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明代宦官的世俗雅趣及詩歌影響

發(fā)布時(shí)間:2018-05-26 17:33

  本文選題:明代宦官 + 世俗雅趣。 參考:《晉陽學(xué)刊》2016年02期


【摘要】:宦官是明代核心權(quán)力階層的重要組成部分,雖沒有閣臣的身份顧慮與道統(tǒng)觀念,但其本身有限的知識背景以及在宮廷氛圍中濡染形成的審美趣味與世俗心態(tài),都不可能產(chǎn)生特別的詩歌關(guān)注。雖也有些頗具儒風(fēng)的宦官,但真正進(jìn)入權(quán)力核心的太監(jiān)群體多為狡黠之輩,學(xué)識不足且無道德約束,即便是自抬身價(jià)的延攬行為,關(guān)注重點(diǎn)亦多在名氣聲望,于詩文本身并不留意。
[Abstract]:Eunuch is an important part of the core power stratum in Ming Dynasty. Although there is no official identity concern and Taoist concept, eunuchs themselves have limited knowledge background and aesthetic taste and secular mentality formed in the palace atmosphere. It is impossible to generate any particular poetic attention. Although there are also some Confucian eunuchs, the eunuchs who really enter the core of power are mostly crafty people, with insufficient knowledge and no moral restraint. Even if they are soliciting their own value, they pay more attention to the fame and prestige of the eunuchs. Yu did not pay attention to the poem itself.
【作者單位】: 山西大學(xué)文學(xué)院;
【分類號】:K248
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本文編號:1938213

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