宗日陶器研究
本文關(guān)鍵詞:宗日陶器研究 出處:《青海師范大學(xué)》2015年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 宗日文化 宗日式陶器 分布 影響
【摘要】:宗日文化是甘青地區(qū)新石器時代晚期的一個重要考古學(xué)文化,是當(dāng)?shù)赝林让袷艿搅笋R家窯文化的影響下產(chǎn)生的一考古文化。宗日先民在吸收了東部馬家窯文化人群的制陶技術(shù)后,創(chuàng)造出了自身特有的宗日式陶器。其陶器與馬家窯陶器有著顯著的區(qū)別。本文以宗日陶器的分類為切入口進(jìn)行研究。第一章首先介紹了宗日文化的時空范圍。宗日文化主要分布于共和盆地的宗日遺址到龍羊峽的黃河兩岸及其支流中下游,基本區(qū)包括貴德盆地的龍羊峽到松巴峽的黃河兩岸及其支流下游;影響區(qū)則有可能在松巴峽至臨夏峽的黃河兩岸及其湟水下游。其時間大致與馬家窯文化相始終,第一章還對宗日文化的研究狀況作了梳理。第二章對宗日遺址出土陶器進(jìn)行分類。通過對陶器紋飾、顏色、形制及其制作技術(shù)進(jìn)行分類和對比分析,最終推導(dǎo)出宗日文化中兩種人群的發(fā)展關(guān)系及宗日土著人群的發(fā)展進(jìn)程。此章還以隨葬陶器的組合關(guān)系進(jìn)一步說明宗日文化的特殊性。第三章主要論述了宗日陶器在黃河流域及湟水地區(qū)的分布、影響的狀況,并對其做一分析,最終認(rèn)為宗日文化擴(kuò)展原因在于人口壓力。第四章論述了宗日式陶器對甘青地區(qū)青銅文化的影響,對宗日式陶器與卡約文化陶器器形及其組合關(guān)系的同質(zhì)性,與辛店文化陶器在顏色上的一致性這兩個問題展開分析。通過對于宗日文化當(dāng)中出土陶器的研究,可以看出宗日文化當(dāng)中存在著兩種不同人群的文化交流與競爭現(xiàn)象,馬家窯人群與宗日土著人群在陶器制作技術(shù)、器物組合與文化習(xí)俗上存在差異,宗日土著人群在吸收馬家窯人群制陶工藝后,逐漸發(fā)展出頗具自身特色的制陶技術(shù),并且逐漸在宗日文化當(dāng)中占據(jù)主體地位。宗日文化的發(fā)展與傳播對后來甘青地區(qū)青銅文化產(chǎn)生了重要影響。
[Abstract]:Zongri culture is an important archaeological culture in the late Neolithic period in Ganqing area. It is an archaeological culture produced by the influence of the Majiayao culture. After absorbing the pottery technology of the eastern Majiayao culture people. It has created its own unique Japanese pottery. There is a significant difference between its pottery and majiayao pottery. In this paper, the classification of zongri pottery is used as the entry point. Chapter one introduces the time and space scope of zongri culture. The Japanese culture is mainly distributed from the Zongri site in the Gonghe Basin to the banks of the Yellow River and the middle and lower reaches of the tributaries of the Longyang Gorge. The basic area includes the Longyangxia in Guide Basin and the lower reaches of the Yellow River and its tributaries in Songba Gorge. The influence area may be on the banks of the Yellow River and the lower reaches of the Huangshui River from Songba Gorge to Linxia Gorge, and its time is roughly consistent with the Majiayao culture. The second chapter classifies the pottery unearthed in Zongri site. Through the pottery decoration, color, shape and its production technology classification and comparative analysis. Finally, the development relationship between the two groups and the development process of the aborigines in the Zongdi culture are deduced. This chapter also further explains the particularity of the Zongri culture by the combination of the burial pottery. Chapter three mainly discusses the Zongri pottery. The distribution of the apparatus in the Yellow River basin and Huangshui area. Finally, it is believed that the reason for the expansion of Zongi culture lies in the population pressure. Chapter 4th discusses the influence of Japanese pottery on bronze culture in Ganqing area. This paper analyzes the homogeneity of the relationship between the Zong Japanese pottery and the Carrow culture pottery and their combination, and the consistency of the color between the Zong Japanese pottery and the Xindian culture pottery. Through the research on the pottery unearthed in the Zong and Japanese culture. It can be seen that there are two kinds of cultural exchange and competition in Zongri culture. There are differences between Majiayao people and Zongri indigenous people in pottery making techniques, utensils combination and cultural customs. After absorbing the pottery technology of Majiayao people, the indigenous people of Zongri gradually developed their own unique pottery technology. And gradually occupied the main position in the Zongdi culture, the development and dissemination of Zongdi culture had an important impact on the later bronze culture in Gansu and Qing areas.
【學(xué)位授予單位】:青海師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:K876.3
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