論創(chuàng)傷體驗與張愛玲的小說創(chuàng)作
發(fā)布時間：2018-12-06 14:20
【摘要】：創(chuàng)傷體驗作為文藝心理學的研究對象，與作家的文學創(chuàng)作之間存在密切復雜的聯系，因而成為探究作家的創(chuàng)作動機和作品表現的重要線索。從創(chuàng)傷角度對作家作品進行解讀，能夠將作者的生平經歷、精神發(fā)展、思維邏輯與其作品創(chuàng)作緊密地聯系在一起。作家的生命體驗與文學創(chuàng)作有著本與末的聯系，而創(chuàng)傷性的生命體驗對作家的生命感悟和文學創(chuàng)作更是有著深重的難以磨滅的影響，甚至可以成為文學創(chuàng)作的最初動機。從創(chuàng)傷體驗的角度對張愛玲的小說進行研究，能夠最近距離地理解張愛玲小說創(chuàng)作動機的來源、思想主題的成因、人物形象塑造的現實觀照等。 首先，家族對族人的社會關系、政治經濟權利和思想文化都有奠基性的作用。張愛玲的童年時期正是其家族由輝煌轉向衰落的轉折期，帶給張愛玲物質生活乃至精神世界的震蕩，這讓她思索環(huán)境巨變給個體精神帶來的創(chuàng)傷。家族的由盛而衰對族里每個成員的物質和精神生活產生重大影響，張愛玲用筆描繪出生活巨變帶來的人格畸變，這些經典的形象也為成就張愛玲做出重要貢獻。其次，，二十世紀三四十年代女性解放及女權運動進行得如火如荼，但是張愛玲卻沒有受到時代潮流的沖刷，在文學作品中經常流露出對金錢的喜愛。從心理學角度分析，這和家庭遭受變故以致生活發(fā)生重大改變有關，在金錢失衡的生活里她選擇拜金主義聊以自慰，這也正是創(chuàng)傷應激的反映。金錢帶來的創(chuàng)傷體驗讓張愛玲反思生活永恒的支柱，這種生活體驗讓她在藝術世界里盡寫金錢帶來的人情冷漠，同時尋找撫慰精神創(chuàng)傷的良藥。再次，父母對兒童的忽視和關心不夠，會導致兒童的親情缺失進而演變成一種精神創(chuàng)傷，張愛玲在其小說創(chuàng)作中盡情描述惡母形象丑父形象，一方面暗含對父母的怨恨，另一方面也暗示著她對親情的渴望和向往。最后，反諷具有很強的藝術塑造能力，其核心質素是否定和顛覆。張愛玲使用言語反諷、情景反諷、戲劇反諷對故事中的人和事進行嘲弄或者憐憫。反諷否定的顛覆的東西都在讀者閱讀的過程中挖掘并擴展起來。歷經劫難的張愛玲對生活、生命有了深刻理解，她在文學創(chuàng)作中頻繁使用反諷手法，正是因為領悟到群體生活生命的永恒和個體生活生命的無常，她用反諷藝術手法審視混亂的世界，同時對生命生活的本質投去無限的人文關懷。
[Abstract]:As the object of study of literary psychology, trauma experience has a close and complicated relationship with the writer's literary creation, so it has become an important clue to explore the writer's creative motivation and the expression of his works. The author's life experience, spiritual development, thinking logic and creation of his works can be closely linked with the interpretation of his works from the perspective of trauma. The writer's life experience and literary creation have the relation between the original and the end, and the traumatic life experience has a profound and indelible influence on the writer's life perception and literary creation, and can even become the initial motive of literary creation. By studying Zhang Ailing's novels from the perspective of traumatic experience, we can understand the source of the motive, the cause of the thought theme, the realistic reflection of the portrayal of the characters and so on. First of all, the family plays a fundamental role in social relations, political and economic rights and ideological and cultural. Zhang Ailing's childhood was the turning period of her family from brilliance to decline, which brought the shock of the material life and even the spiritual world to Zhang Ailing, which made her think about the trauma to the individual spirit brought by the great change of the environment. The prosperity and decline of the family have a great influence on the material and spiritual life of every member of the family. Zhang Ailing used his pen to describe the personality distortion brought about by the great changes in life. These classic images also made important contributions to the achievement of Zhang Ailing. Secondly, the female liberation and feminist movement were in full swing in the 1930s and 1940s, but Zhang Ailing was not washed away by the trend of the times, and often showed his love for money in his literary works. From a psychological point of view, it has something to do with the changes in her family and her life. In a life of money imbalance, she chooses money worship to masturbate, which is precisely the reflection of traumatic stress. The traumatic experience brought by money makes Zhang Ailing reflect on the eternal pillar of life. This kind of life experience makes her write in the art world the human indifference brought by money and find a good remedy for psychological trauma. Thirdly, parents' neglect and concern for their children will lead to the lack of affection of the children and then develop into a kind of mental trauma. Zhang Ailing, in his novel creation, fully describes the ugly father image of the evil mother image, on the one hand, it implies resentment against the parents. On the other hand, it also hinted at her yearning for affection. Finally, irony has a strong artistic ability, its core quality is negation and subversion. Zhang Ailing uses verbal irony, situational irony, and dramatic irony to ridicule or pity people and events in the story. The subversive things of irony and negation are excavated and expanded in the process of reading. Zhang Ailing, who has experienced disaster, has a profound understanding of life. She frequently uses irony in her literary creation because she understands the eternity of group life and the impermanence of individual life. She examined the chaotic world with irony and cast unlimited humanistic care on the essence of life.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I207.42
本文編號：2366163
[Abstract]:As the object of study of literary psychology, trauma experience has a close and complicated relationship with the writer's literary creation, so it has become an important clue to explore the writer's creative motivation and the expression of his works. The author's life experience, spiritual development, thinking logic and creation of his works can be closely linked with the interpretation of his works from the perspective of trauma. The writer's life experience and literary creation have the relation between the original and the end, and the traumatic life experience has a profound and indelible influence on the writer's life perception and literary creation, and can even become the initial motive of literary creation. By studying Zhang Ailing's novels from the perspective of traumatic experience, we can understand the source of the motive, the cause of the thought theme, the realistic reflection of the portrayal of the characters and so on. First of all, the family plays a fundamental role in social relations, political and economic rights and ideological and cultural. Zhang Ailing's childhood was the turning period of her family from brilliance to decline, which brought the shock of the material life and even the spiritual world to Zhang Ailing, which made her think about the trauma to the individual spirit brought by the great change of the environment. The prosperity and decline of the family have a great influence on the material and spiritual life of every member of the family. Zhang Ailing used his pen to describe the personality distortion brought about by the great changes in life. These classic images also made important contributions to the achievement of Zhang Ailing. Secondly, the female liberation and feminist movement were in full swing in the 1930s and 1940s, but Zhang Ailing was not washed away by the trend of the times, and often showed his love for money in his literary works. From a psychological point of view, it has something to do with the changes in her family and her life. In a life of money imbalance, she chooses money worship to masturbate, which is precisely the reflection of traumatic stress. The traumatic experience brought by money makes Zhang Ailing reflect on the eternal pillar of life. This kind of life experience makes her write in the art world the human indifference brought by money and find a good remedy for psychological trauma. Thirdly, parents' neglect and concern for their children will lead to the lack of affection of the children and then develop into a kind of mental trauma. Zhang Ailing, in his novel creation, fully describes the ugly father image of the evil mother image, on the one hand, it implies resentment against the parents. On the other hand, it also hinted at her yearning for affection. Finally, irony has a strong artistic ability, its core quality is negation and subversion. Zhang Ailing uses verbal irony, situational irony, and dramatic irony to ridicule or pity people and events in the story. The subversive things of irony and negation are excavated and expanded in the process of reading. Zhang Ailing, who has experienced disaster, has a profound understanding of life. She frequently uses irony in her literary creation because she understands the eternity of group life and the impermanence of individual life. She examined the chaotic world with irony and cast unlimited humanistic care on the essence of life.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I207.42
【參考文獻】
相關期刊論文 前10條
1 陶東風;;文化創(chuàng)傷與見證文學[J];當代文壇;2011年05期
2 鞏紅玉;從張愛玲的人生閱歷看她的小說創(chuàng)作[J];大理師專學報;2001年02期
3 林鶯;;創(chuàng)傷性記憶與張愛玲的抽象隱喻[J];福建論壇(人文社會科學版);2010年09期
4 Lenore C Terr;崔新佳;;童年精神創(chuàng)傷及其影響[J];國外醫(yī)學.精神病學分冊;1991年04期
5 陳思和;論海派文學的傳統(tǒng)[J];杭州師范學院學報(人文社會科學版);2002年01期
6 羅小年,王高華;童年精神創(chuàng)傷:一個影響精神健康的因素[J];健康心理學;1993年01期
7 王小玲;;淺談創(chuàng)傷心理學視野中家庭對兒童的教育[J];佳木斯教育學院學報;2011年01期
8 馮愛琳;;張愛玲的兒童想象[J];樂山師范學院學報;2011年06期
9 周曉平;;論情感體驗對張愛玲小說創(chuàng)作的影響[J];南昌大學學報(人文社會科學版);2008年02期
10 趙冬梅;;弗洛伊德和榮格對心理創(chuàng)傷的理解[J];南京師大學報(社會科學版);2009年06期
相關博士學位論文 前1條
1 周桂君;現代性語境下跨文化作家的創(chuàng)傷書寫[D];東北師范大學;2010年
本文編號：2366163
本文鏈接：http://sikaile.net/jingjilunwen/zhengzhijingjixuelunwen/2366163.html
