發(fā)布時(shí)間：2018-05-03 15:37

  本文選題：唐三彩彩釉工藝 + 唐代染纈工藝��； 參考：《染整技術(shù)》2017年10期

【摘要】：唐代的染纈工藝不僅是我國古代勞動(dòng)人民高超智慧的體現(xiàn),而且也對(duì)當(dāng)時(shí)的服飾文化產(chǎn)生了重大的影響,同時(shí)為我國的傳統(tǒng)布料印染以及絲綢文化的發(fā)展畫上了亮麗的一筆。作為唐朝時(shí)期的兩種藝術(shù),唐代染纈工藝和唐三彩彩釉工藝之間有著很多的關(guān)聯(lián)性,通過對(duì)二者的相關(guān)性進(jìn)行分析,對(duì)唐三彩的彩釉工藝和唐代染纈工藝之間的共同之處進(jìn)行思考和探討。
[Abstract]:The dyed valerian craft of the Tang Dynasty was not only the embodiment of the superb wisdom of the working people in ancient China, but also had a great influence on the costume culture at that time. At the same time, it was a brilliant painting for the development of the traditional fabric printing and dyeing and the silk culture in our country. As two kinds of art in the Tang Dynasty, there is a lot of correlation between the Tang Dynasty dyeing Valeriana process and the Tang tricolor glaze craft, through the analysis of the correlation between the two. This paper discusses the common points between the colored glaze technology and the dyeing valerian craft in Tang Dynasty.
【作者單位】： 包頭師范學(xué)院美術(shù)學(xué)院;
【分類號(hào)】：TQ174.641;TS193
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本文編號(hào)：1839073