本文選題：官窯 + 造型�。� 參考：《景德鎮(zhèn)陶瓷學(xué)院》2010年碩士論文

【摘要】： 在研究中國傳統(tǒng)陶瓷藝術(shù)中,陶瓷造型的研究往往被忽視,其實陶瓷造型既是構(gòu)成陶瓷藝術(shù)的重要方面,也是陶瓷功能和裝飾紋樣的載體。我們從大量的清代康、雍、乾官窯瓷器中可以看到,在傳統(tǒng)陶瓷燒造生產(chǎn)過程中,陶瓷造型居于主導(dǎo)地位。與裝飾相比較,造型不僅決定著器物的基本形態(tài)和功能作用,造型還與構(gòu)成陶瓷的原材料性能和生產(chǎn)工藝有著密切的關(guān)系。甚至可以說,造型是器物形式美的根本。所以,我們應(yīng)該充分認(rèn)識造型在陶瓷器物構(gòu)成中的作用。清代康、雍、乾三代的官窯瓷器讓我們對傳統(tǒng)陶瓷藝術(shù)有了一個更全面的認(rèn)識角度,除了種類豐富的顏色釉和畫工精巧而寓意深刻的裝飾紋樣外,造型與裝飾的和諧統(tǒng)一,是清代康、雍、乾官窯瓷器給人最深刻的印象。所以對陶瓷造型的研究應(yīng)該特別引起當(dāng)代學(xué)者的重視,特別是對中國傳統(tǒng)陶瓷在造型方面更應(yīng)該進行深入系統(tǒng)的認(rèn)識和探索。不能因為陶瓷造型只是器物的外部形態(tài),沒有裝飾紋樣那么豐富的形象和色彩,就可以忽略了。應(yīng)該看到,推動陶瓷產(chǎn)生、進步與發(fā)展的因素絕不是單方面的�；仡櫿麄�陶瓷發(fā)展史,我們可以看到,推動陶瓷發(fā)展的首要因素是生活水平的提高,然后是科學(xué)技術(shù)和工藝技巧的進步。在漫長的發(fā)展過程中,先輩為我們留下了極其豐富的陶瓷器的造型樣式。這是一筆珍貴的文化遺產(chǎn),值得我們認(rèn)真地研究與學(xué)習(xí)。
[Abstract]:In the study of Chinese traditional ceramic art, ceramic modeling is often ignored. In fact, ceramic modeling is not only an important aspect of ceramic art, but also a carrier of ceramic functions and decorative patterns. We can see from a large number of Qing Dynasty Kang, Yong, Qian official kiln porcelain, in the traditional ceramic firing production process, ceramic modeling plays a leading role. Compared with decoration, modeling not only determines the basic form and function of the objects, but also has a close relationship with the properties of raw materials and the production process of ceramics. It can even be said that the shape is the essence of formal beauty of objects. Therefore, we should fully understand the role of modeling in the composition of ceramic objects. The official kilns of Kang, Yong and Qian dynasties in the Qing Dynasty gave us a more comprehensive understanding of the traditional ceramic art. In addition to the rich variety of colored glazes and exquisite and profound decorative patterns of painters, there is a harmonious unity between modeling and decoration. Is the Qing Dynasty Kang, Yong, Qian Guan kiln porcelain to give people the most impressive. Therefore, the research on ceramic modeling should be paid special attention by contemporary scholars, especially on the traditional Chinese ceramics in the modeling aspect should be deeply and systematically understood and explored. Because ceramic modeling is only the external form of objects, not decorative patterns so rich in image and color, can be ignored. It should be noted that the factors that promote the generation, progress and development of ceramics are by no means unilateral. Reviewing the history of ceramic development, we can see that the most important factor to promote the development of ceramics is the improvement of living standard, and then the progress of science, technology and technology. In the long process of development, the ancestors left us extremely rich ceramic style. This is a precious cultural heritage, worthy of our careful study and study.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.3

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 李巖;宋代陶瓷斟酒器造型設(shè)計研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

2 趙川;清代室內(nèi)壁瓶的裝飾藝術(shù)語言研究[D];河北科技大學(xué);2012年

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本文編號：1874597