本文關(guān)鍵詞：明代叢書(shū)編刻研究　出處：《西北大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：在中國(guó)書(shū)籍編纂史上,叢書(shū)作為一種重要的書(shū)籍編纂體例,其價(jià)值不容忽視。關(guān)于叢書(shū)的起源和含義學(xué)界各有說(shuō)辭,本文在此認(rèn)識(shí)基礎(chǔ)上,首先試圖對(duì)這兩個(gè)問(wèn)題作以整合,以期對(duì)古籍叢書(shū)的基本發(fā)展脈絡(luò)有一個(gè)清晰的認(rèn)識(shí),并厘清古籍叢書(shū)的源起問(wèn)題和含義。本文以《儒學(xué)警悟》的問(wèn)世作為叢書(shū)正式出現(xiàn)的標(biāo)志,把宋元時(shí)期作為古籍叢書(shū)發(fā)展的完善時(shí)期,以明代作為古籍叢書(shū)的發(fā)展成熟期,把明代叢書(shū)的編刻出版作為主要研究對(duì)象,從討論明代叢書(shū)的編刻概況入手,主要從明代叢書(shū)的編刻特點(diǎn),類(lèi)目的豐富和目次的細(xì)化,列舉叢書(shū)編刻的典型案例以及戲曲、小說(shuō)類(lèi)叢書(shū)的編刻幾個(gè)方面進(jìn)行說(shuō)明。然后集中探討明代叢書(shū)編刻現(xiàn)象,討論明代叢書(shū)的編刻系統(tǒng),尤其以私坊叢書(shū)編刻現(xiàn)象為討論話(huà)題,來(lái)展現(xiàn)明代叢書(shū)編刻事業(yè)迅速發(fā)展的繁榮因素所在。具體通過(guò)整理明代叢書(shū)編刻的地域分布、時(shí)期分布以及叢書(shū)編刻的種類(lèi)分布特色幾個(gè)方面,來(lái)詳細(xì)說(shuō)明這幾種叢書(shū)編刻現(xiàn)象反映出的社會(huì)文化環(huán)境及人文環(huán)境、自然地域特色等等,藉此來(lái)進(jìn)一步表現(xiàn)明代叢書(shū)出版史上的文化現(xiàn)象,使叢書(shū)本身的編刻能夠與當(dāng)時(shí)各種社會(huì)因素之間的影響聯(lián)系在一起,進(jìn)而把明代叢書(shū)的編刻現(xiàn)象作為一個(gè)文化符號(hào),去更加深入地折射當(dāng)時(shí)的社會(huì)背景以及文化環(huán)境,體現(xiàn)出明代叢書(shū)編刻的價(jià)值及意義所在。
[Abstract]:In the history of Chinese book compilation, the value of series, as an important way of compiling books, can not be ignored. On the basis of this understanding, there are different theories about the origin and meaning of the series. First of all, this paper tries to integrate the two issues in order to have a clear understanding of the basic development of the ancient books series. And clarify the origin and meaning of the series of ancient books. This paper takes the appearance of "Confucian police understanding" as the official symbol of the series, and takes the Song and Yuan dynasties as the perfect period for the development of the series. Taking the Ming Dynasty as the mature period of the development of the series of ancient books, taking the compilation and engraving of the series of books in the Ming Dynasty as the main research object, starting with the discussion of the general situation of the compilation and engraving of the series of books in the Ming Dynasty, mainly from the characteristics of the compilation and engraving of the series of books in the Ming Dynasty. The enrichment of the category and the refinement of the contents, enumerating the typical cases of the series book editing and engraving, as well as the drama, the novel series book compilation and engraving several aspects to explain. Then focuses on the Ming Dynasty series book compilation and engraving phenomenon. This paper discusses the editing and engraving system of the series of books in the Ming Dynasty, especially the phenomenon of compiling and engraving in the private workshops, to show the prosperous factors of the rapid development of the compilation and engraving of the books in the series of books in the Ming Dynasty, specifically through the arrangement of the regional distribution of the editing and engraving of the books in the series of books in the Ming Dynasty. The distribution of the period and the type distribution characteristics of the series of books, to explain in detail the social and cultural environment reflected by the phenomenon of these books compilation and engraving, natural and regional characteristics and so on. In order to further show the Ming Dynasty series published in the history of cultural phenomena, so that the series itself can be edited with the influence of various social factors at that time. Furthermore, the phenomenon of compiling and engraving the series of books in the Ming Dynasty is regarded as a cultural symbol to reflect the social background and cultural environment of that time in a more thorough way, which reflects the value and significance of the compilation and engraving of the series of books in the Ming Dynasty.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：K248

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