【摘要】：十三世紀(jì)末,蒙古人推翻南宋統(tǒng)治,統(tǒng)一南北,建立元朝。新統(tǒng)治者的治國(guó)興邦之道在宏觀上導(dǎo)致了政治、經(jīng)濟(jì)、文化等領(lǐng)域發(fā)生變革,在微觀上影響了獨(dú)立個(gè)體的情感命運(yùn)產(chǎn)生改變�！暗匦紊剿�(huà)”與“地產(chǎn)山水畫(huà)”做為元代山水畫(huà)的主要題材類(lèi)型,演繹了上述由于政權(quán)更迭所導(dǎo)致的時(shí)代變化。因此,具有十分明顯的社會(huì)功能和時(shí)代特色。本文通過(guò)聯(lián)系元代之前“地形山水畫(huà)”與“地產(chǎn)山水畫(huà)”的發(fā)展概況,以整個(gè)元代的歷史背景為前提,并結(jié)合代表畫(huà)家的個(gè)人創(chuàng)作經(jīng)歷與作品,嘗試對(duì)元代的“地形山水畫(huà)”與“地產(chǎn)山水畫(huà)”進(jìn)行比較研究。
[Abstract]:At the end of the thirteenth century, the Mongols overthrew the rule of the Southern Song Dynasty, unified the north and south, and established the Yuan Dynasty. The new ruler's way of ruling the country and prospering the state has led to the changes in politics, economy, culture and so on, and has influenced the emotional fate of the independent individual in the micro level. Landscape painting and real estate landscape painting, as the main subject types of landscape painting in Yuan Dynasty, deduce the change of times caused by the change of political power. Therefore, has the very obvious social function and the time characteristic. Based on the historical background of the whole Yuan Dynasty and the personal creation experience and works of the representative painters, this paper combines the development of "topography and landscape painting" and "real estate landscape painting" before Yuan Dynasty. This paper attempts to make a comparative study of the landscape painting of the Yuan Dynasty and the real estate landscape painting.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J212
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本文編號(hào)：2146144