【摘要】：秀山“龍鳳花燭”工藝是2007年重慶市第一批非物質(zhì)文化遺產(chǎn)名錄傳統(tǒng)技藝類。秀山龍鳳花燭是秀山地區(qū)婚嫁禮俗中拜堂成親必不可少的聯(lián)姻信物。其神態(tài)鮮活,色澤富麗,龍纏鳳繞,喜氣環(huán)生,在中國龍鳳花燭的制作領域中獨樹一幟。制作秀山龍鳳花燭這一過程實際上融合了為數(shù)眾多的傳統(tǒng)工藝,故而其美學研究價值和觀賞價值也不可謂不高,可以算得上中國傳統(tǒng)技藝體系中的一個頗具特色的樣式,對研究苗族、土家族等少數(shù)民族聚居區(qū)域的婚嫁禮俗之類形式有著不可忽視的價值。其秀山龍鳳花燭獨特的制作技藝和造型藝術是秀山當?shù)丶爸苓叺貐^(qū)人民的生活觀、價值觀、愛情觀及審美觀具有深遠的影響。本研究將通過相關傳統(tǒng)工藝本體保護和功能保護的基本規(guī)律研究,梳理出地方性傳統(tǒng)工藝在當下的社會生態(tài)下本體保護與功能保護的一般規(guī)律和原則,提出一些發(fā)展方法和路徑,為傳統(tǒng)手工藝的本體保護和功能保護提供理論指導。為相似的傳統(tǒng)工藝的本體和功能保護提供經(jīng)驗和借鑒。本文以藝術人類學、藝術學理論作為指導,以秀山龍鳳作為研究對象,采用人類學田野調(diào)查方法,深入調(diào)查與探索秀山龍鳳花燭技藝和當?shù)亓曀�。論文主要分為三大部�?第一部分介紹中國燭和龍鳳圖騰的源起和崇拜。梳理出在傳統(tǒng)婚慶中燭和龍鳳圖騰的特殊意義。第二部分介紹了秀山龍鳳花燭以及制作。第三步部分描述和分析了秀山當?shù)氐幕樗缀妄堷P花燭的聯(lián)系。進一步反思若是一系列非物質(zhì)文化遺產(chǎn)賴以生存的生態(tài)系統(tǒng)在不斷變遷中帶來的各種消極影響,故而,最理想的保護非物質(zhì)文化遺產(chǎn)效果就在于對非物質(zhì)文化遺產(chǎn)文化生態(tài)系統(tǒng)。而要做到這一點,實際上就是要求對其所屬的系統(tǒng)中內(nèi)部一系列要素彼此間存在的關系做出必要的協(xié)調(diào),從而使得其中一系列變量因素可以時刻處于動態(tài)發(fā)展的、整體和諧的過程之內(nèi)。
[Abstract]:Xiushan "Dragon and Phoenix Candle" process is the first batch of intangible cultural heritage list of traditional skills in Chongqing in 2007. Xiushan Dragon and Phoenix Flower Candle is an indispensable marriage token in the ceremony of marriage and marriage in Xiushan area. Its fresh air, rich color, dragon wrapped around the Phoenix, happy ring-born, in the Chinese dragon-Phoenix candle production field unique. The process of making dragon and Phoenix flowers and candles in Xiushan actually combines a large number of traditional techniques, so its aesthetic research value and ornamental value are not too high, which can be regarded as one of the distinctive styles in the traditional Chinese art system. It is of great value to study the marriage ceremony and customs of Miao nationality, Tujia nationality and other minority areas. Its unique skill of making dragon and Phoenix candle and its plastic arts are the people's view of life, values, love and aesthetics in Xiushan and its surrounding areas. This study will sort out the general laws and principles of ontology protection and functional protection of local traditional technology under the current social ecology through the research of the basic laws of the traditional process ontology protection and function protection. Some developing methods and paths are put forward to provide theoretical guidance for the protection of traditional handicraft body and function. To provide experience and reference for the ontology and functional protection of similar traditional processes. Guided by the theory of art anthropology and art, this paper takes Xiushan dragon and Phoenix as the research object, and adopts the anthropological field investigation method to deeply investigate and explore Xiushan dragon and Phoenix flower candle skill and local custom. The first part introduces the origin and worship of Chinese candle and dragon and Phoenix totem. Combing out the special significance of candle and dragon and Phoenix totem in the traditional wedding celebration. The second part introduces Xiushan Dragon and Phoenix Candle and its making. The third part describes and analyzes the relationship between local wedding customs and dragon and Phoenix candles in Xiushan. Reflecting further on the negative effects of a series of immaterial cultural heritage ecosystems that are constantly changing, The most ideal effect of protecting intangible cultural heritage lies in the cultural ecosystem of intangible cultural heritage. In order to do this, in fact, it is necessary to coordinate the relationship between a series of elements in the system to which they belong, so that a series of variables can be dynamically developed at all times. Within the process of overall harmony.
【學位授予單位】：四川美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K892.22

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