【摘要】：在主要通過(guò)公元2世紀(jì)作家雅典尼烏斯保留下來(lái)的主體史料中,波斯帝國(guó)宮廷宴飲往往被丑化為奢侈無(wú)度、淫蕩粗俗、陰森可怖的饕餮之徒狂歡場(chǎng)面。近年來(lái)的亞述學(xué)、考古學(xué)相關(guān)前沿成果令人信服地揭示了這幅場(chǎng)景的非歷史性。筆者認(rèn)為,在公元前4世紀(jì)中葉之前的古希臘知識(shí)精英歷史記憶中,波斯宮廷宴飲場(chǎng)景的原型是一種以希臘哲學(xué)家會(huì)飲為模板進(jìn)行的正面理想化建構(gòu)。在興起于亞歷山大東征前夕的東方主義世界觀影響之下,后世希臘史家對(duì)波斯宮廷會(huì)飲的形象不斷進(jìn)行著丑化與道德批判,最終將之轉(zhuǎn)化為塑造近現(xiàn)代西方殖民主義世界觀的歷史記憶元素。
[Abstract]:In the main historical materials left by Neus Athens, the writer of the 2nd century AD, the banquet of the Persian imperial court is often turned into extravagance, vulgarity, and the ghastly horrendous carnival of the gluttons. Recent advances in Assyria and archaeology have convincingly revealed the unhistoric nature of the scene. The author believes that in the historical memory of the intellectual elite of ancient Greece before the middle of the 4th century BC, the prototype of the banquet scene of the Persian court is a positive idealized construction based on the template of Greek philosophers. Under the influence of the oriental worldview rising on the eve of Alexander's Eastern Expedition, the image of the Persian court drinking was constantly vilified and morally criticized by later Greek historians. Finally, it was transformed into a historical memory element that shaped the modern western colonial world outlook.
【作者單位】： 中國(guó)社會(huì)科學(xué)院世界歷史研究所;
【基金】：2015年國(guó)家社科基金青年項(xiàng)目“古希臘史學(xué)中帝國(guó)形象的演變研究”(項(xiàng)目批號(hào):15CSS006)階段性成果之一
【分類號(hào)】：K125

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本文編號(hào)：2171747