從殖民時(shí)期電影到“索馬里塢”——概述索馬里電影的崛起
發(fā)布時(shí)間：2018-08-21 11:19
【摘要】：當(dāng)談及非洲電影,人們往往將目光投向于發(fā)展得更加成熟的西非和南非電影,卻很少有人關(guān)注在非洲電影史上扮演著重要角色的索馬里電影。自索馬里獨(dú)立以來(lái),索馬里電影主要為后殖民理論、泛非主義所驅(qū)動(dòng),生產(chǎn)觀照索馬里獨(dú)特文化以及整個(gè)非洲大陸社會(huì)、政治、經(jīng)濟(jì)等重要議題的享譽(yù)世界的電影文本。不久后,索馬里發(fā)生的政變與混亂導(dǎo)致索馬里導(dǎo)演和電影家離散在世界各地,索馬里的電影產(chǎn)業(yè)不絕如縷。從此,主流媒體當(dāng)中圍繞戰(zhàn)爭(zhēng)、饑荒等負(fù)面議題的索馬里形象讓分散在全世界的索馬里民眾疑惑不解。21世紀(jì)初,美國(guó)俄亥俄州哥倫布市誕生的"索馬里塢"—Somaliwood,則平衡了西方電影對(duì)索馬里流行文化的西式敘述,以新時(shí)代電影制作和銷售方法試圖挽回輿論。如今,產(chǎn)地分散在內(nèi)羅畢、開(kāi)普敦、倫敦和哥倫布等世界各大城市的索馬里電影,繼續(xù)剖析歷史創(chuàng)傷話題、展開(kāi)對(duì)文化錯(cuò)位的思考,當(dāng)然,還有對(duì)國(guó)家民族瓦解后民族矛盾身份認(rèn)同的深思。本文旨在剖析索馬里電影文本,了解索馬里電影從其殖民根源到當(dāng)前離散狀態(tài)的發(fā)展歷史。
[Abstract]:When it comes to African films, people tend to focus on more mature West and South African films, but few on Somali films that play an important role in the history of African films. Since the independence of Somalia, Somali films have been mainly driven by post-colonial theory and pan-Africanism, producing world-renowned film texts that reflect the unique culture of Somalia and the social, political, economic and other important issues of the whole African continent. Soon after, the coup d'茅 tat and chaos in Somalia left Somali directors and filmmakers scattered around the world, and Somalia's film industry became inextricably linked. Since then, the image of Somalia in the mainstream media surrounding the negative issues of war, famine, and other issues has puzzled the Somali people scattered around the world at the beginning of the 21st century. "Somaliwood", born in Columbus, Ohio, balances the Western narration of Somali popular culture in Western films and tries to redeem public opinion by making and selling films in the new era. Today, Somali films in cities around the world, such as Nairobi, Cape Town, London and Columbus, continue to analyze historical trauma and think about cultural dislocation, of course. There is also a deep reflection on the identity of the national contradictions after the disintegration of the nation. The purpose of this paper is to analyze the Somali film texts and to understand the development history of Somali films from their colonial roots to the current discrete state.
【作者單位】： 浙江師范大學(xué)非洲研究院/非洲影視研究中心;
【分類號(hào)】：J905
，
本文編號(hào)：2195553
[Abstract]:When it comes to African films, people tend to focus on more mature West and South African films, but few on Somali films that play an important role in the history of African films. Since the independence of Somalia, Somali films have been mainly driven by post-colonial theory and pan-Africanism, producing world-renowned film texts that reflect the unique culture of Somalia and the social, political, economic and other important issues of the whole African continent. Soon after, the coup d'茅 tat and chaos in Somalia left Somali directors and filmmakers scattered around the world, and Somalia's film industry became inextricably linked. Since then, the image of Somalia in the mainstream media surrounding the negative issues of war, famine, and other issues has puzzled the Somali people scattered around the world at the beginning of the 21st century. "Somaliwood", born in Columbus, Ohio, balances the Western narration of Somali popular culture in Western films and tries to redeem public opinion by making and selling films in the new era. Today, Somali films in cities around the world, such as Nairobi, Cape Town, London and Columbus, continue to analyze historical trauma and think about cultural dislocation, of course. There is also a deep reflection on the identity of the national contradictions after the disintegration of the nation. The purpose of this paper is to analyze the Somali film texts and to understand the development history of Somali films from their colonial roots to the current discrete state.
【作者單位】： 浙江師范大學(xué)非洲研究院/非洲影視研究中心;
【分類號(hào)】：J905
，
本文編號(hào)：2195553
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