本文選題：說唱文學(xué) + 活態(tài)文本��； 參考：《文化遺產(chǎn)》2017年06期

【摘要】：由于學(xué)科體系的劃分和學(xué)術(shù)傳統(tǒng)的差異,說唱文學(xué)的研究長期以來存在案頭(紙質(zhì)文本)和田野(口頭文本)分野的問題。以說書為中心的說唱文學(xué)研究發(fā)現(xiàn),活態(tài)文本是說唱藝人每一次現(xiàn)場表演過程中所產(chǎn)生的文本,是從紙質(zhì)文本到口頭文本之間的"正在進(jìn)行時(shí)"文本樣態(tài)。它的提出本質(zhì)上是一種方法和視角上的轉(zhuǎn)換,這種轉(zhuǎn)換可以透過說唱表演現(xiàn)場,把案頭和田野勾連起來,從而在文本生成過程中發(fā)現(xiàn)包括傳承觀念、傳承空間、傳承手段、傳承內(nèi)容等要素在內(nèi)的說唱文學(xué)傳承機(jī)制�；顟B(tài)文本的提出及其內(nèi)部機(jī)制的研究有助于打破文獻(xiàn)與口頭各成一家的學(xué)術(shù)壁壘,讓活態(tài)文本架起紙質(zhì)文獻(xiàn)與口頭文本之間的橋梁,活化保存于紙面的文字,激活優(yōu)秀傳統(tǒng)民間文化的時(shí)代活力,只有這樣,說唱文學(xué)才有可能繼續(xù)成為民眾文化生活之一種。
[Abstract]:Due to the division of discipline system and the difference of academic tradition, the research on the literature of talking and singing has been divided between the paper text and the field (oral text) for a long time. The study on the narrative literature shows that the living text is the text produced by the rapper during each live performance, and it is the "ongoing" text form between the paper text and the oral text. Its presentation is essentially a transformation of methods and perspectives, which can connect the desk and the field through the rap performance scene, and thus discover in the process of text generation, including the concept of inheritance, the space of inheritance, the means of inheritance. Inheritance content and other elements of the literary heritage mechanism. The proposal of living text and the study of its internal mechanism can help to break the academic barrier of literature and oral text, and let live text build up the bridge between paper document and oral text, and activate the text stored on paper. Only in this way, can we continue to become one of the people's cultural life.
【作者單位】： 河南省社會科學(xué)院中原文化研究雜志社;
【分類號】：I206.2;K890

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