非物質(zhì)文化視野下的羌族文化空間研究
發(fā)布時間：2018-10-10 06:06
【摘要】：羌族是一個歷史悠久的民族，在漫長的歷史過程中羌族人們創(chuàng)造了豐富的物質(zhì)財富和精神財富，并保留下來豐富的文化遺產(chǎn)，包括物質(zhì)文化遺產(chǎn)和非物質(zhì)文化遺產(chǎn)。這些文化遺產(chǎn)承載著羌族樸實而悠遠的歷史音符，不僅影響世代羌民的生活，而且，從不同的側(cè)面反映羌族文化的獨特性。 物質(zhì)文化是精神文化的載體，精神文化是一個社會的文化核心。我們在不同的歷史階段可以看到羌族是如何形成發(fā)展的，同時可以看到在各個階段其社會結(jié)構(gòu)、生產(chǎn)方式、生活方式。近代以來，特別在5.12地震以后，羌族文化遭受巨大損失以后，羌族的文化遺產(chǎn)越來越受到學術(shù)界的關(guān)注。這與羌族在中國歷史上的地位分不開，也與羌族文化遺產(chǎn)在中國這個“多元一體”格局中扮演的角色分不開。按學術(shù)上分類：“遺產(chǎn)”可以分為兩大類即自然遺產(chǎn)和文化遺產(chǎn)，而文化遺產(chǎn)又可以分為物質(zhì)文化和非物質(zhì)文化遺產(chǎn)。 本文是關(guān)于非物質(zhì)文化遺產(chǎn)中文化空間的初步探索。所謂文化空間，即指一個有自己固定的場所，并且會在這個固定的場所里周期性的舉辦有規(guī)模的民間傳統(tǒng)活動整體概念，屬于非物質(zhì)文化遺產(chǎn)，，是羌民族文化的重要組成部分。它伴隨著羌人從遠古走到現(xiàn)在，不斷影響著羌族人的生活，并在流變中形成相對固定的模式。從某種程度上，它是羌族文化傳承的一條紐帶。 本文從火塘坪、神樹坪勒色坪、女神梁子、芋初壩、議話坪等文化空間展開，根據(jù)羌族非物質(zhì)文化遺產(chǎn)特征和人類學理論研究方法，本人嘗試運用結(jié)構(gòu)功能主義理論對羌族非物質(zhì)文化遺產(chǎn)中的文化空間保護進行了解析。論證結(jié)果顯示無論羌族火塘文化空間、神樹坪勒色坪、女神梁子、芋初壩、議話坪都在以不同的方式推動羌族社會的繁榮和交流。這些文化空間有序的呈現(xiàn)在羌族各個村落。由這些獨特的村落，構(gòu)成了文化濃重錯落有序的羌人谷。
[Abstract]:Qiang nationality is a nation with a long history. In the long history, Qiang people created rich material wealth and spiritual wealth, and preserved rich cultural heritage, including material cultural heritage and intangible cultural heritage. These cultural heritages carry the simple and distant historical notes of Qiang nationality, which not only affect the life of Qiang people for generations, but also reflect the uniqueness of Qiang culture from different aspects. Material culture is the carrier of spiritual culture, and spiritual culture is the core of a society. We can see how Qiang people form and develop at different stages of history, and at the same time, we can see its social structure, production mode and way of life in each stage. Since modern times, especially after the May 12 earthquake, the Qiang culture has suffered great losses, and the Qiang cultural heritage has been paid more and more attention by the academic circles. This is inseparable from the Qiang nationality's position in Chinese history and the role played by Qiang's cultural heritage in this "pluralistic" pattern of China. According to academic classification, "heritage" can be divided into two categories: natural heritage and cultural heritage, and cultural heritage can be divided into material culture and intangible cultural heritage. This article is about the preliminary exploration of the cultural space in the intangible cultural heritage. The so-called cultural space, that is, a fixed place, and in this fixed place will periodically hold a scale of traditional folk activities as a whole concept, belong to the intangible cultural heritage, is an important part of the Qiang national culture. It is accompanied by the Qiang people from ancient times to now, and constantly affects the life of Qiang people, and forms a relatively fixed pattern in the evolution. To some extent, it is the Qiang cultural heritage of a link. Based on the cultural space of Huotangping, Shenshuping, Goddess Liangzi, Yushuba and Yiping, according to the characteristics of Qiang's intangible cultural heritage and anthropological theoretical research methods, I try to use the theory of structural functionalism to analyze the cultural space protection of the Qiang intangible cultural heritage. The results show that no matter the Qiang Fokang cultural space, Shenshupingle Seping, Goddess Liangzi, Yushuba, Yiping are promoting the prosperity and communication of Qiang society in different ways. These cultural spaces are presented in an orderly manner in various Qiang villages. From these unique villages, constitute a cultural disorder of the Qiang people Valley.
【學位授予單位】：西藏民族學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：G122
本文編號：2260920
[Abstract]:Qiang nationality is a nation with a long history. In the long history, Qiang people created rich material wealth and spiritual wealth, and preserved rich cultural heritage, including material cultural heritage and intangible cultural heritage. These cultural heritages carry the simple and distant historical notes of Qiang nationality, which not only affect the life of Qiang people for generations, but also reflect the uniqueness of Qiang culture from different aspects. Material culture is the carrier of spiritual culture, and spiritual culture is the core of a society. We can see how Qiang people form and develop at different stages of history, and at the same time, we can see its social structure, production mode and way of life in each stage. Since modern times, especially after the May 12 earthquake, the Qiang culture has suffered great losses, and the Qiang cultural heritage has been paid more and more attention by the academic circles. This is inseparable from the Qiang nationality's position in Chinese history and the role played by Qiang's cultural heritage in this "pluralistic" pattern of China. According to academic classification, "heritage" can be divided into two categories: natural heritage and cultural heritage, and cultural heritage can be divided into material culture and intangible cultural heritage. This article is about the preliminary exploration of the cultural space in the intangible cultural heritage. The so-called cultural space, that is, a fixed place, and in this fixed place will periodically hold a scale of traditional folk activities as a whole concept, belong to the intangible cultural heritage, is an important part of the Qiang national culture. It is accompanied by the Qiang people from ancient times to now, and constantly affects the life of Qiang people, and forms a relatively fixed pattern in the evolution. To some extent, it is the Qiang cultural heritage of a link. Based on the cultural space of Huotangping, Shenshuping, Goddess Liangzi, Yushuba and Yiping, according to the characteristics of Qiang's intangible cultural heritage and anthropological theoretical research methods, I try to use the theory of structural functionalism to analyze the cultural space protection of the Qiang intangible cultural heritage. The results show that no matter the Qiang Fokang cultural space, Shenshupingle Seping, Goddess Liangzi, Yushuba, Yiping are promoting the prosperity and communication of Qiang society in different ways. These cultural spaces are presented in an orderly manner in various Qiang villages. From these unique villages, constitute a cultural disorder of the Qiang people Valley.
【學位授予單位】：西藏民族學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：G122
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