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從后女權(quán)主義視角反思20世紀(jì)90年代以來美國言情電影中女性的困境

發(fā)布時(shí)間：2017-11-03 05:31

本文關(guān)鍵詞：從后女權(quán)主義視角反思20世紀(jì)90年代以來美國言情電影中女性的困境

【摘要】：女權(quán)問題自產(chǎn)生以來備受西方社會(huì)各界人士的關(guān)注，而在各種后現(xiàn)代思潮影響下的女權(quán)主義發(fā)展成為當(dāng)下為人們所熟知的后女權(quán)主義。西方學(xué)術(shù)界雖對(duì)后女權(quán)的看法不一，但看似矛盾的后女權(quán)主義中蘊(yùn)含的思想與大眾傳媒的結(jié)合卻受到了普遍認(rèn)同。尤其憑借美國電影風(fēng)靡世界之契機(jī)，一些以女性受眾為目標(biāo)的美國言情電影更是融合了包括后女權(quán)主義在內(nèi)的元素，并取得票房、口碑雙豐收的佳績。故此，本文從后女權(quán)主義的視角，，著力分析美國20世紀(jì)90年代至今有代表性言情電影中體現(xiàn)的女性困境，旨在研究并說明美國女性在經(jīng)歷了以女權(quán)運(yùn)動(dòng)為代表的各種社會(huì)變革后的現(xiàn)狀。全文共分為六個(gè)章節(jié)。第一章為引言，指出本文的研究原因、研究意義、后女權(quán)主義和美國言情電影的研究現(xiàn)狀、研究方法、創(chuàng)新之處以及論文結(jié)構(gòu)。第二章詳細(xì)介紹了后女權(quán)主義和美國20世紀(jì)90年代以來有代表性的言情電影兩個(gè)方面。首先綜述了后女權(quán)主義的主要觀點(diǎn)、在女性傳媒研究中的具體體現(xiàn)以及與女權(quán)主義的關(guān)系。而后分析了美國20世紀(jì)90年代以來言情電影的特點(diǎn)、受歡迎原因以及其中的后女權(quán)形象。第三章分別以三部電影為例探討了電影中體現(xiàn)的三大困境：工作與家庭的兩難抉擇；單身與戀愛的兩難抉擇；成熟與青春的兩難抉擇。第四章通過分析美國經(jīng)濟(jì)、社會(huì)和政治三方面因素來進(jìn)一步探索美國有代表性言情電影中女性困境產(chǎn)生的原因。第五章闡述了言情電影中女性的困境給美國社會(huì)帶來的積極、消極影響。結(jié)語部分通過對(duì)前文的回顧和反思總結(jié)了美國言情電影中體現(xiàn)的女性困境的實(shí)質(zhì)以及現(xiàn)實(shí)意義。
【關(guān)鍵詞】：后女權(quán)主義 美國言情電影 20世紀(jì)90年代以來 女性困境 女權(quán)主義 女性本性
【學(xué)位授予單位】：北京第二外國語學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：C913.68;J905
【目錄】：

Acknowledgements5-6
中文摘要6-7
Abstract7-10
Chapter 1 Introduction10-12
Chapter 2 Postfeminism and Postfeminist Representations in American Chick Flicks12-23
2.1 The Brief Introduction to Postfeminism12-17
2.1.1 The Origin and Main Ideas of Postfeminism12-14
2.1.2 Postfeminism in Feminist Media Studies14-15
2.1.3 The Relationship between Feminism and Postfeminism15-17
2.2 American Chick Flicks and Their Female Images since the 1990s17-23
2.2.1 The American Chick Flicks since the 1990s17-19
2.2.2 The Main Reasons for the Popularity of American Chick Flicks19-21
2.2.3 The Postfeminist Images in American Chick Flicks since the 1990s21-23
Chapter 3 American Women’s Dilemmas in American Chick Flicks since the 1990s23-38
3.1 The Dilemma of Work/Family Balance in The Nanny Diaries23-28
3.1.1 Postfeminist Work for American Women: Nanny23-25
3.1.2 Postfeminist Fascination of Homemakers and Retreatism25-26
3.1.3 The Dilemma of Work and Family26-27
3.1.4 The Possibility of “Having it all”27-28
3.2 The Dilemma of Being Single or not in Bridget Jones’s Diary28-33
3.2.1 Abhor Singleton in Bridget Jones’s Diary29-30
3.2.2 The Challenging Role: Being Involved Into a Romance30-31
3.2.3 The Dilemma of Being Single or not31-32
3.2.4 The Mature of Romance and Natural “Self”32-33
3.3 The Dilemma of Whether to Establish Adult Identity in 13 going on 3033-38
3.3.1 The Yearning and Fetishization of Adulthood33-34
3.3.2 The Postfeminist Melancholia and Time Crisis34-35
3.3.3 The Dilemma of Establishing Adult Identity or not35-36
3.3.4 The Employment of Girl Power in Postfeminist Chick Flicks36-38
Chapter 4 The Main Factors Leading to the Dilemmas of American Women in Chick Flicks38-46
4.1 Economic Factors38-40
4.1.1 The Arrest of Economic Mobility in American Society38-39
4.1.2 The Influences of American New Economy39-40
4.2 Social Factors40-43
4.2.1 The Destabilization of Gender Relationship in America41-42
4.2.2 The Influences of American Consumer Culture42-43
4.3 Political Factors43-46
4.3.1 The Rise of Individualization and Postfeminist Micro-politics43-44
4.3.2 The Barrenness of American Politics since the 1990s44-46
Chapter 5 The Effects of American Women’s Dilemmas in Chick Flicks on American Society46-54
5.1 The Negative Effects on American Society46-50
5.1.1 The Pursuit of Luxury Lifestyle and Conspicuous Consumption46-48
5.1.2 The Females’ Anxiety about Adulthood and Ageing48-49
5.1.3 The Crisis of Masculinity49-50
5.2 The Positive Effects on American Society50-54
5.2.1 The Reappraisal of “House” and “Wife”50-51
5.2.2 The Pleasure of Women’s Political Engagement51-52
5.2.3 The Identification of Sisterhood and Imperfect “Self”52-54
Chapter 6 Conclusion54-56
Bibliography56-61
附件61