本文選題：民族文化　切入點(diǎn)：殖民文化心理　出處：《江西社會(huì)科學(xué)》2017年09期

【摘要】：在西學(xué)東漸的進(jìn)程中,中國(guó)現(xiàn)代藝術(shù)的發(fā)展處于一種特定的以西方文化觀念、藝術(shù)價(jià)值標(biāo)準(zhǔn)、審美評(píng)判尺度為主導(dǎo)的文化語(yǔ)境下。這是一種被西方"他者"化的殖民文化心理因素造成的現(xiàn)代藝術(shù)理念,它在潛移默化中瓦解著中國(guó)藝術(shù)家自身的民族藝術(shù)自信和藝術(shù)審美價(jià)值觀。為此,構(gòu)建本民族文化自信和消除殖民文化心理,將成為中國(guó)現(xiàn)代藝術(shù)能否健康發(fā)展和擁有國(guó)際話語(yǔ)權(quán)的關(guān)鍵。
[Abstract]:In the course of the eastward development of Western learning, the development of modern Chinese art is in a specific way based on the concept of western culture and the standard of artistic value. In the context of culture, which is dominated by aesthetic judgment, it is a modern artistic concept caused by the psychological factors of colonial culture in the West. It disintegrates Chinese artists' national artistic self-confidence and artistic aesthetic values in the process of imperceptible influence. Therefore, it constructs the national cultural self-confidence and eliminates the colonial cultural psychology. It will become the key to the healthy development of Chinese modern art and the right of international discourse.
【作者單位】： 湖南科技大學(xué);
【基金】：湖南省教育規(guī)劃基金項(xiàng)目“湖南少兒陶藝創(chuàng)新教育發(fā)展研究”(XJK17BTW007) 湖南省哲學(xué)社會(huì)科學(xué)基金項(xiàng)目“長(zhǎng)沙窯制陶工藝傳承與保護(hù)研究”(16YBA161)
【分類號(hào)】：C912.6;J0-05

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