本文選題：絲綢之路 + 一帶一路��； 參考：《北京舞蹈學院學報》2017年01期

【摘要】："絲綢之路"在中國文化體系中占有重要地位,舞蹈也以自己獨有的藝術魅力和語言特色進行絲路主題的創(chuàng)作。新時期中國舞蹈界掀起了新一輪的以"絲綢之路"為題材的舞劇創(chuàng)作高潮,涌現(xiàn)出了諸如《絲路長城》《絲綢之路》《碧海絲路》《絲路暢想》《圓夢絲路》等一系列舞劇作品。筆者選取了20世紀70年代末首部"絲路"題材的舞劇《絲路花雨》以及2016年新創(chuàng)舞劇《絲路長城》與《絲綢之路》為代表進行分析,討論集中于如何在龐大的歷史資源中架構起劇作并以舞蹈語言來進行表現(xiàn),在舞劇的敘事性與表現(xiàn)性之張力中形成更強的藝術感染力。在此基礎上,取更宏觀的視角將其放在中國舞劇發(fā)展的文脈中以探討其有哪些承繼與新的突破,以及作為典型的中國題材怎樣進行表現(xiàn)、如何進行當代轉(zhuǎn)換以面對當下的觀眾等問題。
[Abstract]:The Silk Road plays an important role in the Chinese cultural system, and dance creates the theme of Silk Road with its unique artistic charm and language characteristics. In the new era, the Chinese dance circles set off a new wave of dance drama with the theme of "Silk Road", and a series of works such as "Silk Road the Great Wall", "Silk Road", "Bihai Silk Road", "Silk Road Vision", "Silk Road" and so on emerged. The writer selected the first "Silk Road" dance play "Silk Road Flower Rain" at the end of 1970s, as well as "Silk Road the Great Wall" and "Silk Road" as the representatives of the new dance drama "Silk Road" in 2016. The discussion focuses on how to construct plays in the huge historical resources and express them in dance language, and form a stronger artistic appeal in the tension of narrative and expressiveness of dance plays. On this basis, take a more macro perspective to put it in the context of the development of Chinese dance dramas to explore its succession and new breakthroughs, as well as a typical Chinese theme how to perform. How to carry on the contemporary transformation to face the present audience and so on question.
【作者單位】： 北京舞蹈學院教務處;
【分類號】：J723

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本文編號：2067268