初盛唐俠類(lèi)詩(shī)研究
發(fā)布時(shí)間：2018-09-09 08:48
【摘要】：初盛唐時(shí)代不僅是我國(guó)古代史上最為燦爛炫目的一頁(yè)，而且也是我國(guó)古代詩(shī)歌藝術(shù)的成熟期和高峰期。同時(shí)，俠文學(xué)在這一時(shí)期積極融入社會(huì)，與大唐精神高度契合，并相互催生，最終孕育出獨(dú)特的文學(xué)成果：俠類(lèi)詩(shī)。唐代——尤其是初盛唐盛行熾熱的行俠之風(fēng)，因而也形成了蔚為壯觀的俠類(lèi)詩(shī)的創(chuàng)作，據(jù)筆者統(tǒng)計(jì)，《全唐詩(shī)》中僅初盛唐詩(shī)人部分就有近兩百首俠類(lèi)詩(shī)傳世，而且這些詩(shī)篇承前啟后，，繼往開(kāi)來(lái)，題材多變，風(fēng)格多樣，足以成為一種類(lèi)型文學(xué)來(lái)進(jìn)行深入的研究。本文主要以初盛唐時(shí)期俠類(lèi)詩(shī)為研究對(duì)象，包括緒論以及五個(gè)章節(jié)： 緒論部分，本文主要闡述了選題的初衷、意義，以及俠類(lèi)詩(shī)的界定、俠類(lèi)詩(shī)的歷史流變，同時(shí)也解釋了本文要把初盛唐俠類(lèi)詩(shī)放在一起研究的原因。這也順勢(shì)引出了本文的下一步研究。 研究俠類(lèi)詩(shī)，必然要先關(guān)注俠文化。本文的第一章就從俠的歷史入手，重點(diǎn)討論俠、以及俠文化的產(chǎn)生、發(fā)展以及在初盛唐的成熟，同時(shí)，也對(duì)學(xué)界目前對(duì)俠類(lèi)詩(shī)的研究現(xiàn)狀做了基本梳理，在此基礎(chǔ)之上，便于找到研究的側(cè)重點(diǎn)和難點(diǎn)。 類(lèi)型詩(shī)歌研究離不開(kāi)對(duì)詩(shī)歌文本的分析，所以本文的第二章重點(diǎn)關(guān)注了筆者所搜集到的俠類(lèi)詩(shī)篇，首先，對(duì)這些詩(shī)篇做出整體性的介紹和大體的分類(lèi)統(tǒng)計(jì)；其次，針對(duì)這一類(lèi)型詩(shī)篇的主要特征，重點(diǎn)從其典型的主體變遷、意象特征、用語(yǔ)特征入手，做出相對(duì)深入的進(jìn)一步解讀。 同時(shí)，筆者也發(fā)現(xiàn)初盛唐時(shí)期進(jìn)行俠類(lèi)詩(shī)創(chuàng)作的這些詩(shī)人在許多方面具有共同特質(zhì)，一方面，詩(shī)作具有類(lèi)型化、模式化的痕跡，另一方面，這些詩(shī)作在整體可分為兩類(lèi)，并分別透射出的不同詩(shī)人的不同心態(tài)，而這兩種看似對(duì)立甚至矛盾的心態(tài)卻也都是大唐盛世之下，詩(shī)人人生追求的積極反應(yīng)。 本文的第四章，則主要是對(duì)俠類(lèi)詩(shī)的美學(xué)特征做出整體性分析，梳理出頗具陽(yáng)剛美的俠類(lèi)詩(shī)篇中不同的藝術(shù)特質(zhì)，并對(duì)俠類(lèi)詩(shī)為何能在這一特殊的歷史時(shí)代，才可以——并確實(shí)完成了其成熟、繁榮這一現(xiàn)象，深究其背后的政治、經(jīng)濟(jì)、文化緣由。 俠類(lèi)詩(shī)的興盛離不開(kāi)初盛唐的盛世環(huán)境，隨著大唐社會(huì)的敗落，俠類(lèi)詩(shī)創(chuàng)作也急轉(zhuǎn)而下，日漸式微。盡管在唐后歷代仍如明珠一樣不時(shí)閃現(xiàn)，但都未成氣候，漸落漸敗，最終悄然隱去。因而本文的最后一章，既是對(duì)這個(gè)現(xiàn)象的基本分析，也是因之而發(fā)出的一聲嘆息。 綜合而言，本文是從歷史學(xué)入手，探究俠及俠文化淵源、內(nèi)涵，接著從語(yǔ)言學(xué)角度透析初盛唐俠類(lèi)詩(shī)的典型特征，其次，從美學(xué)角度對(duì)俠類(lèi)詩(shī)進(jìn)行審視，并分析其盛行的原因，最后是對(duì)初盛唐俠類(lèi)詩(shī)式微的追問(wèn)和反思。
[Abstract]:The early prosperous Tang Dynasty was not only the most brilliant and dazzling page in the ancient history of China, but also the mature period and peak period of the ancient poetry art in China. At the same time, chivalrous literature was actively integrated into society during this period, which was highly compatible with the spirit of the Tang Dynasty, and gave birth to each other, and finally gave birth to a unique literary achievement: chivalrous poetry. In the Tang Dynasty, especially in the early prosperous Tang Dynasty, the fervent style of chivalrous movement was prevailing, and thus the creation of magnificent chivalrous poems was formed. According to the author's statistics, there are nearly 200 chivalrous poems in the Poems of the whole Tang Dynasty alone in the early Tang Dynasty. Moreover, these poems carry on the past, carry on the future, subject matter is changeable, style is diverse, it is enough to be a kind of literature to carry on the thorough research. This article mainly takes the chivalrous poem of the early prosperous Tang Dynasty as the research object, including the introduction and five chapters: the introduction part, this article mainly elaborated the original intention, the significance, the definition of the chivalrous poem, the historical evolution of the chivalrous poem, At the same time, it also explains the reason why this article put the chivalrous poems of the early prosperous Tang Dynasty together. This also leads to the further study of this paper. To study chivalrous poetry, we must first pay attention to chivalrous culture. The first chapter of this paper starts with the chivalrous history, focusing on the emergence, development and maturity of chivalrous culture in the early Tang Dynasty. At the same time, it also makes a basic combing of the current research situation of chivalrous poetry in the academic circles, on the basis of which, It is convenient to find the key points and difficulties of the research. Therefore, the second chapter focuses on the chivalrous poems collected by the author. Firstly, the author makes a comprehensive introduction to these poems and makes a general classification statistics. In view of the main features of this type of poetry, this paper focuses on the typical changes of the subject, image characteristics and terminological features, and makes a relatively deep interpretation. At the same time, the author also finds that these poets who created chivalrous poems in the early Tang Dynasty have common characteristics in many aspects. On the one hand, the poems have the marks of typology and stylization. On the other hand, these poems can be divided into two types as a whole. The two seemingly antagonistic and even contradictory mind-sets are also positive reactions to the poets' pursuit of life under the prosperous times of the Tang Dynasty. In the fourth chapter, the author analyzes the aesthetic characteristics of chivalrous poetry, combs out the different artistic characteristics of the masculine and beautiful chivalrous poems, and explains why the chivalrous poems can be used in this special historical era. Can-and really complete its mature, prosperous phenomenon, the underlying political, economic, cultural reasons. The prosperity of chivalrous poetry can not be separated from the prosperous environment of the early Tang Dynasty. Although after the Tang Dynasty still flashed like a pearl from time to time, but did not become a climate, gradually lost, and finally quietly disappeared. The last chapter of this paper is not only a basic analysis of this phenomenon, but also a sigh. To sum up, this paper explores the origin and connotation of chivalrous and chivalrous culture from the perspective of history, then analyzes the typical features of chivalrous poetry in the early Tang Dynasty from a linguistic point of view. Secondly, it examines the chivalrous poetry from an aesthetic point of view and analyzes the reasons for its prevalence. The last part is the inquiry and reflection on the decline of chivalrous poems in the early Tang Dynasty.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I207.22
本文編號(hào)：2231899
[Abstract]:The early prosperous Tang Dynasty was not only the most brilliant and dazzling page in the ancient history of China, but also the mature period and peak period of the ancient poetry art in China. At the same time, chivalrous literature was actively integrated into society during this period, which was highly compatible with the spirit of the Tang Dynasty, and gave birth to each other, and finally gave birth to a unique literary achievement: chivalrous poetry. In the Tang Dynasty, especially in the early prosperous Tang Dynasty, the fervent style of chivalrous movement was prevailing, and thus the creation of magnificent chivalrous poems was formed. According to the author's statistics, there are nearly 200 chivalrous poems in the Poems of the whole Tang Dynasty alone in the early Tang Dynasty. Moreover, these poems carry on the past, carry on the future, subject matter is changeable, style is diverse, it is enough to be a kind of literature to carry on the thorough research. This article mainly takes the chivalrous poem of the early prosperous Tang Dynasty as the research object, including the introduction and five chapters: the introduction part, this article mainly elaborated the original intention, the significance, the definition of the chivalrous poem, the historical evolution of the chivalrous poem, At the same time, it also explains the reason why this article put the chivalrous poems of the early prosperous Tang Dynasty together. This also leads to the further study of this paper. To study chivalrous poetry, we must first pay attention to chivalrous culture. The first chapter of this paper starts with the chivalrous history, focusing on the emergence, development and maturity of chivalrous culture in the early Tang Dynasty. At the same time, it also makes a basic combing of the current research situation of chivalrous poetry in the academic circles, on the basis of which, It is convenient to find the key points and difficulties of the research. Therefore, the second chapter focuses on the chivalrous poems collected by the author. Firstly, the author makes a comprehensive introduction to these poems and makes a general classification statistics. In view of the main features of this type of poetry, this paper focuses on the typical changes of the subject, image characteristics and terminological features, and makes a relatively deep interpretation. At the same time, the author also finds that these poets who created chivalrous poems in the early Tang Dynasty have common characteristics in many aspects. On the one hand, the poems have the marks of typology and stylization. On the other hand, these poems can be divided into two types as a whole. The two seemingly antagonistic and even contradictory mind-sets are also positive reactions to the poets' pursuit of life under the prosperous times of the Tang Dynasty. In the fourth chapter, the author analyzes the aesthetic characteristics of chivalrous poetry, combs out the different artistic characteristics of the masculine and beautiful chivalrous poems, and explains why the chivalrous poems can be used in this special historical era. Can-and really complete its mature, prosperous phenomenon, the underlying political, economic, cultural reasons. The prosperity of chivalrous poetry can not be separated from the prosperous environment of the early Tang Dynasty. Although after the Tang Dynasty still flashed like a pearl from time to time, but did not become a climate, gradually lost, and finally quietly disappeared. The last chapter of this paper is not only a basic analysis of this phenomenon, but also a sigh. To sum up, this paper explores the origin and connotation of chivalrous and chivalrous culture from the perspective of history, then analyzes the typical features of chivalrous poetry in the early Tang Dynasty from a linguistic point of view. Secondly, it examines the chivalrous poetry from an aesthetic point of view and analyzes the reasons for its prevalence. The last part is the inquiry and reflection on the decline of chivalrous poems in the early Tang Dynasty.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I207.22
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