發(fā)布時(shí)間：2018-02-24 07:32

  本文關(guān)鍵詞： 青年女性 主體構(gòu)建 流動(dòng)空間 花木蘭形象 文本解構(gòu)　出處：《天府新論》2017年02期 　論文類(lèi)型：期刊論文

【摘要】：在現(xiàn)代化和信息化的語(yǔ)境中,本文引入流動(dòng)空間的理論視角,借助考察青年女性對(duì)經(jīng)典的花木蘭文本形象的認(rèn)同程度和觀念分化,剖析流動(dòng)空間中青年女性主體構(gòu)建受到的權(quán)力支配。在此基礎(chǔ)上,解析青年女性如何構(gòu)建符合自身烏托邦特質(zhì)的主體意識(shí)的抗?fàn)幉呗?即文本解構(gòu);挖掘青年女性在對(duì)抗傳統(tǒng)和現(xiàn)代力量侵蝕的三個(gè)具體策略,即游牧、革命與重建。這三種策略各有優(yōu)劣,需要仔細(xì)辨別和審慎選擇,否則就有陷入過(guò)當(dāng)化的可能,造成對(duì)女性群體的二次污名化與性別區(qū)隔。
[Abstract]:In the context of modernization and information, this paper introduces the theoretical perspective of mobile space, with the help of investigation of young women's recognition of the classic text image of Hua Mulan and concept differentiation. On the basis of this, the author analyzes how young women construct the struggle strategy of subject consciousness which accords with their own utopian characteristics, that is, text deconstruction; Excavating the three specific strategies that young women are fighting against the erosion of traditional and modern forces, namely nomadic, revolutionary, and reconstruction. Each of these three strategies has its own merits and demerits, which need to be carefully identified and carefully chosen, or else it may fall into the risk of being overtaken. Causes the secondary stigma to the female group and the gender division.
【作者單位】： 福建師范大學(xué);
【基金】：2012年國(guó)家社科基金一般項(xiàng)目“多元文化環(huán)境下大學(xué)生價(jià)值導(dǎo)向”(編號(hào):12BKS077)階段性成果
【分類(lèi)號(hào)】：G122;C913.5
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本文編號(hào)：1529398