本文選題：《左傳》 + 春秋霸主　； 參考：《廣西師范大學(xué)》2014年碩士論文

【摘要】：春秋時期,諸侯間的征戰(zhàn)不斷,而春秋霸主則是政治舞臺的主導(dǎo)者。他們或在中原稱霸,或在某個區(qū)域稱雄,但是都深深的影響著春秋時期的政治、經(jīng)濟、軍事、文化等的發(fā)展變化。作為《左傳》著重描寫的一類人物形象之一,關(guān)于作者對春秋霸主的記載不僅反映了春秋時人思想,而且體現(xiàn)了作者的審美取向。作者以不虛美、不隱惡的實錄精神,真實的再現(xiàn)了春秋時期霸主們的爭霸戰(zhàn)爭和外交活動,在記錄史實的過程之中,以高超的藝術(shù)手法塑造了一個個栩栩如生的人物形象,從對春秋霸主的研究中,我們可以清晰的看到各諸侯國為求霸圖存而采取的種種措施,以及奴隸制向封建制的變更、新思想的逐漸形成和對僵化的陳舊思想的大膽否定,民俗和風(fēng)俗的轉(zhuǎn)變,此外還孕育了戰(zhàn)國時期士族的崛起以及多種文體的萌芽,所以對其研究具有重大意義。 文章從春秋五霸的正名,春秋五霸的人物形象以及《左傳》描寫春秋霸主時所表現(xiàn)的文學(xué)特色幾個方面具體分析春秋霸主的特質(zhì)和意蘊傳達。論文共分為四個部分。第一部分為緒論,包括研究現(xiàn)狀和本文的創(chuàng)新點。第二章為春秋五霸辯,包括常見的幾種五霸觀點的辨析和史實分析。第三章為春秋霸主的個體研究,包括奠霸之君,春秋五霸,續(xù)霸之君,小霸、偏霸、妄圖稱霸之君。第四章為《左傳》所寫“春秋五霸”體現(xiàn)的文學(xué)性,從敘事、記言、寫人三方面分析。論文試圖上述四章的分析而達到全面系統(tǒng)的了解春秋霸主的目的,通過對他們獨特魅力的感悟,進而更好的認知春秋時期的社會政治等歷史面貌。
[Abstract]:During the Spring and Autumn period, the princes fought constantly, and the hegemonic leader of the Spring and Autumn period was the leader of the political stage. They were dominant in the Central Plains or in a certain region, but they all deeply influenced the political, economic, military and cultural development of the Spring and Autumn period. As one of the most important characters in Zuo Zhuan, the author's record of the overlord of the Spring and Autumn period not only reflects the thought of man in the Spring and Autumn period, but also reflects the author's aesthetic orientation. In the process of recording the historical facts, the author, in the process of recording the historical facts, portrays the vivid figures with superb artistic techniques, which truly reproduce the hegemony wars and diplomatic activities of the hegemonists in the Spring and Autumn period. From the study of the overlords of the Spring and Autumn period, we can clearly see the various measures taken by the various kingdoms to seek hegemony, the changes from slavery to the feudal system, the gradual formation of new ideas and the bold negation of the rigid old ideas. The changes of folklore and customs also gave birth to the rise of the gentry and the germination of various styles during the warring States period, so it is of great significance to study it. This paper analyzes the characteristics and implication of the hegemony in the Spring and Autumn period from several aspects, such as the correct name of the five tyrants in the Spring and Autumn period, the characters of the five tyrants in the Spring and Autumn period, and the literary characteristics of the hegemonic masters described in Zuo Zhuan. The thesis is divided into four parts. The first part is the introduction, including the status quo of the research and the innovation of this paper. The second chapter is the five-hegemony debate in Spring and Autumn period, including the common five-hegemonic views and historical analysis. The third chapter is the individual study of the overlord of the Spring and Autumn period, including the monarch of Dien Ba, the five tyrants of the Spring and Autumn period, the continued tyrant, the small tyrant, the partial hegemony, and the monarch who seeks hegemony. The fourth chapter is the literature embodied in Zuo Zhuan's five tyrants in the Spring and Autumn period, which is analyzed from three aspects: narration, description and writing. The paper tries to analyze the four chapters above to achieve a comprehensive and systematic understanding of the overlords of the Spring and Autumn period, through their unique charm, and then better understand the history of the Spring and Autumn period, such as social and political features.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I206.2

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