本文選題：山東地區(qū) + 桃木工藝�。� 參考：《淮北師范大學》2014年碩士論文

【摘要】：山東擁有幾千年歷史文化底蘊，是名副其實的文化資源大省，自古就是中國政治、經(jīng)濟、文化的中心地區(qū)之一。齊魯文化在中國傳統(tǒng)文化中具有不可替代的作用，歷史積淀深厚，，文化底蘊豐富，區(qū)域特征鮮明。另外山東肥沃的土地、適宜的氣溫和發(fā)達的水系為桃樹種植提供了良好的條件，提供了大量優(yōu)質(zhì)的原材料。隨著社會經(jīng)濟的發(fā)展，旅游業(yè)的地位越來越受重視。在現(xiàn)代市場經(jīng)濟下山東人們用自己的勤勞和智慧通過旅游業(yè)這條途徑把桃木變廢為寶，變成給人們帶來巨大財富的工藝品。桃木工藝不僅具有經(jīng)濟價值而且同時也具有極高的藝術(shù)價值和文化價值，并把中國傳統(tǒng)文化元素和中國藝術(shù)元素融入到了桃木工藝之中。并且可以將現(xiàn)代設(shè)計理念完美融入到桃木工藝中，傳承了中國傳統(tǒng)文化精神又提高了桃木工藝的現(xiàn)代價值�？v觀時代發(fā)展，藝術(shù)品在每個發(fā)展階段都會隨著社會穩(wěn)定和經(jīng)濟發(fā)展而隨之產(chǎn)生許多具有時代性意義的作品，桃木工藝品就是時代的產(chǎn)物。每種產(chǎn)品的出現(xiàn)發(fā)展都不是孤立的，他都包含了地域的文化思想，傳統(tǒng)觀念和生產(chǎn)技術(shù)演變發(fā)展。桃木辟邪的傳說，中國吉祥圖案元素和齊魯文化思想設(shè)計理念的運用為桃木工藝的發(fā)展提供了重要材料。首先對山東歷史文化和地域進行概述，桃木工藝品中中國吉祥圖案的裝飾應(yīng)用研究做綜合分析。歷史文化及地域利于桃樹的生長，從而為桃木工藝品提供大量優(yōu)質(zhì)的原材料，然后對桃木的選材加工和雕刻種類的分類進行簡單介紹。介紹中國吉祥圖案在桃木工藝品中的裝飾應(yīng)用。每種類型及分類并附有大量圖片說明，來介紹其中國吉祥圖案在桃木工藝品中的應(yīng)用。發(fā)揚傳統(tǒng)文化聯(lián)系筆者家鄉(xiāng)對桃木工藝品的發(fā)展所做出的努力和不足。通過桃木工藝品與旅游業(yè)相聯(lián)系，推動經(jīng)濟發(fā)展，最終形成自己的品牌，才能創(chuàng)造出更多具有地域特色和傳統(tǒng)文化相結(jié)合的產(chǎn)品，具有重要的意義和啟發(fā)。
[Abstract]:Shandong has thousands of years of historical and cultural heritage, is a worthy of the cultural resources of the province, since ancient times is China's political, economic, cultural center of one of the regions. Qilu culture plays an irreplaceable role in Chinese traditional culture. In addition, the fertile land, suitable temperature and developed water system in Shandong provide good conditions for peach tree planting and a large number of high quality raw materials. With the development of social economy, the status of tourism has been paid more and more attention. Under the modern market economy, Shandong people use their diligence and wisdom to turn peachwood into treasure by means of tourism, and turn it into a handicraft which brings great wealth to people. Mahogany technology has not only economic value, but also high artistic value and cultural value, and Chinese traditional cultural elements and Chinese artistic elements have been incorporated into the mahogany craft. And the modern design concept can be perfectly integrated into the mahogany process, inheriting the spirit of Chinese traditional culture and improving the modern value of peach technology. Throughout the development of the times, art works in each stage of development with social stability and economic development will produce many works of contemporary significance, mahogany handicrafts is the product of the times. The emergence and development of each product is not isolated, it contains regional cultural ideas, traditional ideas and the evolution of production technology. The legends of peachwood to ward off evil spirits, the elements of auspicious patterns in China and the application of Qilu culture and design concept provide important materials for the development of mahogany technology. Firstly, the history, culture and region of Shandong are summarized, and the decorative application of Chinese auspicious patterns of mahogany handicrafts is comprehensively analyzed. History, culture and region are conducive to the growth of peach trees, thus providing a large number of high-quality raw materials for mahogany handicrafts. Then the selection and processing of mahogany and the classification of carving types are briefly introduced. This paper introduces the decorative application of Chinese auspicious patterns in mahogany handicrafts. Each type and classification is accompanied by a large number of pictures illustrating the application of Chinese auspicious patterns in mahogany crafts. Carry forward the traditional cultural ties my hometown to the development of mahogany handicraft efforts and deficiencies. It is of great significance and inspiration to create more products with regional characteristics and traditional culture through the connection between mahogany handicrafts and tourism industry, promote economic development and finally form their own brand.
【學位授予單位】：淮北師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J314.2

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