符號學(xué)視角下的《大眾》畫報(bào)研究
發(fā)布時間：2018-11-04 20:08
【摘要】：畫報(bào)是晚清以來出現(xiàn)的一種媒介,以“圖像”為主的形式,在當(dāng)時深受歡迎。二十世紀(jì)三十年代,以上海為代表的現(xiàn)代都市文化和消費(fèi)文化勃興,各類期刊、畫報(bào)蜂起,《大眾》畫報(bào)是其中的代表之一。另一方面,上述媒介的興起又反向促進(jìn)了中國的現(xiàn)代化進(jìn)程。本文以羅蘭·巴特的符號學(xué)理論為基礎(chǔ),結(jié)合圖像分析法,文體分析法、歷史研究法、統(tǒng)計(jì)研究法對《大眾》畫報(bào)所載照片進(jìn)行分析解讀,以探究《大眾》畫報(bào)如何試圖通過影像建構(gòu)現(xiàn)代化的民族國家。作為一個大都市的現(xiàn)代媒介,《大眾》創(chuàng)刊的背景是上海的“摩登”文化。本文在厘清創(chuàng)刊背景的前提下,初步探明《大眾》刊載的內(nèi)容,對其進(jìn)行分類,是進(jìn)一步解讀的基礎(chǔ)。在此基礎(chǔ)上,本文以兩大主線即“影像與現(xiàn)代民族國家的建構(gòu)”和“影像與摩登時代的大眾生活”來深入解讀《大眾》刊載內(nèi)容及其現(xiàn)代性。其一,《大眾》刊載12期連載王小亭“中國游記”,以及連續(xù)刊載7期“中國名山影集”,邊疆地區(qū)和中國名山是中國領(lǐng)土不可分割的一部分,其以影像的方式固化為一種符號,強(qiáng)化了一個國家民眾對于領(lǐng)土范圍的認(rèn)同;其二,《大眾》大量刊載西部少數(shù)民族地區(qū)的人物肖像、生活場景,中國是一個多民族的國家,對少數(shù)民族的“觀看”,強(qiáng)化了中華民族共同體的概念;其三,新聞性是《大眾》的辦刊追求之一,其新聞報(bào)道分國內(nèi)時事和國際時事,國際新聞是民眾了解世界的一個窗口,在大量的會議和外交影像中,民眾對于主權(quán)有了更深的認(rèn)識;其四,三十年代出現(xiàn)了航空救國的熱潮,軍艦、飛機(jī)也是《大眾》刊載的熱點(diǎn),對于民眾確立海防意識有積極意義。以上四點(diǎn)剛對應(yīng)了構(gòu)建一個現(xiàn)代民族國家必不可少的要素:以民族認(rèn)同為前提,擁有明確的領(lǐng)土范圍和獨(dú)立的主權(quán),且需要有力的國防保障。是為論文第二章的論述內(nèi)容。第三章從大眾生活層面展開。“摩登”文化背景下,以上海為代表的現(xiàn)代都市生活,開始向傳統(tǒng)生活發(fā)起一系列挑戰(zhàn)。其一是身體解放帶來的婦女留新式頭發(fā),著新式衣服,舉辦新式婚姻,提倡自由戀愛。其地位提升,不再是男性的附屬,對于健美、活力的追捧構(gòu)成了三十年代的一個標(biāo)志特征特點(diǎn)。其二,《大眾》注重從日常生活的尋常景物中發(fā)現(xiàn)美創(chuàng)造美,致力于提升大眾審美文化修養(yǎng),從而建確立現(xiàn)代公民意識�？傮w來說,《大眾》以“影像”的方式回應(yīng)了我國的現(xiàn)代化發(fā)展進(jìn)程,同時,對于民眾意識上的現(xiàn)代化不遺余力的進(jìn)行啟蒙與引導(dǎo),《大眾》刊行跨度為1933-1935年,雖然短暫,但是其對于現(xiàn)代化建構(gòu)的努力值得肯定,同時,也給予我們啟示:現(xiàn)代化是一個漫長的過程,它不可能一蹴而就,也不是某個報(bào)刊能解決的問題,而是需要整個國家、社會、乃至民眾共同的努力。
[Abstract]:Pictorial is a kind of medium which appeared since late Qing Dynasty. It was popular at that time in the form of "image". In the 1930s, the modern urban culture and consumer culture, represented by Shanghai, flourished, and various periodicals and pictorial became popular, among which the pictorial was one of the representatives. On the other hand, the rise of the above-mentioned media has promoted China's modernization process in reverse. On the basis of Roland Bart's semiotic theory, this paper analyzes and interprets the photographs contained in the pictorial of the masses by combining image analysis, stylistic analysis, historical research and statistical research. This paper explores how pictorial attempts to construct a modern nation-state through images. As a modern medium of metropolis, the background of mass publication is Shanghai's "modern" culture. On the premise of clarifying the background of the publication, this paper preliminarily finds out the contents of the publication and classifies it, which is the basis of further interpretation. On the basis of this, this paper deeply interprets the contents of the publication of the Mass and its modernity with two main lines: "Image and the Construction of Modern National State" and "Image and the popular Life in Modern Times". First, "the masses" published 12 serial issues of Wang Xiaoting's Journey to China, and seven consecutive issues of Chinese famous Mountain Pictures. Border areas and famous Chinese mountains are an inalienable part of Chinese territory. It solidifies as a symbol by the way of image, which strengthens the identity of the people of a country to the territorial scope; Second, the "masses" published a large number of portraits of the western minority areas, life scenes, China is a multi-ethnic country, the "viewing" of ethnic minorities, strengthened the concept of the Chinese national community; Third, journalism is one of the pursuit of the publication of "the masses". Its news reports are divided into domestic and international current affairs. International news is a window for the public to understand the world. In a large number of meetings and diplomatic images, People have a deeper understanding of sovereignty; In the fourth and thirties, there was an upsurge in aviation saving the country. Warships and planes were also the hot spots in the publication of "the masses", which had a positive significance for the people to establish the awareness of coastal defense. The above four points just correspond to the essential elements of the construction of a modern nation-state: the premise of national identity, the clear territorial scope and independent sovereignty, and the need for strong national defense. It is the content of the second chapter of the thesis. The third chapter starts from the mass life level. Under the background of modern culture, modern urban life, represented by Shanghai, began to challenge traditional life. One is the liberation of women with new hair, new clothes, new marriages and free love. Its status is no longer attached to men, for fitness, vitality of the thirties constitute a hallmark of the characteristics. Second, the masses pay attention to the discovery of beauty from ordinary scenes in daily life, and devote themselves to promoting the cultivation of aesthetic culture of the masses so as to establish a modern sense of citizenship. In general, the "masses" responded to the modernization process of our country in the form of "images". At the same time, they spared no effort to enlighten and guide the modernization of the people's consciousness. The publication of "the masses" lasted for 1933-1935, although it was brief. But its efforts to construct modernization are worthy of recognition. At the same time, they also give us enlightenment: modernization is a long process, it cannot be accomplished overnight, nor is it a problem that a certain newspaper can solve, but it needs the whole country and society. And even the common efforts of the people.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G239.29;J409.2
本文編號：2311004
[Abstract]:Pictorial is a kind of medium which appeared since late Qing Dynasty. It was popular at that time in the form of "image". In the 1930s, the modern urban culture and consumer culture, represented by Shanghai, flourished, and various periodicals and pictorial became popular, among which the pictorial was one of the representatives. On the other hand, the rise of the above-mentioned media has promoted China's modernization process in reverse. On the basis of Roland Bart's semiotic theory, this paper analyzes and interprets the photographs contained in the pictorial of the masses by combining image analysis, stylistic analysis, historical research and statistical research. This paper explores how pictorial attempts to construct a modern nation-state through images. As a modern medium of metropolis, the background of mass publication is Shanghai's "modern" culture. On the premise of clarifying the background of the publication, this paper preliminarily finds out the contents of the publication and classifies it, which is the basis of further interpretation. On the basis of this, this paper deeply interprets the contents of the publication of the Mass and its modernity with two main lines: "Image and the Construction of Modern National State" and "Image and the popular Life in Modern Times". First, "the masses" published 12 serial issues of Wang Xiaoting's Journey to China, and seven consecutive issues of Chinese famous Mountain Pictures. Border areas and famous Chinese mountains are an inalienable part of Chinese territory. It solidifies as a symbol by the way of image, which strengthens the identity of the people of a country to the territorial scope; Second, the "masses" published a large number of portraits of the western minority areas, life scenes, China is a multi-ethnic country, the "viewing" of ethnic minorities, strengthened the concept of the Chinese national community; Third, journalism is one of the pursuit of the publication of "the masses". Its news reports are divided into domestic and international current affairs. International news is a window for the public to understand the world. In a large number of meetings and diplomatic images, People have a deeper understanding of sovereignty; In the fourth and thirties, there was an upsurge in aviation saving the country. Warships and planes were also the hot spots in the publication of "the masses", which had a positive significance for the people to establish the awareness of coastal defense. The above four points just correspond to the essential elements of the construction of a modern nation-state: the premise of national identity, the clear territorial scope and independent sovereignty, and the need for strong national defense. It is the content of the second chapter of the thesis. The third chapter starts from the mass life level. Under the background of modern culture, modern urban life, represented by Shanghai, began to challenge traditional life. One is the liberation of women with new hair, new clothes, new marriages and free love. Its status is no longer attached to men, for fitness, vitality of the thirties constitute a hallmark of the characteristics. Second, the masses pay attention to the discovery of beauty from ordinary scenes in daily life, and devote themselves to promoting the cultivation of aesthetic culture of the masses so as to establish a modern sense of citizenship. In general, the "masses" responded to the modernization process of our country in the form of "images". At the same time, they spared no effort to enlighten and guide the modernization of the people's consciousness. The publication of "the masses" lasted for 1933-1935, although it was brief. But its efforts to construct modernization are worthy of recognition. At the same time, they also give us enlightenment: modernization is a long process, it cannot be accomplished overnight, nor is it a problem that a certain newspaper can solve, but it needs the whole country and society. And even the common efforts of the people.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G239.29;J409.2
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