概括力,世界文學(xué)呈現(xiàn)出一種"微弱的本質(zhì)主義",由此打開(kāi)了認(rèn)識(shí)和解讀海外漢學(xué)的更大空間。
[Abstract]:Darmrosh regards "world literature" as a kind of relationship, and pushes national literature into the process and space of global literary communication and global reading by means of translation. With the help of this theory of "world literature", this paper reexamines the tendency of "westernism" and "Orientalism" in the study of Sinology abroad, and points out that both of them have something in common and are committed to strengthening the differences between China and the West. In shaping the western image of advanced civilization, it is easy to categorize the unequal phenomenon of Chinese and western literature as "distortion" or "misuse". " The elitist consciousness contained in Westernism ignores that modernity is not only the cultural game of the intellectual elite, but also points to daily life and popular practice. In the context of world literature, the concept of national literature has gradually lost its authority and generalization, and the world literature presents a kind of "weak essentialism", which opens up a greater space for understanding and interpreting overseas Sinology.
【作者單位】： 蘇州大學(xué)文學(xué)院;
【基金】：國(guó)家社科重大招標(biāo)課題“百年來(lái)中國(guó)文學(xué)海外傳播研究”(項(xiàng)目號(hào)12&ZD161)中期成果
【分類號(hào)】：I106;K207.8
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本文編號(hào)：2236038