蒙古族圖案的視覺傳達應(yīng)用——淺談蒙古傳統(tǒng)文化的藝術(shù)性表達
發(fā)布時間:2018-07-16 14:05
【摘要】:正一般認為,傳統(tǒng)圖案是指由歷代傳承下來的具有獨特民族藝術(shù)風格的圖案。中國傳統(tǒng)圖案源于原始社會的彩陶圖案,距今已有6000年至7000年的歷史。傳統(tǒng)圖案可分為原始社會圖案、古典圖案、民間和民俗圖案、少數(shù)民族圖案等多種類型。圖案的思想內(nèi)容取決于社會經(jīng)濟基礎(chǔ),亦是古代社會政治、經(jīng)濟、道德、倫理思想的綜合反映。例如,原始社會彩陶圖案的人面魚紋、雙體魚紋寓意生活富裕、種族繁衍,而商周時期則以夸張的張目巨口、獰厲威嚴的獸面紋象征著奴
[Abstract]:It is generally believed that traditional patterns refer to patterns with unique national artistic style inherited from past dynasties. The traditional Chinese pattern originates from the painted pottery pattern of primitive society and has a history of 6000 to 7000 years. Traditional patterns can be divided into primitive social patterns, classical patterns, folk and folk patterns, ethnic patterns and other types. The ideological content of the pattern depends on the social and economic foundation and is also a comprehensive reflection of the ancient social political, economic, moral and ethical thoughts. For example, in the primitive society, the painted pottery patterns of the human face fish lines, catamaran patterns imply rich life, racial reproduction, while the Shang and Zhou dynasties with exaggerated eyes, harsh animal lines symbolize the slave.
【作者單位】: 內(nèi)蒙古商貿(mào)職業(yè)學院;
【分類號】:J51
本文編號:2126625
[Abstract]:It is generally believed that traditional patterns refer to patterns with unique national artistic style inherited from past dynasties. The traditional Chinese pattern originates from the painted pottery pattern of primitive society and has a history of 6000 to 7000 years. Traditional patterns can be divided into primitive social patterns, classical patterns, folk and folk patterns, ethnic patterns and other types. The ideological content of the pattern depends on the social and economic foundation and is also a comprehensive reflection of the ancient social political, economic, moral and ethical thoughts. For example, in the primitive society, the painted pottery patterns of the human face fish lines, catamaran patterns imply rich life, racial reproduction, while the Shang and Zhou dynasties with exaggerated eyes, harsh animal lines symbolize the slave.
【作者單位】: 內(nèi)蒙古商貿(mào)職業(yè)學院;
【分類號】:J51
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