本文選題：晶體微觀結(jié)構(gòu) + 圖形創(chuàng)意　； 參考：《浙江農(nóng)林大學(xué)》2017年碩士論文

【摘要】：隨著世界文化藝術(shù)和科技的發(fā)展,圖形設(shè)計的語言和方法越來越豐富,人們對圖形設(shè)計的要求也越來越高,傳統(tǒng)的圖形設(shè)計思考方法已經(jīng)很難尋找全新的突破,想讓作品以最獨特的形式語言出現(xiàn)就要在藝術(shù)家未曾探索過的領(lǐng)域?qū)ふ倚碌脑O(shè)計思路。近些年來顯微科技的發(fā)展,將人們的視域帶入了一個全新的微觀世界,這里視覺形式的豐富多樣超出了人們想象,微觀圖形世界為我們打開了另一扇通往抽象圖形的世界寶庫,目前的研究結(jié)果顯示,在眾多的微觀結(jié)構(gòu)中,晶體微觀結(jié)構(gòu)形式,穩(wěn)定且多變,符合美學(xué)法則,晶體微觀圖式數(shù)量十分龐大,雖然是以嚴(yán)謹(jǐn)?shù)臄?shù)理結(jié)構(gòu)為依托但是在不穩(wěn)定的自然的環(huán)境中這些結(jié)構(gòu)千變?nèi)f化,形成了各式各樣的圖像,其中有古怪嶙峋的結(jié)構(gòu)也有富含邏輯的造型,晶體微觀結(jié)構(gòu)既美的不可方物又有章可循,因此我們挖掘晶體微觀結(jié)構(gòu)的美學(xué)價值和構(gòu)成法則,能為當(dāng)下的實驗性創(chuàng)作提供想象與創(chuàng)新的啟示,并且能為建立新的圖形設(shè)計方法提供重要的樣式和規(guī)律借鑒。晶體微觀結(jié)構(gòu)是大自然中有序的、平衡的、確定但又多變的一種視覺形式。我們將設(shè)計視野轉(zhuǎn)向晶體微觀結(jié)構(gòu),探索晶體微觀結(jié)構(gòu)的構(gòu)成美法則和構(gòu)成規(guī)律,基于晶體微觀結(jié)構(gòu)的圖形設(shè)計方法探索分為兩個方向展開,一沖出具像藝術(shù)創(chuàng)作的限制,直接提取晶體微觀結(jié)構(gòu)的視覺元素進(jìn)行藝術(shù)設(shè)計,站在更加廣闊的層面來審視這個新的視覺世界,打開創(chuàng)作思路,尋求更加新穎的表現(xiàn)技法;二整合晶體微觀結(jié)構(gòu)的構(gòu)成規(guī)律,結(jié)合數(shù)學(xué)中的分形理論,將這種構(gòu)成規(guī)律轉(zhuǎn)化成直觀可見的圖像,再經(jīng)過設(shè)計師的藝術(shù)加工最終生成設(shè)計作品,用科學(xué)的方法和其他學(xué)科的知識為工具,幫助我們將晶體微觀結(jié)構(gòu)創(chuàng)造性地向設(shè)計轉(zhuǎn)化。通過分析論證,本文主要得到三個結(jié)論:1晶微觀結(jié)構(gòu)存在人們能夠欣賞的美,晶體微觀結(jié)構(gòu)圖像既存在表象的奇異美,也存在有著嚴(yán)密構(gòu)成規(guī)律的數(shù)理美。2這種美是可以被我們提取應(yīng)用到設(shè)計中的,從形式和構(gòu)成法則兩個方面進(jìn)行借鑒,就可以得出我們想要的新的設(shè)計思路和方法。3通過應(yīng)用分析,得出基于晶體微觀結(jié)構(gòu)的圖形設(shè)計方法是可行的,并且是符合時代發(fā)展潮流的,很具有應(yīng)用前景。
[Abstract]:With the development of culture, art and science and technology in the world, the language and method of graphic design are becoming more and more abundant, and the demand for graphic design is becoming higher and higher. The traditional thinking method of graphic design has been difficult to find a new breakthrough. In order for the work to appear in the most unique formal language, it is necessary to find new design ideas in fields that the artist has never explored. In recent years, the development of microscopic science and technology has brought people's vision into a new micro-world, where the rich and diverse visual forms are beyond people's imagination, and the micro-graphics world has opened another treasure house to the world of abstract graphics. The current research results show that, among the numerous microstructures, the crystal microstructure forms are stable and changeable, in accordance with the aesthetic law, and the number of crystal microscopic schemas is very large. Although it is based on rigorous mathematical structures, these structures vary in unstable natural environments and form a variety of images, ranging from outlandish structures to logical shapes. The crystal microstructure is not only beautiful, but also has rules to follow, so we excavate the aesthetic value and constitution law of crystal microstructure, which can provide imagination and innovation inspiration for the present experimental creation. And it can provide important style and law reference for the establishment of new graphic design method. Crystal microstructure is an ordered, balanced, deterministic but variable visual form in nature. We turn the design field of vision to the crystal microstructure, and explore the law and law of the composition of the crystal microstructure. The graphic design method based on the crystal microstructure can be divided into two directions. Directly extracting the visual elements of crystal microstructure for artistic design, standing at a broader level to examine the new visual world, opening up creative ideas, looking for more novel performance techniques. Combining with the fractal theory in mathematics, this kind of constitution law is transformed into the visible image, and then through the designer's art processing, the design works are finally generated, and the scientific method and the knowledge of other disciplines are used as the tools. It helps us to transform crystal microstructure creatively into design. Through analysis and demonstration, three conclusions are drawn in this paper: there is a beauty that people can appreciate in the microstructure of the crystal at 1: 1, and there is a singular beauty in the image of the crystal microstructure. There is also the beauty of mathematical and physical beauty, which is closely structured. 2. This beauty can be extracted and applied to the design by us. It can be used for reference from two aspects: form and constitution. We can get the new design ideas and methods that we want. 3. Through application analysis, we can conclude that the graphic design method based on crystal microstructure is feasible, and is in line with the trend of development of the times, and has a good prospect of application.
【學(xué)位授予單位】：浙江農(nóng)林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：O76

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本文編號：1940509