發(fā)布時(shí)間：2018-03-19 00:16

  本文選題：漢代禮儀文化　切入點(diǎn)：冠禮　出處：《陜西科技大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)歷經(jīng)五千年的歷史洗禮,凝練出一套相對(duì)完整的禮儀思想和禮儀規(guī)范,其精髓融入到民族的潛意識(shí)里,表現(xiàn)在日常的行為活動(dòng)之中。而漢代禮儀文化在豐富的物質(zhì)基礎(chǔ)與統(tǒng)治者政治需求的條件下備受推崇,形成了較為完整的倫理道德與行為規(guī)范。獲取漢代禮儀文化的設(shè)計(jì)語(yǔ)言融入到現(xiàn)代設(shè)計(jì)中,對(duì)民族而言,能引起人們對(duì)漢代禮儀的深思和向往,提高民族的文化素養(yǎng),增加民族的文化凝聚力。就社會(huì)而言,漢代禮儀文化是一套完善的禮制,運(yùn)用到設(shè)計(jì)中可以間接地融入人們的日常生活,輔助性地喚醒人們的守禮意識(shí),對(duì)于維系社會(huì)秩序穩(wěn)定有無形的推動(dòng)作用。對(duì)產(chǎn)品設(shè)計(jì)而言,文化元素的融入增強(qiáng)了設(shè)計(jì)的故事性和內(nèi)涵性,凸顯設(shè)計(jì)產(chǎn)品的獨(dú)特風(fēng)格和精神魅力,增加了產(chǎn)品在國(guó)際市場(chǎng)中的競(jìng)爭(zhēng)力。本課題是研究凝結(jié)于漢代禮儀文化之中的設(shè)計(jì)語(yǔ)言,并將設(shè)計(jì)語(yǔ)言運(yùn)用到產(chǎn)品設(shè)計(jì)實(shí)踐中的一套較為完整的方法模型。依據(jù)漢代禮儀文化的人文特征,將其顯性文化特征和隱性文化特征通過方法模型視覺化地展示出來并應(yīng)用到產(chǎn)品設(shè)計(jì)中,實(shí)現(xiàn)產(chǎn)品文化價(jià)值和實(shí)用價(jià)值的有機(jī)統(tǒng)一,設(shè)計(jì)出滿足市場(chǎng)需求的特色文化產(chǎn)品,從而提升設(shè)計(jì)對(duì)象的內(nèi)涵,增強(qiáng)整體效益和國(guó)際競(jìng)爭(zhēng)力,促進(jìn)漢代禮儀文化的傳承和創(chuàng)新。最后以腕表設(shè)計(jì)的項(xiàng)目為載體,驗(yàn)證方法模型的可行性。本研究的主要研究?jī)?nèi)容如下:第一、分析國(guó)內(nèi)外設(shè)計(jì)語(yǔ)言的相關(guān)理論及方法的研究現(xiàn)狀,為本課題提供方法和理論基礎(chǔ)。第二、分析漢代禮儀文化并對(duì)漢代禮儀文化進(jìn)行深度挖掘,將漢代禮儀的服飾、禮器、儀式流程、社會(huì)背景和象征寓意進(jìn)行分析和研究。第三、提取漢代禮儀文化中具有較強(qiáng)識(shí)別性的視覺符號(hào),凝練出一套具有漢代禮儀文化特征的設(shè)計(jì)語(yǔ)義,并與設(shè)計(jì)詞匯進(jìn)行組合為漢代禮儀文化的設(shè)計(jì)語(yǔ)言。第四、探究用戶需求和設(shè)計(jì)語(yǔ)言的相關(guān)性,篩選出滿足目標(biāo)用戶需求權(quán)重較高的設(shè)計(jì)語(yǔ)言。使用形狀文法的推演規(guī)則,對(duì)漢代禮儀文化的設(shè)計(jì)語(yǔ)言進(jìn)行推演變形,得到新的設(shè)計(jì)語(yǔ)言。第五、以腕表的設(shè)計(jì)項(xiàng)目為案例,進(jìn)行項(xiàng)目的策劃和實(shí)施,驗(yàn)證方法模型的可行性,為傳承和發(fā)展?jié)h儀文化,設(shè)計(jì)具有文化內(nèi)涵的產(chǎn)品貢獻(xiàn)力量。研究蘊(yùn)含于漢代禮儀文化中的設(shè)計(jì)語(yǔ)言提取與應(yīng)用的方法模型,以冠禮文化為目標(biāo)對(duì)象并運(yùn)用在腕表的設(shè)計(jì)中驗(yàn)證了方法模型的可行性,提升設(shè)計(jì)對(duì)象的文化內(nèi)涵,推動(dòng)文化設(shè)計(jì)活動(dòng)的展開。以此為基礎(chǔ)為其它中國(guó)傳統(tǒng)文化的研究提供理論依據(jù)及方法模型的參考,進(jìn)而促進(jìn)華夏文明的傳承和發(fā)展。
[Abstract]:After five thousand years of historical baptism, China has condensed out a relatively complete set of etiquette ideas and norms, the essence of which is incorporated into the subconscious mind of the nation. The ritual culture of the Han Dynasty was highly respected under the conditions of abundant material foundation and the political needs of the rulers. The acquisition of the design language of the etiquette culture of the Han Dynasty into the modern design can arouse people's deep thinking and yearning for the etiquette of the Han Dynasty, and improve the cultural literacy of the nation. As far as the society is concerned, the etiquette culture of the Han Dynasty is a set of perfect etiquette system, which can be indirectly integrated into people's daily life and help to arouse people's consciousness of obeying rites. For product design, the integration of cultural elements enhances the story and connotation of design, and highlights the unique style and spiritual charm of design products. This topic is to study the design language condensed in the etiquette culture of the Han Dynasty. And applies the design language to the product design practice a set of relatively complete method model, according to the Han Dynasty etiquette culture humanity characteristic, The explicit and recessive cultural features are visualized and applied to the product design through the method model to realize the organic unification of the product cultural value and the practical value, and to design the characteristic cultural product to meet the market demand. In order to enhance the connotation of the design object, enhance the overall efficiency and international competitiveness, promote the inheritance and innovation of the etiquette culture of the Han Dynasty. The main contents of this study are as follows: first, the current research situation of the relevant theories and methods of design language at home and abroad is analyzed, which provides the method and theoretical basis for this topic. This paper analyzes the etiquette culture of the Han Dynasty and excavates deeply the etiquette culture of the Han Dynasty, and analyzes and studies the dress, ritual ware, ritual process, social background and symbolic meaning of the etiquette of the Han Dynasty. The visual symbols of etiquette culture of Han Dynasty are extracted, and a set of design semantics with the characteristics of etiquette culture of Han Dynasty is condensed out. The design language of etiquette culture of Han Dynasty is combined with the design vocabulary. 4th, This paper explores the correlation between user requirements and design language, and selects the design language with high weight to meet the needs of the target users. By using the deductive rules of shape grammar, the design language of etiquette culture of the Han Dynasty is deformed, and the design language of the etiquette culture of the Han Dynasty is deformed. Get the new design language. 5th, take the wrist watch design project as a case, plan and implement the project, verify the feasibility of the method model, in order to inherit and develop the Han Yi culture, This paper studies the method model of the extraction and application of design language contained in the etiquette culture of the Han Dynasty. Taking the culture of the crown rite as the target object and applying it to the design of wrist watch, the feasibility of the method model is verified. Promote the cultural connotation of the design object, promote the development of cultural design activities, as a basis for the study of other traditional Chinese culture to provide theoretical basis and method model reference, and then promote the inheritance and development of Chinese civilization.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TH714.52;K892.9

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