本文選題：隋唐時期 + 居室�。� 參考：《東北林業(yè)大學(xué)》2014年碩士論文

【摘要】：歷時三百余年的隋、唐兩朝,是中國歷史上繼秦漢以來的第二個封建大一統(tǒng)時期,隋唐時期的居室空間形態(tài)在政治經(jīng)濟、思想文化與科學(xué)技術(shù)發(fā)展的綜合作用下與前代相比發(fā)生了超越與突破,在中國古代史與中國室內(nèi)設(shè)計史中占有重要地位。本研究以隋唐居室空間形態(tài)演變?yōu)橹骶�,運用空間句法拓展理論,對其居室空間與形態(tài)中的實體分割、界面序列、家具陳設(shè)、院落空間結(jié)構(gòu)、特殊空間結(jié)構(gòu),從主觀的政治文化與客觀的經(jīng)濟技術(shù)方面,進行全面系統(tǒng)的論述。對隋唐居室形態(tài)的歷史性與隋唐居室空間的科學(xué)性進行了論證,對其空間與形態(tài)的形成、造型特質(zhì)和審美特征進行了研究與總結(jié)。 運用空間句法的基本內(nèi)容與方法,以空間形態(tài)的物質(zhì)改變和過程改變?yōu)樵瓌t,對居室空間形態(tài)進行拓展。發(fā)現(xiàn)了局部與整體的問題,人流與功能的問題,活力與隱私的問題,自組與設(shè)計的問題是揭示居室本質(zhì)與功能的關(guān)鍵。需對多種可能性的組構(gòu)進行社會性的分析,通過視區(qū)變量與句法變量,揭示社會背景下空間形態(tài)形成的依據(jù)。對隋唐時期時代背景資料的研究與歸納,將隋唐時期影響居室變化原因劃分為主觀的政治與文化與客觀的經(jīng)濟與工藝,為空間句法拓展方法研究隋唐居室空間形態(tài)提供切實的社會背 對有關(guān)中國古代居室形態(tài)發(fā)展成果的整理,結(jié)合有關(guān)的文物、考古資料、歷史文獻、與遺存實例分析得出：人們在受禮制制度與宗教教義的洗禮下,將隋唐時期居室的局部劃分,按照“家庭”關(guān)系與起居節(jié)奏劃分為五個主要實體要素。居室內(nèi)界面序列關(guān)系也在經(jīng)濟發(fā)展基礎(chǔ)上,從地、頂、墻三個主要界面與門窗構(gòu)建裝飾形態(tài)基礎(chǔ)上,形成了主次分明的居室空間。由低向高的家具與禮制陳設(shè)更是成為居室內(nèi)空間自組的自由元素。形態(tài)演進的研究從直觀角度分析了隋唐時期居室的空間形態(tài)特征,為空間演進的研究奠定了一定基礎(chǔ)。 通過隋唐時期居室院落與單體空間的句法量化研究,對隋唐居室空間結(jié)構(gòu)的演進過程分析得出：隋唐時期院落走向成熟,多以軸線對稱分布,以古老的乾卦理論為依據(jù),排列居室的實體要素,以凸?fàn)畹膸缀涡未?lián)院落各空間,使得居室空間具有良好的可視與可達性。單體居室內(nèi)部空間以關(guān)系圖解直觀分析了空間以“個體”身份及需求規(guī)劃滲透性、易達性、便捷性、整合性與識別性,完整對應(yīng)居室空間形態(tài)的設(shè)計原則,應(yīng)對了需解決的空間關(guān)系。通過分析各空間的獨立性因素及產(chǎn)生原因,從構(gòu)成理論上對隋唐居室不同空間節(jié)點的時代特征與功能關(guān)系進行分析理解,得出對居室類空間優(yōu)化的方法與要點。
[Abstract]:The Sui and Tang dynasties, which lasted more than 300 years, were the second period of feudal unification since the Qin and Han dynasties in Chinese history. The bedroom space form of the Sui and Tang dynasties was in the political economy.Under the comprehensive action of the development of ideology and culture and science and technology, surpassing and breakthrough have taken place compared with the previous generation, which plays an important role in Chinese ancient history and Chinese interior design history.The main line of this study is the evolution of the space form in the Sui and Tang dynasties. By using the theory of space syntactic expansion, the article divides the living space and the form, the interface sequence, the furniture furnishings, the courtyard space structure, the special space structure, and so on.From the subjective political culture and objective economic and technical aspects, a comprehensive and systematic discussion.This paper demonstrates the history of the form of Sui and Tang dynasties and the scientific nature of the space of the room of the Sui and Tang dynasties, and studies and summarizes the formation of the space and the form, the characteristics of the shape and the aesthetic characteristics.Based on the basic content and method of space syntax and the principle of material change and process change of space form, this paper develops the space form of living room.The problems of part and whole, flow of people and function, vitality and privacy, self-organization and design are the key to reveal the essence and function of the house.It is necessary to make a social analysis of the fabric of various possibilities and to reveal the basis for the formation of spatial morphology in the social background through the visual region variables and syntactic variables.Based on the research and induction of the background materials of the Sui and Tang dynasties, the causes of the changes of the rooms in the Sui and Tang dynasties are divided into subjective politics and culture and objective economy and technology.It provides a practical social back for the study of spatial syntactic expansion method in Sui and Tang dynasties.Sorting out the achievements of the development of ancient Chinese house morphology, combining with relevant cultural relics, archaeological materials, historical documents, and relics, it is concluded that people are baptized by the ritual system and religious doctrine.According to the relation of "family" and the rhythm of living, the partial division of the bedroom in Sui and Tang dynasties is divided into five main substantive elements.On the basis of economic development, the interior interface sequence is based on the three main interfaces of the floor, roof and wall and the doors and windows to construct the decorative form, which forms the main and secondary room space.From low-to-high furniture and ritual furnishings have become a free element of room space.The study of the evolution of the form from the perspective of intuitive analysis of the Sui and Tang dynasties bedroom space form characteristics, for the study of spatial evolution laid a certain foundation.The solid elements of the house are arranged in convex geometry, which makes the room space have good visibility and accessibility.The interior space of the single room is analyzed intuitively with the relation diagram and the design principles of the space planning permeability, accessibility, convenience, integration and recognition, and the complete correspondence to the shape of the room space by the identity of "individual" and the demand.To deal with the need to solve the spatial relationship.Based on the analysis of the independence factors and the causes of each space, this paper analyzes and understands the age characteristics and functional relations of the different space nodes in the Sui and Tang dynasties, and obtains the methods and main points for the optimization of the bedroom space.
【學(xué)位授予單位】：東北林業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：K24;TU241

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