本文關鍵詞： 鐘山文化景觀遺產(chǎn) 景觀組合 遺產(chǎn)分析 遺產(chǎn)價值　出處：《南京藝術學院》2016年博士論文　論文類型：學位論文

【摘要】：本文以鐘山文化景觀遺產(chǎn)為研究對象,在文獻整理、田野調查基礎上,運用分析比較等方法,梳理鐘山文化景觀的歷史沿革與景觀組合,將鐘山文化景觀歸結為四大價值承載要素:鐘山的自然形勝與“龍蟠虎踞”的城市空間格局;豐厚的宗教古跡、六朝諸帝陵墓遺址與明孝陵、中山陵建筑群;鐘山的園林景觀與特色植被。從山水與城市、自然與人文、植被與建筑等方面論證鐘山為什么屬于文化景觀遺產(chǎn),判定鐘山文化景觀的遺產(chǎn)屬性,分析其中的文化內涵、歷史節(jié)點、藝術特征,并從哲學、美學、生態(tài)學、經(jīng)濟學的角度研究遺產(chǎn)形成過程中人與自然的共同作用。提煉出鐘山文化景觀的遺產(chǎn)價值:鐘山文化景觀作為中華大地一處重要的承載皇權、墓葬、歸隱等俗世價值觀和宗教價值觀交匯意義的人文建筑與自然景觀的載體,是人文意識與自然山水交融合一的佳作,這里的寺觀、祭壇、陵墓、園林以其獨特的方式融匯在自然美之中,具有極高的美學價值,集中反映了中國傳統(tǒng)文化中風水文化的特點,形成與人類生活緊密相連的文化景觀。明孝陵對于明清皇陵建筑的規(guī)劃和景觀設計產(chǎn)生了巨大而明顯的影響,中山陵中西結合的建筑特點,跟自然完美結合的景觀構成,是近現(xiàn)代陵墓的最杰出典范。它在20個世紀的持續(xù)演變中日臻完善并真實地保存至今,成為設計手法獨特、景觀元素構成豐富、文化含量多樣、歷史跨度長久的文化景觀。最后章節(jié)結合經(jīng)濟發(fā)展、城市變遷的現(xiàn)實,深入揭示鐘山文化景觀遺產(chǎn)目前存在的問題,從切實把握文化景觀保護與保持城市發(fā)展特色之間的關系出發(fā),提出相應的保護措施。
[Abstract]:This paper takes Zhong Shan's cultural landscape heritage as the research object, on the basis of literature collation and field investigation, combing the historical evolution and landscape combination of Zhong Shan's cultural landscape by means of analysis and comparison. The cultural landscape of Zhong Shan is divided into four elements of bearing value: the natural form of Zhong Shan and the urban space pattern of "the dragon and flat tiger", the rich religious historic sites, the ruins of the tombs of the emperors of the six dynasties and the Ming Xiao Mausoleum, the architectural complex of the Sun Yat-sen Mausoleum; Zhong Shan's landscape and characteristic vegetation. From the aspects of landscape and city, nature and humanities, vegetation and architecture, the author demonstrates why Zhong Shan belongs to the cultural landscape heritage, judges the heritage attribute of Zhong Shan cultural landscape, and analyzes the cultural connotation. Historical nodes, artistic features, and from philosophy, aesthetics, ecology, From the angle of economics, this paper studies the interaction between man and nature in the process of heritage formation, and abstracts the heritage value of Zhong Shan's cultural landscape: as an important bearing of imperial power in China's land, Zhong Shan's cultural landscape is buried. The carrier of humanistic architecture and natural landscape, which intersects worldly values and religious values, is a masterpiece of the blending of humanistic consciousness and natural landscape. The temples, altars, mausoleums, and mausoleums here, In its unique way, garden melts into the natural beauty and has a very high aesthetic value, which reflects the characteristics of geomantic culture in Chinese traditional culture. Forming a cultural landscape closely connected with human life. The Ming and Xiao Mausoleum had a great and obvious impact on the planning and landscape design of the imperial mausoleum in the Ming and Qing dynasties. The architectural characteristics of the Sun Yat-sen Mausoleum combined with China and the West, and the landscape formed by the perfect combination of nature, It is the most outstanding model of the modern mausoleum. It has become unique in design, rich in landscape elements and diverse in cultural content, and has been perfected and truly preserved in the continuous evolution of 20 centuries. The last chapter, combined with the reality of economic development and urban change, reveals in depth the problems existing in Zhong Shan's cultural landscape heritage. Based on the relationship between cultural landscape protection and urban development characteristics, the corresponding protection measures are put forward.
【學位授予單位】：南京藝術學院
【學位級別】：博士
【學位授予年份】：2016
【分類號】：G127

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