發(fā)布時間：2018-09-08 16:06

【摘要】：承具的存在從古至今都是為了與人們的生活方式相匹配,古代承具曾經(jīng)經(jīng)歷過的大變革,也是為了適應(yīng)人類的生活方式。經(jīng)過了歷史變遷與社會變革,承具發(fā)展到當(dāng)代,涌現(xiàn)出許多新的類型,科技的發(fā)展也為承具提供了更多的材料和技術(shù)支持,承具呈現(xiàn)出多元化、個性化的發(fā)展趨勢。當(dāng)代承具類型有許多種,本文選取了與古代承具一脈相承,可以體現(xiàn)其連續(xù)性的"新中式"承具進(jìn)行研究,為的是可以更好的傳承中國古代承具的設(shè)計精髓,也希望可以鼓舞年輕設(shè)計師不忘根本,繼承發(fā)揚和傳承中國傳統(tǒng)文化。古代承具雖然受到當(dāng)時的政治、經(jīng)濟(jì)、文化等諸多方面的制約,但是依然彰顯出了它的時代價值,不僅滿足了古人的基本生活需求還帶給他們精神上的享受。當(dāng)代"新中式"承具的創(chuàng)新必須以使用者的感官體驗為出發(fā)點,遵循設(shè)計的基本原則,要把提煉出的中國傳統(tǒng)文化元素運用到當(dāng)代"新中式"承具的設(shè)計當(dāng)中,設(shè)計出具有傳統(tǒng)意味的新型承具。本文對承具的研究并不是最為全面的,希望可以引起國內(nèi)外研究這類課題的學(xué)者產(chǎn)生共鳴。論文整體可以分為三大部分:第一部分:對中國古代承具進(jìn)行了剖析,總結(jié)了古代承具的歷史發(fā)展過程,還具體分析了承具的種類、功能、選材、結(jié)構(gòu)和裝飾造型等元素。第二部分:介紹了當(dāng)代"新中式"承具,這一章節(jié)和古代承具那一章的架構(gòu)基本一致,論述了名稱定義、發(fā)展過程、種類和功能以及各類設(shè)計要素,并做舉例說明。接下來又對這兩種歷史時期的產(chǎn)物進(jìn)行全方位的對比。第三部分:提出了設(shè)計創(chuàng)新的新方法,總結(jié)了一些當(dāng)代"新中式'"承具設(shè)計中存在的不足之處,在此基礎(chǔ)上探索了這類承具未來該如何發(fā)展。在這些理論的支持下,本人構(gòu)思了幾個"新中式"承具的設(shè)計方案,并對這幾個方案作了簡要的描述,其中制作成實物的花幾作了重點描述。
[Abstract]:The existence of tools from ancient times to today is to match with people's way of life, the great changes that ancient tools have experienced, but also in order to adapt to the way of human life. After the historical changes and social changes, the development of tools to the contemporary, many new types have emerged. The development of science and technology also provides more materials and technical support for the tools, the tools show a diversified, personalized development trend. There are many kinds of contemporary tools. This paper chooses the "new Chinese type" which can reflect the continuity of the ancient tools, so as to better inherit the design essence of the ancient Chinese tools. I also hope to encourage young designers not to forget the root, to carry forward and carry forward Chinese traditional culture. Although the ancient tools were restricted by politics, economy, culture and so on, they still showed the value of the times, which not only satisfied the basic living needs of the ancients but also brought them spiritual enjoyment. The innovation of contemporary "new Chinese" tools must take the sensory experience of users as the starting point, follow the basic principles of design, and apply the extracted elements of Chinese traditional culture to the design of contemporary "new Chinese" tools. A new type of bearing with traditional meaning is designed. The research of this paper is not the most comprehensive, hoping to arouse the resonance of scholars at home and abroad. The whole paper can be divided into three parts: the first part: the analysis of ancient Chinese tools, summed up the historical development process of ancient tools, but also the specific analysis of the types, functions, selection of materials, structure and decorative modeling and other elements. The second part: introduces the contemporary "new Chinese type" support, this chapter is basically consistent with the ancient structure of that chapter, discusses the definition of the name, development process, types and functions, as well as various design elements, and gives examples to illustrate. Then the product of these two historical periods are compared in all directions. In the third part, a new method of design innovation is put forward, and some shortcomings in the design of modern "new Chinese type" bracket are summarized, and on the basis of this, how to develop this kind of support in the future is explored. Under the support of these theories, I have conceived several design schemes of "new Chinese type" tools, and have made a brief description of these schemes, in which the flowers made into objects are described emphatically.
【學(xué)位授予單位】：北方工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TS664.01

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 王書萬;范巍;祁文靜;;元代家具的三向度之美─兼議三件元代交椅[J];裝飾;2014年06期

2 陳增弼;;明式家具的類型及其特征[J];家具;1982年03期

，

本文編號：2231013