彝族文化視覺元素在圖形用戶界面設(shè)計中的應(yīng)用研究
發(fā)布時間:2018-01-20 13:03
本文關(guān)鍵詞: 彝族 彝族文化 視覺元素 圖形用戶界面 設(shè)計 出處:《武漢理工大學(xué)》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:彝族是中國西南重要的少數(shù)民族之一,擁有悠久的歷史和文化,由于地理、經(jīng)濟和歷史等原因,彝族文化逐漸被淹沒在西方和漢族強勢文化中,逐漸消亡;ヂ(lián)網(wǎng)有自身明顯的優(yōu)勢和特點,作為一種現(xiàn)代文化的載體和傳播形式,,如將之結(jié)合彝族文化會給中國圖形用戶界面設(shè)計帶來新的理念和元素,也會對彝族優(yōu)秀文化的傳承和發(fā)揚起到促進的作用。 界面設(shè)計大致可分為結(jié)構(gòu)設(shè)計、交互設(shè)計和視覺設(shè)計三個部分。1本文所研究的圖形用戶界面就屬于界面設(shè)計的視覺設(shè)計范疇,怎么樣將彝族傳統(tǒng)文化和圖形用戶界面設(shè)計有機結(jié)合,傳承和發(fā)揚彝族優(yōu)秀文化,是本文的研究目的所在。 圖形用戶界面設(shè)計是現(xiàn)代科學(xué)技術(shù)發(fā)展的縮影,是一種有效的信息傳播媒介,承載著不同的文化信息,是一種文化傳播的工具,在新形式下如何用好這種工具發(fā)揚少數(shù)民族優(yōu)秀文化,研究如何發(fā)揚之前應(yīng)是做好如何傳承,找到二者必然的聯(lián)系和方法。 首先,本文通過查閱大量的文獻資料,研究彝族傳統(tǒng)視覺元素的內(nèi)涵和特征,對圖形用戶界面設(shè)計的歷史、發(fā)展、趨勢有了充分的研究和分析,探求彝族傳統(tǒng)視覺元素和圖形用戶界面之間關(guān)系。通過研究結(jié)果得到了彝族傳統(tǒng)文化視覺元素在網(wǎng)頁用戶界面設(shè)計中的方法與原則,并總結(jié)了彝族傳統(tǒng)視覺元素在網(wǎng)頁用戶界面設(shè)計中的表現(xiàn)形式和方法,同時將理論研究結(jié)果應(yīng)用到實際項目中,加以論證。 在政治、經(jīng)濟、文化全球化背景下,少數(shù)民族傳統(tǒng)視覺元素成為了中國傳統(tǒng)文化視覺元素中不可缺少的一部分,是從中國制造到中國“智造”轉(zhuǎn)變的重要部分,如何讓中國設(shè)計受到世界的認可,不能一味的“西化”,沒有自己特色文化的設(shè)計終將是曇花一現(xiàn)。我們應(yīng)該更深入的挖掘少數(shù)民族傳統(tǒng)視覺元素,與現(xiàn)代設(shè)計有機結(jié)合,煥發(fā)新的生命力。
[Abstract]:Yi nationality is one of the most important ethnic minorities in Southwest China, with a long history and culture. Due to geographical, economic and historical reasons, Yi culture is gradually submerged in the Western and Han strong culture. The Internet has its own obvious advantages and characteristics, as a carrier and a form of communication of modern culture, such as the integration of Yi culture will bring new ideas and elements to the graphical user interface design in China. It will also promote the inheritance and development of Yi's outstanding culture. Interface design can be divided into three parts: structure design, interactive design and visual design. The graphical user interface studied in this paper belongs to the visual design category of interface design. How to combine the traditional culture of Yi nationality with the design of graphical user interface and inherit and develop the excellent culture of Yi nationality is the purpose of this paper. Graphical user interface design is the epitome of the development of modern science and technology, is an effective information dissemination medium, carrying different cultural information, is a cultural communication tool. In the new form, how to use this tool to carry forward the excellent culture of ethnic minorities, how to carry forward before should be done well how to inherit, find out the inevitable relationship and methods between the two. First of all, through consulting a lot of literature, this paper studies the connotation and characteristics of Yi traditional visual elements, and makes a full study and analysis of the history, development and trend of graphical user interface design. This paper explores the relationship between the traditional visual elements of Yi nationality and the graphical user interface, and obtains the methods and principles of Yi traditional cultural visual elements in web user interface design. The representation and method of Yi traditional visual elements in web user interface design are summarized, and the theoretical research results are applied to practical projects to demonstrate them. In the context of political, economic and cultural globalization, the traditional visual elements of ethnic minorities have become an indispensable part of the visual elements of Chinese traditional culture. It is an important part of the transformation from "made in China" to "intellectual creation" in China. How to make Chinese design accepted by the world can not be blindly "westernized". The design without its own characteristic culture will be a flash in the pan. We should dig into the traditional visual elements of ethnic minorities more deeply and combine with modern design organically and radiate new vitality.
【學(xué)位授予單位】:武漢理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:TP317.4
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