本文關鍵詞：納浪藏族的生態(tài)文化景觀重建　出處：《華東師范大學學報(哲學社會科學版)》2015年03期 　論文類型：期刊論文

  更多相關文章： 景觀 空間 記憶 權力 認同

【摘要】：誰在生產(chǎn)空間,書寫景觀,為誰書寫?運用人類學和新文化地理學的視角,通過對我國青藏高原東北邊緣納浪藏族村落文化景觀的危機、崩壞、記憶和重建過程的調(diào)查研究,可以發(fā)現(xiàn)景觀面紗之下隱藏著文化認同的建構和權力下沉的訴求。集體記憶對文化空間的重建至關重要,記憶的選擇性乃是著眼于當下以便制造意義的能動過程。文化空間的重建不僅僅是可視的幾何圖形的修復和再造,更為核心的是地方感、價值觀、秩序和權力以及地方組織的空間再生產(chǎn),其中的象征資源是非可視的意義體系。從文化人類學的視覺來看,誰掌握過去,誰就支配未來;誰擁有景觀,誰就有說話的舞臺。
[Abstract]:Who is in the production space, writing the landscape, for whom? From the perspective of anthropology and new cultural geography, this paper investigates the crisis, collapse, memory and reconstruction process of Nalang Tibetan village on the northeast edge of Qinghai-Tibet Plateau. It can be found that under the veil of landscape hidden the construction of cultural identity and the sinking of power. Collective memory is very important to the reconstruction of cultural space. The selectivity of memory is a dynamic process of focusing on the present in order to create meaning. The reconstruction of cultural space is not only the restoration and reconstruction of visible geometry, but also the sense of place and values at the core. Order and power as well as the spatial reproduction of local organizations, in which symbolic resources are non-visual and meaningful systems. From the visual point of view of cultural anthropology, who controls the past, who will dominate the future; Whoever owns the landscape will have the stage to speak.
【作者單位】： 華東師大社會發(fā)展學院民俗所;
【基金】：國家社科基金特別委托項目“甘肅、青海藏區(qū)礦產(chǎn)資源開發(fā)與生態(tài)環(huán)境保護的人類學研究”(XZ1113) 上海市教委科研項目“三江源礦產(chǎn)資源開發(fā)與生態(tài)環(huán)境保護的人類學研究”(12ZS0420)的階段性成果
【分類號】：C95
【正文快照】： 引論人類學對空間和地方的研究主要在以下領域進行:身體空間(embodied spaces),性別空間(genderedspaces),書寫空間(inscribed spaces),競爭空間(contested spaces),跨國空間(transnational spaces)和空間策略(spatial tactics)等幾個方面(Setha and Denis,2007)。人類學空間

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