本文選題：意象 + 建筑類型學(xué)��； 參考：《昆明理工大學(xué)》2013年碩士論文

【摘要】：具有物質(zhì)性與精神性是所有建筑的普遍特質(zhì),做為蘊(yùn)含傳統(tǒng)與文化載體的博覽建筑,它既是歷史的承載者又是未來的展望者,是建筑師與普通大眾所關(guān)注的焦點(diǎn)建筑類型之一。博覽建筑的設(shè)計(jì)研究常常除了要滿足功能需求以及使功能空間和流線的安排合理,建筑師還要關(guān)注對(duì)形式美感與精神上的藝術(shù)追求。由于博覽建筑的文化地位決定了這種追求要超越其他建筑類型,所以建筑師在進(jìn)行設(shè)計(jì)的過程中要格外地關(guān)注歷史文化、地域特性、建筑環(huán)境所起到的影響作用。因此本文從包含著大量信息的意象出發(fā),采用建筑類型學(xué)的設(shè)計(jì)思維過程來分析意象中信息的類型提取以及信息的類型轉(zhuǎn)換,最終達(dá)到意象在博覽建筑中表達(dá)成功的目的,這是一個(gè)強(qiáng)調(diào)邏輯思維的設(shè)計(jì)過程,也是筆者在踏入社會(huì)進(jìn)行工作之前對(duì)自我進(jìn)行設(shè)計(jì)方法總結(jié)的一個(gè)過程。 本文認(rèn)為在博覽建筑設(shè)計(jì)過程中,意象對(duì)建筑具有重要意義,意象是建筑設(shè)計(jì)之路的起始,因?yàn)橐庀笤谖幕�、歷史、社會(huì)、哲學(xué)、宗教等觀念的影響下往往會(huì)承載著“意”和“象”,為博覽建筑的設(shè)計(jì)提供了可以物質(zhì)化的信息模型,所以筆者運(yùn)用建筑類型學(xué)的設(shè)計(jì)思維邏輯來分析和表達(dá)意象,最終完成意象在博覽建筑形象中的體現(xiàn)。 文章首先對(duì)意象的概念、意象的邏輯結(jié)構(gòu)進(jìn)行了概述性分析,進(jìn)而借以闡述建筑意象的內(nèi)涵,并且站在建筑師的角度強(qiáng)調(diào)了建筑意象應(yīng)該由精神范疇轉(zhuǎn)向物質(zhì)范疇為建筑類型學(xué)的介入奠定基礎(chǔ)。接下來又對(duì)建筑類型學(xué)中的類型概念及其相關(guān)范疇進(jìn)行了詳細(xì)的闡述,重點(diǎn)說明了當(dāng)代建筑類型學(xué)(即第三種類型學(xué))的核心思想以及其設(shè)計(jì)思維方法,通過辨析使得建筑意象的分析、提取以及表達(dá)可以運(yùn)用建筑類型學(xué)設(shè)計(jì)思維方法來實(shí)現(xiàn)。從第三章開始對(duì)博覽建筑的發(fā)展做出詳細(xì)的闡述,并對(duì)不同的時(shí)期的博覽建筑現(xiàn)象做出分析與總結(jié)得出早期博覽建筑中所包含的建筑意象,并強(qiáng)調(diào)了意象對(duì)博覽建筑設(shè)計(jì)的重要意義,從而開啟了類型學(xué)思維方法對(duì)意象的提取與表達(dá)。第四章首先對(duì)闡明了博覽建筑意象信息提取的依據(jù)是類型學(xué)中的原型論,這樣從博覽建筑意象類型中所提取的意象信息最能夠喚醒人們內(nèi)心深處的記憶,并且能夠使博覽建筑獲得內(nèi)在品質(zhì)取得歷史、文化以及情感等方面的傳承與激蕩。這樣從博覽建筑意象類型中取得意象信息來源,在考慮設(shè)計(jì)中的人文環(huán)境、自然環(huán)境、功能與技術(shù)因素對(duì)博覽建筑設(shè)計(jì)產(chǎn)生重要影響的前提下,通過空間、形體、材料與細(xì)部以及結(jié)構(gòu)為載體完成意象信息的類型提取過程,最后依據(jù)完形學(xué)理論通過不同的設(shè)計(jì)轉(zhuǎn)換手法來實(shí)現(xiàn)建筑意象在博覽建筑中的表達(dá)。
[Abstract]:Materiality and spirituality are the universal characteristics of all architecture. As a traditional and cultural carrier of the Expo architecture, it is not only the bearer of history, but also the prospect of the future. It is one of the focus architectural types that architects and ordinary people pay attention to. In addition to satisfying the functional requirements and arranging the functional space and streamline, architects should pay attention to the aesthetic sense of form and the artistic pursuit of spirit. As the cultural status of the Expo architecture determines that this pursuit should surpass other architectural types, architects should pay special attention to the impact of historical culture, regional characteristics and architectural environment in the process of design. Therefore, this paper starts from the image which contains a lot of information, adopts the design thinking process of architectural typology to analyze the type extraction and type conversion of the information in the image, and finally achieves the purpose of expressing the image successfully in the expo architecture. This is a design process that emphasizes logical thinking, and it is also a process in which the author sums up the design method of himself before stepping into the society to carry on the work. This paper holds that in the course of expo architectural design, image is of great significance to architecture, and image is the beginning of architectural design, because image is in culture, history, society and philosophy. Under the influence of religion and other concepts, it often carries "meaning" and "image", which provides a material information model for the design of expo architecture, so the author uses the design logic of architectural typology to analyze and express images. The final completion of the image in the exhibition of the architectural image of the embodiment. Firstly, the paper makes a general analysis of the concept and logical structure of the image, and then expounds the connotation of the architectural image. From the architect's point of view, it emphasizes that the architectural image should change from the spiritual category to the material category to lay the foundation for the involvement of architectural typology. Then, the concept of type and its related categories in architectural typology are elaborated in detail, with emphasis on the core ideas of contemporary architecture typology (that is, the third typology) and its design thinking method. The analysis, extraction and expression of architectural image can be realized by architectural typology design thinking method. Beginning from the third chapter, the development of Expo architecture is described in detail, and the phenomenon of Expo architecture in different periods is analyzed and summarized to get the architectural images contained in the early Expo architecture. It also emphasizes the importance of image to the architectural design of the Expo, thus opening up the extraction and expression of image by typology thinking method. The fourth chapter expounds that the basis of information extraction of architectural image in Expo is the prototype theory in typology, so that the image information extracted from the type of architectural image can awaken the deep memory of people. And can make the Expo architecture to obtain the internal quality of history, culture and emotional inheritance and agitation. In this way, the source of image information can be obtained from the types of architectural images in the Expo. On the premise of considering the humanistic environment, natural environment, function and technical factors in the design of the expo, the information can be obtained through space and form. Materials and details as well as structure as the carrier to complete the type of image information extraction process, finally according to the theory of gestalt through different design methods to achieve the expression of architectural images in the Expo architecture.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU242.5

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本文編號(hào)：1952979