20世紀(jì)80年代以來法國華人文學(xué)的發(fā)展
發(fā)布時(shí)間：2018-12-17 21:32
【摘要】：隨著全球政治經(jīng)濟(jì)文化的發(fā)展，各國之間的交流日漸加強(qiáng)。資源的共享更是大大促進(jìn)了相互之間文化的交流和發(fā)展，文學(xué)作為文化交流的一個(gè)重要方面發(fā)揮著重要的作用。世界華人文學(xué)的迅速發(fā)展逐漸構(gòu)成一種特殊的文化現(xiàn)象，引起文學(xué)愛好者和研究者的極大關(guān)注。進(jìn)入20世紀(jì)80年代以來，作為世界文化大國的法國吸引了一批華人文學(xué)作家，由于各種原因，他們來到法國，獲得法國國籍，并且用法語寫作富含中國文化元素的文學(xué)作品，例如程抱一，高行健，山颯等。這一批作家深受兩國文化的影響：中國文化和法國文化。在他們的文學(xué)創(chuàng)作中，兩種不同的文化因素或多或少地體現(xiàn)在他們的作品中。 近年來，法國華人文學(xué)作家已經(jīng)取得了很大的成就，獲得了很多法國文學(xué)大獎(jiǎng)，一些作品甚至還獲得了諾貝爾文學(xué)獎(jiǎng)。是什么因素促成了華人文學(xué)家的成功呢？這一文學(xué)現(xiàn)象的發(fā)展很值得我們研究。 論文共分為三大部分。在第一部分中，首先，我們將重點(diǎn)放在對(duì)華人文學(xué)和華文文學(xué)概念的理解上，長期以來，中國的文學(xué)批評(píng)家和理論家一直徘徊在這兩個(gè)概念上，不知如何取舍，在文中我們將針對(duì)這一問題進(jìn)行詳細(xì)的分析；其次，我們會(huì)簡單介紹一下法國華人文學(xué)發(fā)展的狀況。第二部分，我們將詳細(xì)地講解三位法國華人文學(xué)家及他們的作品，從他們的作品中挑選最具代表性的一本進(jìn)行詳細(xì)的分析。在第三部分，首先，我們將根據(jù)第二部分的分析總結(jié)出法國華人文學(xué)發(fā)展的一些特點(diǎn)；其次，分析法國華人文學(xué)家獲得成功的主要原因；再次，簡單評(píng)價(jià)一下法國華人文學(xué)發(fā)展的影響；最后，簡單介紹一下世界華人文學(xué)的發(fā)展?fàn)顩r，并與法國華人文學(xué)的發(fā)展?fàn)顩r進(jìn)行簡單的比較。最后我們將對(duì)全文進(jìn)行一個(gè)全面的總結(jié)。
[Abstract]:With the development of global politics, economy and culture, the exchanges between countries have been strengthened day by day. The sharing of resources has greatly promoted the exchange and development of each other's cultures. Literature, as an important aspect of cultural exchange, plays an important role. The rapid development of Chinese literature in the world gradually constitutes a special cultural phenomenon, which attracts great attention of literary lovers and researchers. Since the 1980s, France, as a major cultural power in the world, has attracted a number of Chinese literary writers. For various reasons, they came to France to acquire French nationality, and wrote literary works rich in Chinese cultural elements in French. For example Cheng Baoyi, Gao Xingjian, Shan sa and so on. These writers are deeply influenced by the two cultures: Chinese culture and French culture. In their literary creation, two different cultural factors are more or less embodied in their works. In recent years, French Chinese literary writers have made great achievements, won many French literary awards, and even won the Nobel Prize for literature. What factors contributed to the success of Chinese litterateurs? The development of this literary phenomenon is worthy of our study. The thesis is divided into three parts. In the first part, first of all, we focus on understanding the concepts of Chinese literature and Chinese literature. For a long time, Chinese literary critics and theorists have been hovering on these two concepts, and they do not know how to choose or choose. In this paper, we will analyze the problem in detail. Secondly, we will briefly introduce the development of French Chinese literature. In the second part, we will explain in detail the three French Chinese writers and their works, and select the most representative one from their works for detailed analysis. In the third part, first of all, we will sum up some characteristics of the development of French Chinese literature according to the analysis of the second part, second, analyze the main reasons for the success of French Chinese litterateurs; Thirdly, it briefly evaluates the influence of the development of French Chinese literature. Finally, it briefly introduces the development of Chinese literature in the world, and makes a simple comparison with the development of French Chinese literature. Finally, we will make a comprehensive summary of the full text.
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I206
本文編號(hào)：2384825
[Abstract]:With the development of global politics, economy and culture, the exchanges between countries have been strengthened day by day. The sharing of resources has greatly promoted the exchange and development of each other's cultures. Literature, as an important aspect of cultural exchange, plays an important role. The rapid development of Chinese literature in the world gradually constitutes a special cultural phenomenon, which attracts great attention of literary lovers and researchers. Since the 1980s, France, as a major cultural power in the world, has attracted a number of Chinese literary writers. For various reasons, they came to France to acquire French nationality, and wrote literary works rich in Chinese cultural elements in French. For example Cheng Baoyi, Gao Xingjian, Shan sa and so on. These writers are deeply influenced by the two cultures: Chinese culture and French culture. In their literary creation, two different cultural factors are more or less embodied in their works. In recent years, French Chinese literary writers have made great achievements, won many French literary awards, and even won the Nobel Prize for literature. What factors contributed to the success of Chinese litterateurs? The development of this literary phenomenon is worthy of our study. The thesis is divided into three parts. In the first part, first of all, we focus on understanding the concepts of Chinese literature and Chinese literature. For a long time, Chinese literary critics and theorists have been hovering on these two concepts, and they do not know how to choose or choose. In this paper, we will analyze the problem in detail. Secondly, we will briefly introduce the development of French Chinese literature. In the second part, we will explain in detail the three French Chinese writers and their works, and select the most representative one from their works for detailed analysis. In the third part, first of all, we will sum up some characteristics of the development of French Chinese literature according to the analysis of the second part, second, analyze the main reasons for the success of French Chinese litterateurs; Thirdly, it briefly evaluates the influence of the development of French Chinese literature. Finally, it briefly introduces the development of Chinese literature in the world, and makes a simple comparison with the development of French Chinese literature. Finally, we will make a comprehensive summary of the full text.
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I206
【參考文獻(xiàn)】
相關(guān)期刊論文 前9條
1 王冰冰;單百靈;陳小妹;;程抱一《天一言》道家思想綜述[J];安徽文學(xué)(下半月);2011年08期
2 劉陽;程抱一和他的小說《此情可待》[J];當(dāng)代外國文學(xué);2004年04期
3 周海玲,張志強(qiáng);紛爭、建構(gòu)與懸置——關(guān)于華文文學(xué)命名科學(xué)性的思考[J];廣東廣播電視大學(xué)學(xué)報(bào);2005年03期
4 李亞萍,鄒琰;圍棋的隱喻——從《圍棋少女》看法國華人文學(xué)[J];廣東社會(huì)科學(xué);2003年05期
5 徐國紅;;女權(quán)神話:《圍棋少女》的性別策略[J];貴州社會(huì)科學(xué);2007年12期
6 周曉蘋;;山颯和她的《圍棋少女》[J];名作欣賞;2008年05期
7 唐海東;;海外華人的文革寫作[J];世界華文文學(xué)論壇;2008年04期
8 劉忠惠;對(duì)高行健文學(xué)作品表達(dá)中的人稱層次感悟[J];松遼學(xué)刊(人文社會(huì)科學(xué)版);2002年03期
9 劉成富,焦宏麗;法國文壇華人文學(xué)的崛起——以戴思杰、山颯為例[J];譯林;2004年06期
，本文編號(hào)：2384825
本文鏈接：http://sikaile.net/jingjilunwen/zhengzhijingjixuelunwen/2384825.html
最近更新
教材專著
