本文關(guān)鍵詞： 烏珠穆沁馬鞍 制作技藝 造型藝術(shù) 傳承 發(fā)展　出處：《內(nèi)蒙古大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：由于蒙古族熱愛(ài)馬并且善于裝飾馬,所以蒙古人從古至今都很重視馬具,特別是馬鞍的材質(zhì)選擇、造型款式、顏色搭配及工藝技法。一副耐用并亮麗的馬鞍所展示的不僅是蒙古人善于裝飾的天性,同時(shí)也展示了蒙古人的藝術(shù)天賦和審美情趣,可以說(shuō)是在很大程度上匯集了蒙古族的歷史與人文情懷。本文就是通過(guò)對(duì)蒙古馬鞍歷史發(fā)展的描述,針對(duì)烏珠穆沁馬鞍獨(dú)特的工藝傳承,展示出中國(guó)北方草原游牧民族的文化傳承和不同民族工藝間的交融,并在此基礎(chǔ)上形成的蒙古馬文化特色。筆者以為蒙古馬鞍做為蒙古民族工藝品中最有有代表性的一種,講述了蒙古人這個(gè)馬背民族與馬、馬鞍的特殊情感,展示出蒙古族制作的馬鞍具既實(shí)用又具有藝術(shù)美的雙重功能,其馬鞍制作的諸種細(xì)節(jié)無(wú)不體現(xiàn)了蒙古人的智慧和巧思,使人們從這一視角更多地認(rèn)識(shí)和了解屬于中國(guó)北方游牧民族的蒙古族所展現(xiàn)出來(lái)的草原文化藝術(shù)的魅力。 本文通過(guò)對(duì)內(nèi)蒙古烏珠穆沁馬鞍的制作工藝的實(shí)地考察,詳實(shí)地記錄了當(dāng)?shù)孛晒抛羼R鞍的制作工藝以及傳承情況,并從以下幾個(gè)方面來(lái)進(jìn)行了具體的論述：在引言部分,筆者對(duì)研究對(duì)象的選題意義、研究方法及研究現(xiàn)狀闡述了自己的觀點(diǎn)；在第一部分,筆者對(duì)蒙古馬鞍的發(fā)展歷史及類型劃分進(jìn)行了梳理；在第二部分,筆者根據(jù)對(duì)內(nèi)蒙古烏珠穆沁馬鞍制作技藝的田野調(diào)查材料,記錄了烏珠穆沁蒙古馬鞍的工藝制作流程,并對(duì)其造型特點(diǎn)進(jìn)行了歸納和總結(jié)；第三部分是在實(shí)地調(diào)查的基礎(chǔ)上,根據(jù)烏珠穆沁馬鞍的獨(dú)特形態(tài)對(duì)其民族文化內(nèi)涵進(jìn)行分析探討；最后一部分,則是根據(jù)內(nèi)蒙古烏珠穆沁馬鞍的發(fā)展現(xiàn)狀,特別是對(duì)其工藝傳承的情況進(jìn)行反思,并展示筆者前瞻性、建設(shè)性的思考,目的是通過(guò)理論研究的視角,使這項(xiàng)民族傳統(tǒng)手工藝如何在現(xiàn)實(shí)生活中能夠得到應(yīng)有的保護(hù)以延長(zhǎng)其生命力。
[Abstract]:Because the Mongols love horses and are good at decorating horses, the Mongols have attached great importance to horses, especially saddle material selection, style. Collocation and craftsmanship. A durable and beautiful saddle shows not only the Mongolian nature of being good at decoration, but also the artistic talent and aesthetic taste of the Mongols. It can be said that to a large extent, the Mongolian history and humanistic feelings. This article is through the historical development of Mongolian saddle description, in view of the unique heritage of Wuzhoumuqin saddle. It shows the cultural heritage of nomadic peoples in northern China and the blending of different ethnic craftsmanship. And on this basis formed on the basis of Mongolian horse culture characteristics. The author thinks Mongolian saddle as the Mongolian national handicraft most representative one, narrates the Mongolian this horse back nationality and horse, saddle special emotion. It shows that the horse saddle made by the Mongols is both practical and has the dual function of artistic beauty. All kinds of details of its saddle production reflect the wisdom and ingenuity of the Mongols. From this perspective, people can learn more about the charm of grassland culture and art displayed by the Mongolian people who belong to the nomadic nationality of northern China. Through the field investigation of the making technology of Wuzhoumuqin saddle in Inner Mongolia, this paper records the local Mongolian saddle making technology and inheritance situation in detail. And has carried on the concrete elaboration from the following several aspects: in the introduction part, the author elaborated own viewpoint to the research object selected topic significance, the research method and the research present situation; In the first part, the author sorts out the history and classification of Mongolian saddle. In the second part, according to the field investigation materials of the making technique of Wuzhimuqin saddle in Inner Mongolia, the author recorded the process of making the Mongolian saddle, and summarized its styling characteristics. The third part is on the basis of field investigation, according to the unique form of Wuzhoumuqin saddle to analyze the connotation of its national culture; The last part is based on the development situation of Wuzhoumuqin saddle in Inner Mongolia, especially the reflection on the inheritance of its craft, and shows the author's forward-looking and constructive thinking. The aim of this paper is to make this national traditional handicraft obtain the proper protection in real life and prolong its vitality through the perspective of theoretical research.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：K892.2

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