本文選題：產(chǎn)品設(shè)計 + 傳統(tǒng)哲學(xué)　； 參考：《江南大學(xué)》2009年碩士論文

【摘要】： 隨著現(xiàn)代化的發(fā)展,技術(shù)文明給人類社會帶來進(jìn)步的同時,也使人類陷入整體性的生態(tài)危機(jī),生態(tài)問題開始被人們所關(guān)注。中國的古典哲學(xué)中蘊(yùn)涵著豐富的生態(tài)倫理思想,早期許多外國科學(xué)家和哲學(xué)家在此方面做了大量的研究和考察,他們指出儒、道、釋、易、禪等古典思想學(xué)派中包涵著豐富的生態(tài)思想和智慧。生態(tài)美學(xué)是生態(tài)哲學(xué)和審美學(xué)在現(xiàn)代的發(fā)展,它的出現(xiàn)標(biāo)志著人類對世界的總體認(rèn)識,由狹義的以人類為中心向以由人類和自然所構(gòu)成的生命體系為中心的認(rèn)識觀的轉(zhuǎn)變。20世紀(jì)末期在我國,生態(tài)美學(xué)在美學(xué)范疇中的提出,體現(xiàn)了從實踐美學(xué)向存在美學(xué)的發(fā)展,也提升了我國傳統(tǒng)美學(xué)資源的獨(dú)立意義。生態(tài)美學(xué)充分支持了藝術(shù)形式所體現(xiàn)的精神實質(zhì),是人類對于自身和自然相協(xié)調(diào)的追求。我國傳統(tǒng)哲學(xué)是以人與自然和諧共生為核心的認(rèn)識觀和方法論體系。文章從美學(xué)角度進(jìn)行考察和分析傳統(tǒng)造物文化中生態(tài)美學(xué)思想的表現(xiàn)形式和審美準(zhǔn)則,將這些表現(xiàn)形式和審美準(zhǔn)則擴(kuò)展運(yùn)用到現(xiàn)代產(chǎn)品設(shè)計中,建立以生態(tài)美學(xué)觀為核心的產(chǎn)品設(shè)計理念、原則和基本方法。意境美、形式美、色彩美、材料美和技術(shù)美這些傳統(tǒng)造物文化中主要的生態(tài)審美元素,體現(xiàn)了傳統(tǒng)審美準(zhǔn)則和設(shè)計品質(zhì),將這些生態(tài)審美元素在傳統(tǒng)造物文化中的表現(xiàn)方式和手法轉(zhuǎn)化到現(xiàn)代產(chǎn)品造型設(shè)計方法中,來提升產(chǎn)品的生態(tài)審美價值、彰顯本土化設(shè)計特色。本研究的最終目的在于賦予產(chǎn)品的生態(tài)意義和審美價值,改善人們現(xiàn)代生活形態(tài),促進(jìn)人與自然環(huán)境的協(xié)調(diào)統(tǒng)一,為現(xiàn)代產(chǎn)品設(shè)計開辟出路。
[Abstract]:With the development of modernization, technological civilization brings progress to human society, meanwhile, it also makes mankind fall into a holistic ecological crisis, ecological problems begin to be concerned by people. Chinese classical philosophy contains rich ecological ethics. Many foreign scientists and philosophers did a lot of research and investigation in this field in the early years. They pointed out that Confucianism, Taoism, Buddhism, Yi, Zen and other classical schools of thought contain rich ecological thoughts and wisdom. Ecological aesthetics is the development of ecological philosophy and aesthetics in modern times, and its appearance marks the overall understanding of the world. The change from a narrow sense of human-centered to a life-centered view of life made up of human beings and nature. In the end of the 20th century, ecological aesthetics was put forward in the category of aesthetics, which reflected the development from practical aesthetics to existential aesthetics. It also promotes the independent significance of Chinese traditional aesthetic resources. Ecological aesthetics fully supports the spiritual essence of art form and is the pursuit of human being's harmony with nature. Chinese traditional philosophy is a system of cognition and methodology based on the harmonious coexistence of man and nature. From the perspective of aesthetics, this paper investigates and analyzes the expression forms and aesthetic criteria of ecological aesthetics in traditional creation culture, and extends these forms of expression and aesthetic criteria to modern product design. To establish the concept, principles and basic methods of product design with ecological aesthetics as the core. Beauty of artistic conception, beauty of form, beauty of color, beauty of material and beauty of technology are the main ecological aesthetic elements in traditional creation culture, which embody the traditional aesthetic criterion and design quality. In order to enhance the ecological aesthetic value of the products and highlight the local design characteristics, the expression of these ecological aesthetic elements in the traditional creation culture is transformed into the modern product modeling design method. The ultimate purpose of this study is to endow the product with ecological significance and aesthetic value, to improve people's modern life form, to promote the harmony between human and natural environment, and to open the way for modern product design.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：B83

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