【摘要】：從考古遺址發(fā)現(xiàn)的數(shù)量上看，古埃及社會各個階層的人都會佩戴護身符。古埃及的護身符，不僅用于保護生者遠離邪惡力量和敵人的攻擊，也可以奉獻給神以祈求神的保佑，還可以作為死者的隨葬品，包裹在木乃伊的裹布里，或是放在棺槨里，以幫助死者順利進入另一個世界，并能在那里永享平安、健康和富貴。 國外把古埃及護身符歸入到古埃及巫術(shù)的范疇去研究，著有一些著述；但國內(nèi)對這方面的研究比較淺顯，點到為止，缺乏全面性和系統(tǒng)性。筆者希望通過閱讀、翻譯、分析古埃及的原始文獻“亡靈書”和相關(guān)的英文文獻，對照考古發(fā)掘的護身符，運用與宗教信仰相關(guān)的理論進行分析，全面系統(tǒng)地解讀古埃及護身符的種類、制作和功效，挖掘古埃及護身符蘊含的豐富信息，如神話傳說、宗教信仰、思維方式和審美觀念。 本文分為以下六部分： 引言，簡要概述目前國內(nèi)外研究古埃及護身符的情況和介紹相關(guān)的原始文獻。 一、說明護身符的現(xiàn)代定義，解析古埃及語中護身符的詞源，從中揭示古埃及護身符是全民族在共同的宗教信仰和強烈的社會功利性的基礎(chǔ)上形成的具有審美思想的藝術(shù)活動的結(jié)晶。 二、介紹古埃及護身符誕生與演進的文化背景�！鞍＜白诮淌撬囆g(shù)和審美的原動力”，古埃及護身符作為精美的藝術(shù)品，當(dāng)然離不開孕育它的土壤——宗教信仰。其中，重點介紹“亡靈書”，它不僅是古埃及重要的原始文獻，也是一種十分常見的護身符。 三、論述古埃及護身符的設(shè)計和分類。古埃及人認為護身符的顏色、材質(zhì)和樣式是其能否發(fā)揮魔力的關(guān)鍵；筆者依據(jù)外形的不同把古埃及護身符分為五大類，并對這五大類護身符進行總的分析。 四、介紹考古出土的常見的護身符，并對其進行具體的分析和歸類。 五、分別從原始思維和埃及宗教在古埃及護身符中的表現(xiàn)來探討古埃及的審美觀念。 由于資料的欠缺和筆者水平的限制，，本文一定有所錯漏，尚待進一步的完善。
[Abstract]:In terms of the number of archaeological sites found, ancient Egyptian society at all levels will wear amulets. The ancient Egyptian amulet was used not only to protect the living from the forces of evil and the enemy, but also to offer God his blessing, and to serve as a burial object for the dead, wrapped in the mummies, or in coffins. To help the dead enter another world, where they can enjoy peace, health, and prosperity. In foreign countries, ancient Egyptian amulet is classified into the category of ancient Egyptian witchcraft, and some works have been written, but the domestic research on this aspect is relatively simple, lacking of comprehensiveness and systematicness. The author hopes that through reading, translating, analyzing the ancient Egyptian original literature, "the Dead Book" and related English documents, and comparing with the archeological excavations of the amulet, the author will use the theory related to religious belief to analyze. This paper comprehensively and systematically interprets the types, production and efficacy of ancient Egyptian amulets, and excavates the rich information contained in ancient Egyptian talismans, such as myths and legends, religious beliefs, ways of thinking and aesthetic concepts. This paper is divided into six parts: introduction, a brief overview of the current domestic and foreign research on ancient Egyptian amulet and the introduction of the original literature. First, explain the modern definition of amulet and explain the etymology of amulet in ancient Egyptian. It is revealed that the ancient Egyptian amulet is the crystallization of aesthetic artistic activities formed by the whole nation on the basis of common religious belief and strong social utility. Second, introduce the cultural background of the birth and evolution of ancient Egyptian amulet. "Egyptian religion is the motive force of art and aesthetics", ancient Egyptian amulet, as a fine work of art, can not be separated from the soil that gave birth to it-religious belief. The book of the Dead is not only an important original document in ancient Egypt, but also a very common talisman. Third, discuss the design and classification of ancient Egyptian amulet. The ancient Egyptians thought that the color, material and style of the amulet were the key to its magic, and the author divided the amulet into five categories according to the different shapes, and analyzed the five kinds of amulets. Fourth, introduces the common amulet unearthed in archaeology, and analyzes and classifies it concretely. Fifth, the aesthetic conception of ancient Egypt is discussed from the aspects of primitive thinking and Egyptian religion in ancient Egyptian amulet. Due to the lack of data and the limitations of the author's level, this paper must have some mistakes and omissions, which need to be further improved.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：K884.11

【參考文獻】

相關(guān)期刊論文 前1條

1 趙克仁;;古埃及護身符的制作原理、分類與文化蘊涵[J];古代文明;2009年03期

本文編號：2192988