【摘要】：柴燒是指以柴木為燃料,在特定的窯體中以特定的升溫曲線燒造陶瓷坯體的燒造方式,它既是現(xiàn)代陶藝家對(duì)待泥土的一種態(tài)度,也是現(xiàn)代陶藝家的一種生活方式。本文以古代龍窯、饅頭窯、葫蘆窯、鎮(zhèn)窯和現(xiàn)代柴窯的異同進(jìn)行對(duì)比,對(duì)新型耐火材料進(jìn)行系列研究,得出新型耐火材料的出現(xiàn)推動(dòng)了柴窯發(fā)展:1、現(xiàn)代柴窯可根據(jù)實(shí)際情況,自行設(shè)計(jì)窯爐的容積、類型、尺寸,而窯爐的相關(guān)設(shè)計(jì)將會(huì)影響燒成溫度、氣氛、灰燼的數(shù)量和飄落的位置、升溫速度及其他諸多因素。2、現(xiàn)代柴窯更能體現(xiàn)柴燒的特殊效果,產(chǎn)生豐富的窯變肌理,方便藝術(shù)家從事頗具實(shí)驗(yàn)性的窯變效果研究。可以讓作品產(chǎn)生亮光表面肌理、亞光表面肌理、樹皮肌理、瓜皮肌理、焦土肌理、侵蝕肌理、開裂肌理等等特殊效果,更好的追求作品有意味的形式。3、現(xiàn)代柴窯中新型耐高溫材料的運(yùn)用,方便了建造柴窯的整個(gè)過程。耐火磚的重量和密度都很大,使整個(gè)窯體升溫和降溫速度較慢,從而讓作品有效生成肌理和顏色。耐火磚的運(yùn)用增強(qiáng)了窯體的使用年限。本文闡述了新型耐火材料在柴窯發(fā)展中的推動(dòng)作用,強(qiáng)調(diào)柴燒的過程之于現(xiàn)代陶藝審美的重要意義,以期能拓寬現(xiàn)代柴窯的構(gòu)建、完善現(xiàn)代陶藝的理論體系,更希望對(duì)現(xiàn)代陶藝創(chuàng)作者有所裨益。
[Abstract]:Firewood burning refers to the burning way of ceramic billets in particular kilns with firewood as fuel and with specific heating curves. It is not only a kind of attitude of modern ceramic artists towards soil, but also a way of life of modern ceramic artists. By comparing the similarities and differences between ancient long kiln, steamed bread kiln, gourd kiln, town kiln and modern firewood kiln, this paper makes a series study on new refractory materials, and concludes that the emergence of new refractory materials has promoted the development of firewood kiln: 1, and modern firewood kiln can be developed according to the actual situation. The volume, type and size of the kiln designed by itself, and the relevant design of the kiln will affect the firing temperature, atmosphere, quantity and falling position of ash, heating rate and many other factors .2. the modern firewood kiln can better reflect the special effect of firewood burning. Produce rich kiln texture, convenient for artists to engage in experimental kiln change effect research. Works can produce bright surface texture, sub-smooth surface texture, bark texture, melon skin texture, scorched soil texture, erosion texture, cracking texture and other special effects. The application of new high temperature resistant materials in modern firewood kiln facilitates the whole process of building firewood kiln. The weight and density of refractory brick are very large, which makes the whole kiln body warm and cool slowly, so that the work can generate texture and color effectively. The use of refractory brick enhances the service life of kiln body. This paper expounds the role of new refractory in the development of firewood kiln, and emphasizes the importance of the process of firewood burning to the aesthetic of modern ceramic art, in order to widen the construction of modern firewood kiln and perfect the theoretical system of modern ceramic art. I hope it will benefit the modern ceramic artists.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TQ174.65;TQ175.7

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本文編號(hào)：2155433