本文選題：喪文化 + 習(xí)得性無(wú)助��； 參考：《編輯之友》2017年09期

【摘要】：網(wǎng)絡(luò)流行的"喪文化"具有習(xí)得性無(wú)助理論所闡釋的表征,其心理誘因則來(lái)自生存環(huán)境和生活壓力。除了頹廢、麻木之外,"喪文化"同時(shí)也具有更為復(fù)雜的"亞文化光譜",蘊(yùn)藏著自我強(qiáng)化、狂歡、戲謔、抗議、消解、反思、自我否定等豐富的文化內(nèi)涵。同時(shí),喪文化也呈現(xiàn)了"反諷"的形態(tài)與功能,并把反諷指向了自身,形成了獨(dú)特的"自我反諷",從而成為當(dāng)代青年階層網(wǎng)絡(luò)文化的公約數(shù)之一。
[Abstract]:The popular "mourning culture" is characterized by the theory of learned helplessness, and its psychological inducement comes from living environment and life pressure. In addition to decadence and numbness, "mourning culture" also has a more complex "sub-cultural spectrum", which contains rich cultural connotations such as self-strengthening, carnival, banter, protest, deconstruction, reflection, self-denial and so on. At the same time, the funeral culture also presents the form and function of "irony", and points the irony to itself, forming a unique "self-irony", thus becoming one of the common divisor of the network culture of the contemporary youth class.
【作者單位】： 南京大學(xué)新聞傳播學(xué)院;
【分類號(hào)】：G122
，

本文編號(hào)：1785963