【摘要】：自人類(lèi)有文化以來(lái),文化創(chuàng)意就伴隨著人類(lèi)歷史發(fā)展的腳步。當(dāng)今時(shí)代,科學(xué)技術(shù)迅猛發(fā)展,文化與經(jīng)濟(jì)、政治的融合更加緊密,在經(jīng)濟(jì)社會(huì)發(fā)展中發(fā)揮著越來(lái)越大的作用,文化創(chuàng)意已成為21世紀(jì)的“新寵”。不僅成為人們展示聰明才智的新平臺(tái),更成為帶動(dòng)創(chuàng)業(yè)的新支點(diǎn),而且還成為拉動(dòng)經(jīng)濟(jì)增長(zhǎng)的新引擎。因此,對(duì)文化創(chuàng)意進(jìn)行哲學(xué)探討和思考,具有十分重要的理論意義和現(xiàn)實(shí)意義。本文第一部分回答的是“何為文化創(chuàng)意”。運(yùn)用馬克思、恩格斯的文化觀,對(duì)文化創(chuàng)意的內(nèi)涵特質(zhì)進(jìn)行了分析和探討。認(rèn)為文化創(chuàng)意是指以文化為元素、融合多種文化形態(tài)、充分發(fā)揮思維和意識(shí)的能動(dòng)性、利用不同資源和載體而進(jìn)行再造與創(chuàng)新的文化現(xiàn)象。它具有創(chuàng)造性、人文性與具象性的基本特征。文化創(chuàng)意是一個(gè)系統(tǒng),它由文化創(chuàng)意的主體、客體、手段和形態(tài)等要素所構(gòu)成。模仿型文化創(chuàng)意、改進(jìn)型文化創(chuàng)意、創(chuàng)造型文化創(chuàng)意,構(gòu)成了文化創(chuàng)意的基本類(lèi)型。論文的第二部分探討了“文化創(chuàng)意何以可能”。文化創(chuàng)意如何發(fā)生,何以可能?這既有其現(xiàn)實(shí)依據(jù)和哲學(xué)基礎(chǔ),同時(shí)也有其存在和發(fā)生的主客觀條件。經(jīng)濟(jì)可持續(xù)發(fā)展、建設(shè)創(chuàng)新型國(guó)家與提升文化軟實(shí)力的需要,是文化創(chuàng)意趨熱的現(xiàn)實(shí)基礎(chǔ);馬克思主義哲學(xué)的意識(shí)能動(dòng)性原理、精神生產(chǎn)原理與具象思維原理,是文化創(chuàng)意存在的哲學(xué)基礎(chǔ);文化創(chuàng)意的發(fā)生還需要必備的主觀條件與客觀環(huán)境。論文的第三部分探討“如何進(jìn)行文化創(chuàng)意”。這是問(wèn)題的關(guān)鍵點(diǎn)和落腳點(diǎn)。筆者認(rèn)為,從思想指導(dǎo)來(lái)說(shuō),必須遵循文化創(chuàng)意的獨(dú)立運(yùn)行、自由創(chuàng)造、文化轉(zhuǎn)型的規(guī)律;從實(shí)踐過(guò)程來(lái)說(shuō),必須把握策劃、實(shí)施、結(jié)果、檢驗(yàn)的文化創(chuàng)意環(huán)節(jié);從具體做法來(lái)說(shuō),必須注重從國(guó)家、社會(huì)與個(gè)人三層面制定切實(shí)可行的發(fā)展戰(zhàn)略和對(duì)策措施,從而讓文化創(chuàng)意更好地發(fā)揮它的作用和威力。
[Abstract]:Since human beings have culture, cultural creativity has been accompanied by the development of human history. Nowadays, with the rapid development of science and technology, the integration of culture, economy and politics is closer, and plays a more and more important role in economic and social development. Cultural creativity has become the "new favorite" of the 21st century. It has not only become a new platform for people to show intelligence, but also a new fulcrum to drive entrepreneurship, but also a new engine to stimulate economic growth. Therefore, it is of great theoretical and practical significance to discuss and think about cultural creativity. The first part of this article answers "what is cultural creativity". Based on Marx and Engels' view of culture, this paper analyzes and probes into the connotation and characteristics of cultural creativity. It is considered that cultural creativity refers to the cultural phenomenon which takes culture as the element, merges various cultural forms, gives full play to the initiative of thinking and consciousness, and makes use of different resources and carriers to reconstruct and innovate. It has the basic characteristics of creativity, humanism and representativeness. Cultural creativity is a system, which is composed of the subject, object, means and form of cultural creativity. Imitating cultural creativity, improved cultural creativity, creative cultural creativity, constitute the basic type of cultural creativity. The second part of the paper discusses how cultural creativity is possible. How and how is cultural creativity possible? This not only has its realistic basis and philosophical basis, but also has its subjective and objective conditions for its existence and occurrence. The need for sustainable economic development, the construction of an innovative country and the promotion of cultural soft power is the realistic basis for the heating of cultural creativity. The principle of consciousness initiative, the principle of spiritual production and the principle of concrete thinking of Marxist philosophy are the philosophical basis of the existence of cultural creativity, and the occurrence of cultural creativity also needs the necessary subjective conditions and objective environment. The third part of the paper discusses how to carry out cultural creativity. This is the key point and foothold of the problem. The author believes that, from the point of view of ideological guidance, we must follow the law of independent operation, free creation and cultural transformation of cultural creativity, and from the point of view of practice, we must grasp the cultural creative links of planning, implementation, result and test. From the specific approach, we must pay attention to the formulation of practical development strategies and countermeasures from the national, social and individual levels, so that cultural creativity can better play its role and power.
【學(xué)位授予單位】：中共湖南省委黨校
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：G02

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