雜糅與斷裂:別現(xiàn)代主義與后現(xiàn)代主義的異質(zhì)同構(gòu)
發(fā)布時(shí)間:2018-02-03 00:16
本文關(guān)鍵詞: 別現(xiàn)代 跨越式停頓 斷裂 創(chuàng)新 主義 出處:《湖南社會(huì)科學(xué)》2017年05期 論文類型:期刊論文
【摘要】:王建疆教授提出的"別現(xiàn)代"主義本是對(duì)中國(guó)當(dāng)下社會(huì)形態(tài)和歷史發(fā)展階段所呈現(xiàn)出的前現(xiàn)代、現(xiàn)代、后現(xiàn)代的雜糅、跨界、交織所做的抽象概括,但這一理論卻很快引起一些西方學(xué)者的"誤讀",他們認(rèn)為別現(xiàn)代現(xiàn)象絕非中國(guó)僅有,西方的某些被定義為后現(xiàn)代的藝術(shù)也屬于別現(xiàn)代藝術(shù)。這種誤讀的背后是中國(guó)社會(huì)形態(tài)的雜糅與西方后現(xiàn)代藝術(shù)的雜糅之間的異質(zhì)同構(gòu),是別現(xiàn)代主義超越別現(xiàn)代共時(shí)態(tài)存在而書(shū)寫(xiě)別樣現(xiàn)代性的斷代史之間的異質(zhì)同構(gòu)。別現(xiàn)代的跨越式停頓暨切割理論是西方藝術(shù)的主義紛呈、流派林立的最好解釋,是西方藝術(shù)史的總結(jié),同時(shí)也是對(duì)中國(guó)前現(xiàn)代黏糊意識(shí)的突破,是異質(zhì)同構(gòu)中的未來(lái)指向。在經(jīng)歷了相當(dāng)長(zhǎng)的缺乏原創(chuàng)的歷史時(shí)期后,別現(xiàn)代主義將會(huì)在于前現(xiàn)代主義和后現(xiàn)代主義的較量與磨合中發(fā)展自身,并在國(guó)際學(xué)術(shù)的異質(zhì)同構(gòu)中體現(xiàn)出既獨(dú)立又關(guān)聯(lián)的時(shí)代精神。
[Abstract]:Professor Wang Jianjiang's "non-modern" doctrine is an abstract summary of the present social formation and historical development stage of China, which is a mixture of pre-modern, modern, post-modern, cross-border and intertwined. However, this theory soon caused some Western scholars to "misread", they think that the modern phenomenon is not the only one in China. Some western art which is defined as post-modern art also belongs to other modern art. Behind this misreading is the heterogeneity and isomorphism between the hybridity of Chinese social formation and the mixture of western post-modern art. It is the heterogeneity and isomorphism between modernism that transcends the existence of modern syntenses and writes about the history of different modernity. The theory of leapfrogging and cutting in modern times is the doctrine of western art. The best explanation of all schools is the summary of western art history, the breakthrough of China's pre-modern sticky consciousness, and the future direction of heterogeneous isomorphism. After a long historical period of lack of originality. Different modernism will develop itself in the contest and running-in of pre-modernism and postmodernism and embody the spirit of the times which is both independent and interrelated in the heterogeneous isomorphism of international academic.
【作者單位】: 上海師范大學(xué)人文與傳播學(xué)院;
【基金】:國(guó)家社科基金項(xiàng)目《別現(xiàn)代語(yǔ)境中的英雄解構(gòu)與建構(gòu)問(wèn)題研究》(15BZW025)階段性成果 上海高校高峰學(xué)科建設(shè)計(jì)劃資助“中國(guó)語(yǔ)言文學(xué)”階段性成果 上海師范大學(xué)藝術(shù)學(xué)理論重點(diǎn)學(xué)科(A-0233-16-002014)成果
【分類號(hào)】:D092
【正文快照】: 一、別現(xiàn)代理論何以引起西方的“誤讀” “別現(xiàn)代”主義,是王建疆教授對(duì)中國(guó)當(dāng)下社會(huì)環(huán)境、歷史時(shí)期所呈現(xiàn)出的前現(xiàn)代、現(xiàn)代、后現(xiàn)代的雜糅面貌進(jìn)行的抽象概括。他指出:“中國(guó)正處于特定的歷史時(shí)期和特定的社會(huì)形態(tài)中,這里既有高度發(fā)展的現(xiàn)代化物質(zhì)基礎(chǔ),又有前現(xiàn)代的意識(shí)形態(tài),
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