本文關鍵詞： 全球化 文化安全 文化治理　出處：《齊齊哈爾大學》2014年碩士論文　論文類型：學位論文

【摘要】：在全球一體化時代，文化交流日益頻繁，不對稱的信息，不平衡的文化發(fā)展，，不同抗沖擊能力的差異導致文化主體實力懸殊，很容易使相對弱勢的文化面臨安全風險。文化傳統(tǒng)，文化資源，特別是文化價值和文化創(chuàng)造力被抑制、弱化，甚至到了被西方發(fā)達國家文化殖民的地步，這絕不是危言聳聽。因此，維護文化安全已成為國家文化發(fā)展戰(zhàn)略的重要組成部分。預防不僅是重要的，而且是必要的，但預防不能閉關鎖國。最高效的預防是自強，最強大的維護便是創(chuàng)新。 最能反映文化自立的是優(yōu)秀的文化產(chǎn)品、高質(zhì)量的文化服務、有意義的文化活動，其實質(zhì)是因為所有的文化最終都是被具體和實用的文化產(chǎn)品，文化服務和文化活動所點燃。自律要求我們必須警惕國家文化虛無主義，大眾文化是“下里巴人”的態(tài)度，更要警惕盲目崇洋媚外，削足適履，曲意逢迎只為登上所謂的國際舞臺。在今天的市場經(jīng)濟背景下，要求我們必須高度關注民族文化的安全。 實事上，會對我們的文化安全構成威脅，除了有許多外部因素外，內(nèi)部缺乏創(chuàng)新也是一個重要原因。相較于中國5000年的文化積淀和交互擴展，只有200年歷史的美國，如何成為一個文化“巨人”？關鍵在于其始終堅持文化創(chuàng)新。他們不僅將在文化創(chuàng)造中的騎士精神，紳士精神和現(xiàn)代科技發(fā)揮到了極限，也從東方文化“包括中國文化”中吸取到了豐富的文化營養(yǎng)。例如花木蘭、西游記、熊貓、功夫、還有“道《德經(jīng)》、論語》、《莊子》、《易經(jīng)》《孫子兵法》等眾多經(jīng)典名著，都成為其發(fā)展新項目和開發(fā)新產(chǎn)品的材料來源，中國元素已經(jīng)延伸到了文化產(chǎn)業(yè)的各個環(huán)節(jié)。 我們必須清晰地認識到世界各國文化產(chǎn)業(yè)的發(fā)展已經(jīng)形成了各自的比較優(yōu)勢，如何科學定位我國文化產(chǎn)業(yè)的發(fā)展重點，已經(jīng)成為維護文化產(chǎn)業(yè)安全亟待解決的問題。文化產(chǎn)業(yè)發(fā)展定位應該以資源型文化產(chǎn)業(yè)為依托；充分利用金融危機背景下發(fā)達國家轉(zhuǎn)移文化產(chǎn)業(yè)“制造業(yè)”的機會，提升我國能力型文化產(chǎn)業(yè)和技術型文化產(chǎn)業(yè)。當前“引領”文化產(chǎn)業(yè)發(fā)展的是“內(nèi)容”和“數(shù)字技術”的結合。面對發(fā)達國家文化產(chǎn)業(yè)的挑戰(zhàn)與我國文化產(chǎn)業(yè)自身存在的先天不足，我國文化產(chǎn)業(yè)必須“高端”起步實現(xiàn)跨躍式發(fā)展。 文化安全是國家強盛，社會和諧，人民享受文明之光的重要保障，堅決維護國家文化的持久發(fā)展和安全勢在必行。在選擇性和包容吸納性開放式的基礎上，在文化創(chuàng)作整個過程中，文化發(fā)展和文化服務應始終堅持以中國文化為主體，贏得文化融合的主動權，是保持中國文化的獨特性和重要地位的唯一途徑。
[Abstract]:In the era of global integration, cultural exchanges are becoming more and more frequent, asymmetric information, unbalanced cultural development, and differences in the ability to resist shocks lead to great differences in the strength of cultural subjects. It is easy to expose relatively weak cultures to security risks. Cultural traditions, cultural resources, especially cultural values and cultural creativity are suppressed, weakened, and even colonized by Western developed countries. This is by no means alarmist. Therefore, the maintenance of cultural security has become an important part of the national cultural development strategy. Prevention is not only important but also necessary, but prevention cannot be closed to the outside world. The most effective prevention is self-improvement. The most powerful maintenance is innovation. What can best reflect cultural independence is excellent cultural products, high-quality cultural services, meaningful cultural activities, and its essence is that all cultures are ultimately concrete and practical cultural products. Self-discipline requires us to be vigilant against national cultural nihilism, the attitude of the "Lower Riba people" in popular culture, and the blind adoration of foreign countries to suit the needs of the people. In the context of today's market economy, we must pay close attention to the security of national culture. In fact, it will pose a threat to our cultural security. In addition to many external factors, the lack of internal innovation is also an important reason. Compared with China's cultural accumulation and mutual expansion in 5000, the United States, which is only 200 years old, How to become a cultural "giant"? The key is that they always insist on cultural innovation. They not only bring chivalry, gentlemanly spirit and modern technology into full play in cultural creation, We have also drawn rich cultural nourishment from Eastern Culture, including Chinese Culture. For example, Hua Mulan, Journey to the West, Panda, Kung Fu, and many other classic masterpieces, such as Tao, the Book of Virtue, the Analects of Confucius, Zhuangzi, the Book of changes and the Art of War of Sun Tzu, etc. It has become a material source for developing new projects and new products, and Chinese elements have extended to all aspects of the cultural industry. We must clearly recognize that the development of cultural industries in various countries of the world has formed their respective comparative advantages, and how to scientifically position the focus of the development of cultural industries in China, It has become an urgent problem to maintain the security of cultural industries. The development orientation of cultural industries should be based on resource-based cultural industries, and take full advantage of the opportunity for developed countries to transfer the "manufacturing industry" of cultural industries under the background of the financial crisis. At present, it is the combination of "content" and "digital technology" that "leads" the development of cultural industry. In the face of the challenge of cultural industry in developed countries and the cultural industry of our country since then, it is the combination of "content" and "digital technology" that promotes the development of Chinese cultural industry. The inherent deficiency of the body, China's cultural industry must be "high-end" start to achieve leapfrog development. Cultural security is an important guarantee of national prosperity, social harmony and the people's enjoyment of the light of civilization. It is imperative to resolutely safeguard the lasting development and security of national culture. In the whole process of cultural creation, cultural development and cultural service should always adhere to Chinese culture as the main body, win the initiative of cultural integration, is the only way to maintain the unique and important status of Chinese culture.
【學位授予單位】：齊齊哈爾大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：G120;D630

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