本文選題：斯圖亞特·霍爾 + 文化消費�。� 參考：《山東師范大學》2017年碩士論文

【摘要】：斯圖亞特·霍爾對文化消費的研究涉及大眾文化、媒介理論、亞文化、文化霸權等多個領域,提出了一系列極具創(chuàng)新意義的觀點。本文旨在對霍爾的文化消費思想進行系統(tǒng)研究,探究其生成背景,追溯其理論淵源,論述其代表性文化消費觀點,并尋找其對我國當代的文化消費發(fā)展的借鑒意義。本文包括緒論及正文的五個章節(jié),其中,緒論部分對本論文的研究意義進行了簡要闡述,對國內外學者關于霍爾文化消費理論的研究現(xiàn)狀進行了系統(tǒng)梳理,并簡要介紹了本文的研究思路與方法,是本文的整體創(chuàng)作的準備和基礎。第一章對霍爾的生平和文化消費進行了簡要介紹,并闡述了霍爾文化消費思想形成的社會背景。文化消費是現(xiàn)代社會的重要特征,主要為了滿足消費者的精神文化需要。二戰(zhàn)之后,物質的豐富和閑暇時間的寬裕為文化消費提供了基本條件,大眾媒介的發(fā)展迅速推動了文化消費的擴大。而英國政治、經(jīng)濟、文化方面的變革對文化消費的發(fā)展起到了不可或缺的催發(fā)作用。這些變化所帶來的文化消費引起了霍爾的注意,霍爾在文化研究中反復強調文化消費的重要性及特殊作用�；魻栐谑鼙�(包括工人階級大眾、青年、女性等)研究中凸顯了他們作為文化消費者的積極作用,霍爾模式又揭示了文化消費過程中的文化霸權內涵。因而霍爾的文化研究與對文化消費的闡述密不可分。第二章重點分析了霍爾文化消費理論的理論來源。一方面,霍爾的文化消費思想有對優(yōu)秀理論資源的繼承與發(fā)展。霍爾對馬克思主義的學習和發(fā)展是他文化研究的強大動力。阿爾都塞的意識形態(tài)理論為霍爾的文化研究打開了新的大門。而葛蘭西關于文化霸權實質的重新解讀將霍爾的文化消費最終轉向了權力分析。此外,符號學理論為霍爾提供了理論工具,幫助霍爾通過微觀的符號意義構建起了宏觀的社會權力運作。另一方面,霍爾的文化消費思想也有對消極錯誤思想的反叛和顛覆。當時的英國社會深受利維斯精英主義和法蘭克福學派消極受眾觀的影響,對大眾文化和消費者持有懷疑和貶低的態(tài)度。霍爾雖然接受了精英主義教育,但他將文學文本研究轉化為媒體文本研究和大眾文化文本研究,對消費者給予了極大的肯定,認為他們能夠自主地進行多種解讀。正是對精英主義和消極受眾觀的反叛與顛覆促使霍爾的文化消費理論逐步走向成熟。第三章對霍爾的文化消費理論的幾個重要觀點進行了梳理,一方面,霍爾對文化消費主體的研究突破了伯明翰學派早期受眾觀的限制,對大眾文化中的消費者進行了重新解讀。新的大眾消費者主要是指工人階級,他們不是被文化產(chǎn)品操控的文化傻瓜,雖然大眾文化通過喚起、擴大、重塑消費者內心的認同,向消費者重新構建了文化與消費的意義,但大眾能夠主動地與主流文化進行斗爭。另一方面,霍爾指出文化消費的過程中隱藏著文化霸權的爭奪問題,文化產(chǎn)品的意義需要生產(chǎn)者和消費者共同構建,在反復協(xié)商與斗爭的過程中,新的社會秩序和社會關系得以重建,體現(xiàn)了意識形態(tài)對政治經(jīng)濟的反作用。第四章從實踐研究的角度出發(fā),對文化消費的傳播方式——霍爾模式進行了具體分析。霍爾對線性傳播方式進行了顛覆,突出了信息和受眾的動態(tài)性和多樣性。在編碼過程中,或者說是文化產(chǎn)品的生產(chǎn)過程中,看似自然化的符碼隱藏著統(tǒng)治階級的主流意識形態(tài),而在解碼階段,也就是消費階段,消費者能夠根據(jù)自身的文化背景和精神需要對文化產(chǎn)品的意義進行重新解讀,包括傾向式解讀、協(xié)商式解讀和對抗式解讀三種。而后以索尼隨身聽這一經(jīng)典案例為例,對霍爾有關文化消費的實踐研究進行了詳細論述。第五章從當代視角出發(fā)對霍爾的文化消費思想進行了評析。霍爾在文化研究中突出了消費者的多樣性和主動性,強調了消費者在解讀與再創(chuàng)文化中的作用,是大眾態(tài)度的轉折點。他的相關理論建構在20世紀英國社會現(xiàn)實之上,綜合了多個學派、學科的研究成果,呈現(xiàn)出獨特的開放性、包容性、與實踐性。但霍爾的文化消費理論也存在系統(tǒng)性不強、驗證性弱等不可忽視的缺點�？傮w看來,霍爾提出的文化消費的觀點對于充分發(fā)揮消費者對文化市場的調節(jié)作用,準確認識文化消費的傳播與作用有著重要的借鑒意義,也為當代中國規(guī)范文化市場、形成科學健康的文化消費提供了新的研究視角。
[Abstract]:The study on cultural consumption of Stuart Hall relates to mass culture, media theory, subculture, many areas of cultural hegemony, put forward a series of highly innovative ideas. This paper aims at a systematic study of Holzer's thought of cultural consumption, exploring its background, tracing its origin theory, discusses the representative cultural consumption view, and find the way to our contemporary cultural consumption development reference. This paper consists of five chapters, including introduction and text, the introduction part briefly introduces the research significance of this paper, summarizes the research status of domestic and overseas scholars Holzer cultural consumption theory, and briefly introduces the research ideas and methods. In this paper, is the base and preparation of whole creation in this article. The first chapter of Holzer's life and cultural consumption are briefly introduced, and expounds Holzer's cultural consumption Thinking of the social background. The cultural consumption is an important feature of modern society, mainly in order to meet the spiritual and cultural needs of the consumers. After World War II, plenty of material wealth and leisure time provides a basic condition for the development of mass media and cultural consumption, and promote the rapid expansion of cultural consumption. While the British political, economic and cultural aspects. The development of cultural consumption has played an indispensable role. These changes brought about by the distribution of cultural consumption has attracted the attention of Holzer, Holzer repeatedly stressed the importance of cultural consumption and special role in cultural studies. Holzer in the audience (including the working class people, young women, etc.) in the study highlights them as positive the role of consumer culture, Holzer model and reveals the cultural consumption in the process of cultural hegemony and cultural connotation. The study of Holzer and of the consumer culture exposition Inseparable. The second chapter focuses on analysis of theoretical source of Holzer's theory of cultural consumption. On the one hand, Holzer's thought of cultural consumption on the inheritance and development of outstanding theoretical resources. Learning and development of Holzer's theory of Marx is a powerful force of his cultural studies. Al Du Jose's Ideology Theory opens new doors for cultural studies Holzer the essence of cultural hegemony. While Gramsci about the re interpretation of Holzer's cultural consumption finally turned to power analysis. In addition, the semiotic theory provides a theoretical tool for Holzer, help Holzer through the symbolic significance of micro build macro social power operation. On the other hand, Holzer's cultural consumption thought also has the rebellion and subversion thoughts on the negative error. The influence of British society was influenced by Lewis and the Frankfurt School of elitism negative view of audience, the mass culture and consumption Doubt and derogation fee. Although Holzer accepted the elite education, but he will study literary text into media studies and popular culture text, to give consumers a great deal of certainty, that they can independently conduct a variety of interpretation. It is the rebellion and subversion of elitism and negative view of the audience the Holzer's theory of cultural consumption gradually mature. Several important views of the third chapter of Holzer's theory of cultural consumption are summarized, on the one hand, the study of cultural consumption of the main Holzer broke through the Bermingham school early audience restrictions on popular culture in the consumer re interpretation. New consumers mainly refers to the working class, they are not cultural products control culture fool, although the mass culture by arousing, expanding, reshaping consumer consent to the consumer To build a culture and consumption, but the public can actively struggle with the mainstream culture. On the other hand, Holzer pointed out that the problem of cultural hegemony for the hidden process of cultural consumption, cultural products need to construct the significance of producers and consumers together, after repeated consultations with the struggle, rebuild new the social order and social relations, reflects the role of anti ideology on political economy. The fourth chapter from the perspective of practical research, consumer culture dissemination way - Holzer model in detail. Holzer subverted the linear mode of transmission, highlights the dynamic information and audience and diversity in the process of encoding., or is the production process of cultural products, the mainstream ideology of the seemingly natural character code hidden in the ruling class, and in the stage of decoding, is also the consumption stage,. Consumers can according to their own cultural background and spiritual needs to re interpret the meaning of cultural products, including the tendency of deliberative interpretation, interpretation and oppositional reading three. Then take the SONY Walkman this classic case of practice about the cultural consumption of Holzer research were discussed in detail. The fifth chapter from the contemporary from the Perspective of Holzer's thought of cultural consumption. Holzer highlights the diversity and initiative of consumers in cultural studies, emphasizes the role of consumers in the interpretation and new culture, is a turning point in public attitude. His theory building on the twentieth Century British society, a comprehensive school, research the results of the subject, showing a unique open, inclusive, and practice. But Holzer's theory of cultural consumption also exists in the system is not strong, weak verification can not be ignored. The total lack of View, Holzer put forward the view of the cultural consumption for consumers to fully play a role in the regulation of the cultural market, accurate understanding of communication and the role of cultural consumption has important significance for contemporary Chinese, standardize the cultural market, the formation of scientific and healthy cultural consumption to provide a new perspective.

【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：G05-F

【參考文獻】

相關期刊論文 前10條

1 伏珊;鄒威華;;斯圖亞特·霍爾與“文化霸權”理論[J];成都師范學院學報;2013年08期

2 和磊;;論伯明翰學派的建立[J];社科縱橫;2011年05期

3 和磊;;伯明翰學派:冰天里綻放的花[J];文學界(理論版);2011年04期

4 李慶本;;伯明翰學派文化研究的發(fā)展歷程[J];東岳論叢;2010年01期

5 位迎蘇;;伯明翰學派傳媒文化研究的嬗變[J];河北學刊;2008年05期

6 高金萍;孫利軍;;伯明翰學派電視研究的關鍵概念[J];湖南大學學報(社會科學版);2007年04期

7 黃卓越;;伯明翰文化研究學派后期的界定——斯圖亞特·霍爾訪談錄[J];中國圖書評論;2007年04期

8 斯圖亞特·霍爾;李慶本;;多元文化問題的三個層面與內在張力[J];江西社會科學;2007年03期

9 金惠敏;;聽霍爾說英國文化研究——斯圖亞特·霍爾訪談記[J];首都師范大學學報(社會科學版);2006年05期

10 章戈浩;;“不作保證”的霍爾——霍爾的研究,霍爾研究,霍爾后研究的文獻回顧[J];新聞與傳播評論;2004年00期

相關博士學位論文 前2條

1 王卓慧;伯明翰學派的電視觀[D];中國藝術研究院;2013年

2 楊曉光;文化消費對中國文化發(fā)展的影響[D];吉林大學;2006年

相關碩士學位論文 前2條

1 王一s，

本文編號：1761869