【摘要】：廣場舞的流行與糾紛堪稱中國社會在轉(zhuǎn)型期間一特殊現(xiàn)象,2013年連續(xù)發(fā)生廣場舞擾民糾紛后,風(fēng)靡全國的廣場舞開始引起媒體與學(xué)界的議論,特別在個人權(quán)利與群體權(quán)益持衡問題上掀起一陣議論。本文從廣場舞者、居委會、城市管理者及國家四個層次的敘事,描繪當(dāng)下城市居民的文化生活面貌,反映出廣場舞擾民背后個人與集體沖突的深層原因,同時探討城市管理者與國家如何在推行城市化進程中協(xié)調(diào)集體主義與個人主義之間的互動,維持社會和諧與文明城市形象。
[Abstract]:The popularity and disputes of square dance can be regarded as a special phenomenon in Chinese society during the period of transition. After a series of disputes about square dance disturbing people in 2013, the popular square dance began to arouse discussion in the media and academic circles. In particular, on the issue of individual rights and interests of groups to raise a spate of discussions. From the four levels of narration of square dancers, neighborhood committees, city administrators and the state, this paper depicts the cultural life of the present urban residents and reflects the deep causes of individual and collective conflicts behind the plaza dance disturbing the people. At the same time, how to coordinate the interaction between collectivism and individualism between city manager and state in the process of urbanization is discussed to maintain social harmony and civilized city image.
【作者單位】： 華中師范大學(xué)政治與國際關(guān)系學(xué)院;
【基金】：湖北省社會科學(xué)基金重點項目“湖北公共服務(wù)體系創(chuàng)新研究”(ZD2016WT010) 湖北省嘉魚縣、武漢市洪山區(qū)公共文化服務(wù)體系建設(shè)示范區(qū)制度設(shè)計(20202168020)
【分類號】：J722.1;D669.3
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本文編號：2293569