本文選題：符式 + 符號學研究��； 參考：《學術月刊》2015年04期

【摘要】：正巖畫為遠古初民在深山巖壁或洞穴中遺留下的一種圖像文化,是一種世界性的原始文化遺存與唯一保持最初原生狀態(tài)的史前文物藝術,也是人類學、文化學、宗教學、藝術學、文字學,乃至符號學研究中無比珍貴的原始資料中國已發(fā)現(xiàn)的巖畫約十余萬幅,是世界上巖畫遺存最豐富的國家之一,依其圖像符式特征,可分為北、南、西三大系統(tǒng)。北部巖畫的圖像符式又可分為動物、狩獵、放牧及人面形四大類,其時代大多
[Abstract]:It is a kind of image culture left by the ancient people in the deep rock wall or cave. It is a world primitive cultural relics and the only prehistoric relic art that maintains its original original state. It is also an invaluable raw material in anthropology, culture, religion, art, philology, and even semicrology. It is one of the most abundant rock paintings in the world, and it can be divided into three systems in the north, South and West, which can be divided into four categories: animal, hunting, grazing and human face.
【分類號】：K879.4
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本文編號：1959851