發(fā)布時間：2018-03-29 21:19

  本文選題：唐宋香爐　切入點：類型分析　出處：《江南大學(xué)》2017年博士論文

【摘要】：中國的香文化溯至春秋戰(zhàn)國,承自秦漢,完善于唐宋時期,而所用之各異香爐亦成為唐宋社會生活與文化之縮影。現(xiàn)存可見與圖像可考的唐宋香爐數(shù)量眾多,面貌紛呈。本文試圖對唐宋香爐品類形貌進行系統(tǒng)之梳理,并置于唐宋社會政治、經(jīng)濟與文化背景之中分析其設(shè)計及演變之內(nèi)在邏輯。首先,以類型學(xué)方法對考古出土和傳世的數(shù)百例不同造型、工藝的唐宋香爐進行形制分析。綜合考慮香爐基本造型和細節(jié)特征,將其分為仿古、仿生、長柄、球、單足和多足六大類型,每一型亦可細分為各式,通過型與式分析將唐宋香爐的造型譜系得以廓清,以三個時期的風(fēng)格演變概括造型特征。在形制分類的基礎(chǔ)上,通過對唐宋香爐各類型演變關(guān)系的分析比照,進行其設(shè)計原型的追溯考釋,并對由唐到宋香爐造型的來源、演化與設(shè)計特征進行分析。其次,對唐宋香爐的工藝技術(shù)進行研究,主要以金銀工藝和陶瓷工藝為重點,也涉及玉石、銅器等工藝。歸納出唐宋香爐材質(zhì)與工藝技術(shù)的形成和演變的主要因素。再次,對唐宋香爐的裝飾紋樣進行研究。提取唐宋香爐的典型紋飾進行設(shè)計分析,主要分植物主題、動物主題、抽象以及組合紋飾四個部分,詳細解析香爐裝飾紋樣的組織和構(gòu)成規(guī)律,分析唐宋香爐紋飾的歷史繼承因素以及演變脈絡(luò),并歸納其風(fēng)格特點。最后,對唐宋香爐設(shè)計的社會歷史成因進行研究。其一探究唐宋宗教文化對香爐設(shè)計的影響;其二是對唐宋時期香爐與生活方式的研究;其三重點探討唐宋時期上層和知識階層的用香文化,包括宮廷文化中行香的禮儀制度和香爐陳設(shè)規(guī)范,宋代流行的金石學(xué)和理學(xué)影響香爐設(shè)計和使用的風(fēng)尚。本文通過唐宋香爐“器物現(xiàn)象”的梳理考釋到唐宋香爐“文化語境”的分析歸因的層層推進,以香爐這一設(shè)計物為線索,試圖呈現(xiàn)中國中古時期歷史文化與時代精神的某種變遷。這一研究為中國唐宋經(jīng)典器物的研究思路提供一些參考,也是當(dāng)前對唐宋香爐進行設(shè)計開發(fā)提供繼承歷史文脈的一種方案。
[Abstract]:The incense culture of China dates back to the Spring and Autumn period and the warring States period, inheriting from the Qin and Han dynasties, and being perfected in the Tang and Song dynasties, and the different incense furnaces used have also become the epitome of the social life and culture of the Tang and Song dynasties. The article tries to sort out the appearance of incense furnaces in Tang and Song dynasties systematically, and analyzes the internal logic of its design and evolution in the social, political, economic and cultural background of Tang and Song dynasties. Based on typology, hundreds of different shapes and crafts of archeological unearthed incense furnaces of Tang and Song dynasties were analyzed. Considering the basic modeling and detailed features of incense furnaces, the incense furnaces were divided into ancient imitation, bionic, long handle, ball, and so on. There are six types of monopod and multi-pods, each of which can be subdivided into various types. The styling pedigree of incense furnaces in Tang and Song dynasties can be clarified by type and style analysis, and the stylistic evolution of the three periods can be used to generalize the styling features, and on the basis of the classification of shapes, Based on the analysis and comparison of the evolution relations of various types of incense furnaces in Tang and Song dynasties, this paper makes a retrospective study of their design prototypes, and analyzes the source, evolution and design characteristics of their shapes from Tang to Song dynasties. Secondly, the process technology of incense furnaces in Tang and Song dynasties is studied. Mainly focusing on gold and silver technology and ceramic technology, also involving jade, copper and so on. The main factors for the formation and evolution of the materials and process techniques of the incense furnaces in Tang and Song dynasties are summarized. Thirdly, The decorative patterns of incense furnaces in Tang and Song dynasties were studied. The typical patterns of incense furnaces in Tang and Song dynasties were extracted for design and analysis. They were mainly divided into four parts: plant theme, animal theme, abstraction and combination decoration. The organization and composition of the decorative patterns of incense furnaces are analyzed in detail, the historical inheritance factors and evolution of the decorative patterns of incense furnaces in Tang and Song dynasties are analyzed, and the characteristics of their styles are summarized. The social and historical causes of the design of incense furnaces in Tang and Song dynasties are studied. The first is the influence of religious culture in Tang and Song dynasties on the design of incense furnaces, the other is the study of incense furnaces and life styles in Tang and Song dynasties. The third part focuses on the culture of using incense in the upper class and the intellectual class in the Tang and Song dynasties, including the etiquette system of the conduct of incense in the court culture and the standard of furnishing incense furnishings. The fashion of the design and use of incense furnaces is influenced by the popular goldstone and Neo-Confucianism in the Song Dynasty. This paper, through combing and explaining the "vessel phenomenon" of the incense furnaces in the Tang and Song dynasties, advances the analysis and attribution of the "cultural context" of the incense furnaces in the Tang and Song dynasties, and takes the incense furnaces as a clue. This paper attempts to present some changes of the historical culture and the spirit of the times in the middle ancient period of China. This study provides some references for the research ideas of the classical artifacts of the Tang and Song dynasties in China. Is also the Tang and Song Dynasty incense stove design and development to provide a way to inherit the historical context.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J505
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本文編號：1682918