本文選題：廣西旅游 + 民俗建筑　； 參考：《沈陽建筑大學(xué)》2013年碩士論文

【摘要】：近幾十年來,隨著我國經(jīng)濟(jì)的飛速增長,我國國民收入有顯著的提升,人均可支配收入也隨著國民收入逐步提高,在文化娛樂方面,更多人們選擇旅游作為首選休閑活動。于此同時,隨著我國改革開放,越來越多的國外游客慕名來到中國,這些國內(nèi)外游客在游玩的同時也為像廣西這樣景色優(yōu)美但經(jīng)濟(jì)落后的地區(qū)帶了商機(jī),旅游業(yè)成了發(fā)展當(dāng)?shù)亟?jīng)濟(jì)的重要支柱產(chǎn)業(yè)。 廣西旅游業(yè)經(jīng)過這十幾年的發(fā)展,有著可喜的成績,但是在喜悅背后隱藏著一些問題,如：粗放式管理,部分個人不經(jīng)管理直接改造老房屋；簡單的提供諸如住宿、餐飲服務(wù),不發(fā)展深度休閑項(xiàng)目,沒能提供深度旅游服務(wù)；破壞當(dāng)?shù)貎?yōu)美的自然環(huán)境,暴力式修建旅游建筑,不講求建筑形式和當(dāng)?shù)匚幕膮f(xié)調(diào),以為擴(kuò)大經(jīng)營規(guī)模,等等諸如此類的問題嚴(yán)重影響當(dāng)?shù)芈糜螛I(yè)的發(fā)展。為了提高廣西旅游業(yè)服務(wù)質(zhì)量,保護(hù)廣西旅游資源,可持續(xù)發(fā)展廣西旅游事業(yè),本文提出嘗試將廣西民俗建筑符號運(yùn)用到旅游建筑的創(chuàng)作為課題并研究,這課題既是探索在功能建筑上應(yīng)用民俗建筑符號的方法,也是關(guān)系到當(dāng)?shù)孛裆?我國廣西擁有優(yōu)秀的自然旅游資源和豐富的民俗人文旅游資源,其獨(dú)特的自然環(huán)境和歷史演變造就了廣西多民族、多區(qū)位的民俗文化,作者認(rèn)為各族民俗是廣西人文旅游的根本,最能直觀體現(xiàn)各民族民俗文化特色的便是各族的民俗建筑,廣西的民俗建筑是我國民族文化中的瑰寶,如何合理將其運(yùn)用到旅游建筑中,使其得到創(chuàng)新和發(fā)展,如何繼承與保護(hù)民俗建筑藝術(shù),正是研究廣西民俗建筑符號的目的所在。在課題選題上以民俗作為限定建筑的原因,是為了凸顯課題研究的民族性和地域性。 本論文通過對廣西民俗建筑的大量調(diào)研,發(fā)現(xiàn)廣西民俗建筑重視于組團(tuán)、著手于單體、精于細(xì)部的特點(diǎn),結(jié)合運(yùn)用建筑符號的相關(guān)理論,將廣西民俗建筑分為院落、單體和細(xì)部這三個層面研究,詳細(xì)論述其中最能表現(xiàn)廣西民俗建筑的特色,并嘗試對廣西民俗建筑符號進(jìn)行提煉,得出易于應(yīng)用在旅游建筑設(shè)計創(chuàng)作中的建筑符號。 本論文的研究重點(diǎn)是旅游建筑創(chuàng)作中運(yùn)用廣西民俗建筑符號的原則和方法,結(jié)合現(xiàn)今旅游建筑的發(fā)展趨勢和功能需求,提出在創(chuàng)作旅游建筑時應(yīng)遵循旅游建筑的功能原則、材質(zhì)原則、技術(shù)原則、經(jīng)濟(jì)性原則和旅游建筑所處民俗文化原則。同時,總結(jié)在建筑符號學(xué)的符構(gòu)學(xué)、符義學(xué)、符用學(xué)這三個不同的層面上的建筑符號創(chuàng)作方法,提出綜合考慮,從多層面思考如何在旅游建筑創(chuàng)作設(shè)計當(dāng)中應(yīng)用民俗建筑符號。 在本論文的最后,作者結(jié)合在廣西陽朔龍頭山旅游度假村項(xiàng)目中的實(shí)踐來驗(yàn)證本文的相關(guān)觀點(diǎn),在廣西陽朔龍頭山旅游度假村項(xiàng)目中作者參與了三個設(shè)計方案,選擇這三個單體的原因有二,一是項(xiàng)目著實(shí)太過龐大,作者在實(shí)踐中精力有限,不能參與項(xiàng)目中所有的規(guī)劃和建筑設(shè)計工作,作者盡最大努力參與這三個建筑的設(shè)計工作雖不全面,但也較為全面的涵蓋了項(xiàng)目的主要設(shè)計部分。另一方面選擇這三個設(shè)計,是因?yàn)檫@三個設(shè)計方案分別對應(yīng)著旅游建筑應(yīng)提供的餐飲、休息和購物娛樂這四種功能需求,能較全面的代表旅游建筑,在這三個建筑單體上進(jìn)行實(shí)踐較為客觀全面。 總之,本論文通過對廣西民俗建筑特征的分析,探求旅游建筑在旅游快速發(fā)展的時代下的創(chuàng)新和發(fā)展問題,研究其深層次的理論價值有利于保護(hù)與開發(fā)廣西民俗建筑,進(jìn)而保護(hù)廣西民俗文化,使旅游建筑,特別是修建在具有豐富民俗文化的地區(qū)的旅游建筑,在研究創(chuàng)新方面上更有深度和力度。
[Abstract]:In recent decades, with the rapid growth of our country's economy, China's national income has been greatly improved, and the per capita disposable income is gradually increasing with the national income. In the cultural and entertainment aspects, more people choose tourism as the first choice for leisure activities. At the same time, more and more foreign tourists come to China with the opening of China's reform. At the same time, tourists from home and abroad have brought business opportunities for the beautiful but economically backward areas like Guangxi, and tourism has become an important pillar industry for the development of the local economy.
After more than ten years of development, Guangxi tourism has gratifying achievements, but there are some problems hidden behind joy, such as extensive management, some individuals without management directly reforming old houses, simple provision of such as accommodation, catering services, non development of deep leisure items, failure to provide deep tourism services, destruction of the local beauty. The natural environment, the violent construction of tourism architecture, the coordination of the architectural form and local culture, the expansion of the operation scale, and so on, and so on, seriously affected the development of local tourism. In order to improve the service quality of Guangxi tourism, protect the tourism resources of Guangxi and sustainable development of Guangxi tourism, this paper puts forward an attempt to make an attempt. The application of Guangxi folk custom architectural symbols to the creation of tourism architecture is the subject and research. This topic is not only a method to explore the application of folk architectural symbols in functional architecture, but also to the local people's livelihood.
Guangxi, China has excellent natural tourism resources and rich folk cultural tourism resources. Its unique natural environment and historical evolution have created the multi-ethnic and multi location folk culture of Guangxi. The author believes that all ethnic folklore is the basis of Guangxi's humanistic tourism. The most intuitive embodiment of the folk custom and culture is the folk custom construction of all ethnic groups. The folk architecture of Guangxi is the gem of our national culture. How to apply it to the tourist architecture to make it innovative and develop, how to inherit and protect the folk architectural art is the purpose of studying the symbol of the folk custom architecture in Guangxi. The ethnicity and regionality of the study.
Through a lot of research on Guangxi folk custom architecture, this paper finds that the folk architecture in Guangxi attaches importance to the group, and begins with the characteristics of the single body and fine part. Combining with the related theories of architectural symbols, the folk architecture of Guangxi is divided into three aspects, the courtyard, the single and the detail, and the characteristics of the folk architecture in Guangxi are discussed in detail. And try to extract the symbols of Guangxi folk architecture, and draw the architectural symbols which are easy to be applied in the design of tourism buildings.
This paper focuses on the principles and methods of the use of Guangxi folk custom architectural symbols in the creation of tourism architecture, combining with the development trend and functional requirements of the present tourism architecture, and proposes that the principles of function, the principle of material, the principle of technology, the principle of economy, the principles of economy and the folklore principles of tourism buildings should be followed in the creation of tourist buildings. At the same time, it sums up the methods of architectural symbol creation in the three different aspects of architectural semiotics, semantics and notation, and proposes to consider how to apply folk architectural symbols in the creation and design of tourism architecture from a multilevel consideration.
At the end of this paper, the author combines the practice of the Guangxi Yangshuo faucshan tourist resort project to verify the relevant views of this article. The author participates in three design schemes in the Yangshuo fauco resort project in Guangxi, and the reasons for the selection of the three monomers are two, one is that the project is too large and the author has the energy in practice. The author does not participate in all the planning and architectural design work in the project. The author makes the best effort to participate in the design work of the three buildings, although it is not comprehensive, but it also covers the main design part of the project. On the other hand, the three designs are selected because these three schemes correspond to the catering services that the tourist buildings should provide respectively. The four functional requirements of rest and shopping entertainment can represent tourism buildings more comprehensively, and Practice on these three building monomers is more objective and comprehensive.
In a word, through the analysis of the characteristics of Guangxi folk custom architecture, this paper explores the innovation and development of tourism architecture in the era of rapid tourism development. The study of its deep theoretical value is beneficial to the protection and development of Guangxi folk architecture, and then to protect the folk culture of Guangxi, so as to make tourism architecture, especially in the rich folk literature. The tourist buildings in the area are more in-depth and dynamic in terms of research and innovation.
【學(xué)位授予單位】：沈陽建筑大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU247

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