本文選題：洛可可繪畫　切入點(diǎn)：表現(xiàn)形式　出處：《合肥工業(yè)大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：洛可可藝術(shù)對(duì)于18世紀(jì)的法國(guó)乃至整個(gè)歐洲都有著巨大的影響，它深刻的改變了當(dāng)時(shí)人們的生活和精神狀態(tài)。對(duì)于這一風(fēng)格，史學(xué)家們多以貶抑之詞來(lái)批判。然而事物都具有兩面性，為了探尋洛可可藝術(shù)中積極的一面，本文以洛可可時(shí)期的繪畫藝術(shù)作品為主要研究對(duì)象，通過(guò)分析洛可可時(shí)期最具代表性的4位畫家及其代表作品，尋找他們的作品在表達(dá)方式上的個(gè)性與共性，進(jìn)而提煉出洛可可繪畫中不同表現(xiàn)形式的本質(zhì)所在，試圖還原一個(gè)真實(shí)的，具有借鑒性意義的洛可可藝術(shù)。 論文主體分為四個(gè)部分。首先從洛可可藝術(shù)形成的歷史背景入手，通過(guò)分析當(dāng)時(shí)的政治、經(jīng)濟(jì)和時(shí)代情況尋找其文化溯源，并在此基礎(chǔ)上歸納出不同時(shí)期洛可可藝術(shù)的特點(diǎn)，，再將不同時(shí)期洛可可藝術(shù)的特點(diǎn)及其演變過(guò)程進(jìn)行詳細(xì)分析，得到洛可可藝術(shù)的核心——“女性元素”的運(yùn)用。其次，對(duì)洛可可藝術(shù)中“女性元素”進(jìn)行研究，分析其成因，找到蘊(yùn)藏在眾多表現(xiàn)形式之中的本質(zhì)所在——“女性意識(shí)”的體現(xiàn)。再次，為了驗(yàn)證對(duì)于洛可可“女性意識(shí)”的定義，研究者分別從色彩、主題和構(gòu)圖三個(gè)方面對(duì)洛可可時(shí)期4位畫家的作品進(jìn)行分析，揭示他們作品中蘊(yùn)含的“女性意識(shí)”，最終分析出“女性意識(shí)”的個(gè)性化表達(dá)情況。最后，通過(guò)對(duì)洛可可“女性意識(shí)”的研究，重新審視洛可可繪畫藝術(shù)，對(duì)其進(jìn)行再評(píng)判，以期為當(dāng)代中國(guó)繪畫實(shí)踐提供借鑒意義。
[Abstract]:The art of rococo had a tremendous impact on France in 18th century and on Europe as a whole, and it profoundly changed the way people lived and felt. Historians often use derogatory words to criticize. However, things have two sides. In order to explore the positive side of Rococo art, this paper takes the painting works of Rococo period as the main research object. Through the analysis of the four most representative painters and their representative works in Rococo period, the author finds out the individuality and commonness of their works, and then abstracts the essence of different forms of expression in Rococo painting. Try to restore a real, reference meaning of Rococo art. The main body of the thesis is divided into four parts. Firstly, starting with the historical background of the formation of Rococo art, the author analyzes the political, economic and contemporary conditions of the period to find its cultural origin, and on this basis concludes the characteristics of rococo art in different periods. Then the characteristics and evolution of rococo art in different periods are analyzed in detail, and the core of rococo art-"female element" is obtained. Secondly, the "female element" in rococo art is studied and its causes are analyzed. In order to verify the definition of rococo's "female consciousness", the researcher starts from the color, in order to find out the essence of the "female consciousness", which is contained in many forms of expression, in order to verify the definition of rococo's "female consciousness". This paper analyzes the works of four painters in Rococo period, reveals the "female consciousness" contained in their works, and finally analyzes the individualized expression of "female consciousness". Through the study of Rococo's "female consciousness", this paper reexamines the painting art of Rococo, and re-judges it in order to provide reference for contemporary Chinese painting practice.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

【共引文獻(xiàn)】

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