本文關(guān)鍵詞： 改革開放 插圖 藝術(shù)語言 藝術(shù)形式 審美需要　出處：《河北科技大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：插圖藝術(shù)的發(fā)展，體現(xiàn)著不同時期人們的生活變遷，可以說插圖是一面鏡子，折射出每個時期社會生活當(dāng)中的各個方面。改革開放之后，，我國的政治、經(jīng)濟、文化等領(lǐng)域發(fā)生了巨大的變化，在大環(huán)境改變的情況之下，插圖藝術(shù)與以往相比有了很大的改觀，除了在飛速發(fā)展的同時，許多也隨著社會的浪潮蛻變成了深受人們喜愛的新形式。發(fā)展到今天的插圖藝術(shù)，各種形式并存，并且在藝術(shù)性與商業(yè)性上獲得了巨大成功。十一屆三中全會的勝利召開，我國的歷史進(jìn)入新的一頁，社會發(fā)展帶來的巨大變化，深刻的影響著中華民族的精神需求，隨著藝術(shù)文化不斷發(fā)展，逐漸走向多元化，插圖也受到社會的發(fā)展以及時代需要的影響，憑借著不同的形式，改變著人們的社會生活以及審美需求。改革開之后，人們的社會生活面臨新的情景，寄予了新的價值資源，這種受到大眾歡迎的藝術(shù)形式，流露出當(dāng)今的美學(xué)思潮。穩(wěn)定的局勢之下，藝術(shù)家們開始工作，社會又恢復(fù)正常招生，藝術(shù)院校開始引進(jìn)人才，藝術(shù)類報刊書籍陸續(xù)再次復(fù)刊。曾經(jīng)被埋沒的藝術(shù)家，開始以新的姿態(tài)進(jìn)入新的創(chuàng)作旅程。此后的時間里，曾經(jīng)”藝術(shù)從屬于政治”的思潮變成“文藝屬于人民”，被強調(diào)之后的文藝創(chuàng)作更代表藝術(shù)的本質(zhì)，創(chuàng)作手法與表現(xiàn)思想應(yīng)該具有同一性，自由創(chuàng)作與自由言論被立為是根本原則，在大環(huán)境寬松的情景之下，出現(xiàn)了大量優(yōu)秀的插圖作品。雖然收獲頗豐，但是相比之下，我國的插圖與國外還有一定的差距，需要進(jìn)一步改進(jìn)，本文對改革開放30年的插圖藝術(shù)發(fā)展進(jìn)行梳理，在探討藝術(shù)審美變遷的同時，找出插畫藝術(shù)未來發(fā)展的重大現(xiàn)實意義。
[Abstract]:The development of illustration art reflects the changes of people's life in different periods. It can be said that illustration is a mirror, reflecting every aspect of social life in every period. After the reform and opening up, our country's politics, economy, Great changes have taken place in the fields of culture and other fields. Under the circumstances of great changes in the environment, the art of illustrations has changed a lot compared with the past, except for the rapid development of the art at the same time. Many of them have changed into popular new forms along with the tide of society. Today's illustration art, various forms coexist, and have achieved great success in artistic and commercial aspects. The third Plenary session of the Eleventh Central Committee was successfully convened. The history of our country has entered a new page. The tremendous changes brought about by social development have profoundly affected the spiritual needs of the Chinese nation. With the continuous development of art and culture, we are gradually moving towards pluralism. Illustrations are also influenced by the development of the society and the needs of the times. Depending on different forms, they are changing people's social life and aesthetic needs. After the reform, people's social life is faced with new situations and places new value resources. This popular form of art reveals the current trend of aesthetic thought. Under a stable situation, artists have begun to work, society has returned to normal enrollment, and art colleges have begun to introduce talents. Art newspapers and books are being republished again. Artists who have been buried have begun to enter a new creative journey in a new manner. After that, The trend of thought that "art is subordinate to politics" has become "literature and art belongs to the people." it has been emphasized that the artistic creation after that is more representative of the essence of art, and the creative techniques and the thought of expression should be identical. Freedom of creation and free speech are the fundamental principles. Under the situation of loose environment, a large number of excellent illustrations have appeared. Although there have been a lot of achievements, in contrast, there is still a certain gap between China's illustrations and foreign countries. Further improvement is needed. This paper combs the development of illustration art in the 30 years of reform and opening up, and finds out the great practical significance of the development of illustration art in the future while exploring the aesthetic changes of art.
【學(xué)位授予單位】：河北科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.5

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