本文選題：《維蘭德》 + “政治無意識”　； 參考：《外國文學評論》2017年04期

【摘要】：《維蘭德》是美國作家查爾斯·布朗出版于1798年的哥特小說,講述了同名主人公受神秘怪聲蠱惑、手刃至親的家庭悲劇。本文擬從詹姆遜的"政治無意識"闡釋出發(fā),探索小說文類形式和敘事機制下隱蔽的意識形態(tài)矛盾,揭示作者對早期共和國復雜政局的深刻反思。由于《維蘭德》的哥特主題復現(xiàn)了美國建國初期的黨派斗爭,文本的敘事策略流露出作者對民粹主義政治的憤懣,小說的求愛敘事副線則折射出作者試圖破解新舊生產方式沖突的烏托邦投影。該作品超越了一般的個體家庭悲劇,既勾勒出新興共和國社會轉型時期的尖銳政治危機,亦構成布朗無意識地參與國家政治討論、隱秘地表達其政治態(tài)度、想象性地解決社會矛盾的重要場域。
[Abstract]:< > Wallander is a Gothic novel by American writer Charles Brown published in 1798, tells the story of the heroine by mysterious voices bewitched, hand their family tragedy. This paper from Jameson's "political unconsciousness" interpretation of exploring the ideological contradictions in the field of novel forms and narrative mechanism under the covert, revealed his deep reflection on early the Republic of the complex political situation. As a result of < > vilander Gothic Theme resembles the early founding of the party struggle, the narrative strategies of the text reveals the author of the novel populist anger, courtship narrative vice line reflects the utopian projection the author tries to crack the conflict of old and new modes of production. This work is beyond the general individual family tragedy both the outline, sharp political crisis in emerging Republic during the social transformation period also constitute Brown unconscious to participate in political discussions, hidden secrets To express its political attitude and to solve the important field of social contradictions imaginatively.

【作者單位】： 廈門大學外文學院;
【分類號】：I712.074

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