本文關(guān)鍵詞： 90年代 民間詩(shī)歌寫(xiě)作 文化研究 身份游離 文化資本　出處：《南京師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：“90年代是詩(shī)歌重返民間的時(shí)代”(于堅(jiān)),本文研究的詩(shī)歌的“民間寫(xiě)作”是20世紀(jì)90年代詩(shī)歌寫(xiě)作重要的一隅。民間詩(shī)人提倡的“詩(shī)到語(yǔ)言為止”、“拒絕隱喻”等詩(shī)學(xué)理念和身體力行的詩(shī)學(xué)探索,對(duì)90年代的多元化詩(shī)歌寫(xiě)作以及新世紀(jì)以來(lái)的詩(shī)歌寫(xiě)作均產(chǎn)生了重要的影響。 上世紀(jì)90年代以來(lái),中國(guó)當(dāng)代詩(shī)歌在精神內(nèi)涵上打上了整個(gè)社會(huì)政治、經(jīng)濟(jì)、文化消費(fèi)心理等的局部轉(zhuǎn)型的烙印,多元化的詩(shī)歌寫(xiě)作登上時(shí)代舞臺(tái)。相對(duì)于80年代詩(shī)歌,它以自己獨(dú)特的言述邏輯建構(gòu)起了具備一定審美合法性的話語(yǔ)形態(tài),尤其是以民間寫(xiě)作為代表的詩(shī)歌顯示出敘事性、個(gè)人化、口語(yǔ)化的轉(zhuǎn)變,這種“轉(zhuǎn)變”與時(shí)代的文化背景也是息息相關(guān)的。因此,從時(shí)代的文化背景和價(jià)值觀念等考察民間詩(shī)歌寫(xiě)作就顯得很有必要。 90年代詩(shī)歌的民間寫(xiě)作的產(chǎn)生及發(fā)展從本質(zhì)上說(shuō)源于當(dāng)時(shí)的文化背景。市場(chǎng)大潮的席卷、西方思潮的涌入及價(jià)值觀的轉(zhuǎn)變?cè)斐闪嗽?shī)人身份的游離,這必然反饋在詩(shī)歌寫(xiě)作上。另外,90年代的“詩(shī)歌話語(yǔ)”是一種法國(guó)社會(huì)學(xué)者皮埃爾·布爾迪厄所謂的“文學(xué)場(chǎng)”,民間寫(xiě)作與學(xué)院派寫(xiě)作進(jìn)行著文化資源與話語(yǔ)權(quán)占位的爭(zhēng)奪,它構(gòu)成了90年代最重要的且最有影響的文化景觀之一。從文學(xué)場(chǎng)域等社會(huì)學(xué)理論入手,結(jié)合民間詩(shī)歌寫(xiě)作的理論主張和文本分析,更能清晰的梳理出其發(fā)展脈絡(luò)、闡述詩(shī)學(xué)意義。 全文分為三章：第一章交代了民間寫(xiě)作的歷史語(yǔ)境與身份游離特征,指出民間寫(xiě)作產(chǎn)生的源頭和文化背景；第二章是重點(diǎn),除了指出民間寫(xiě)作與知識(shí)分子寫(xiě)作在精神立場(chǎng)、思維方式、話語(yǔ)資源等方面存在的諸多分歧外,還從考察這種文學(xué)話語(yǔ)背后滲透的意識(shí)形態(tài)的角度入手,破解隱藏背后的“文化權(quán)力”；最后一章指出民間寫(xiě)作的分化及分化的原因,以及對(duì)新世紀(jì)以來(lái)詩(shī)歌寫(xiě)作的客觀影響。 客觀、冷靜地分析民間寫(xiě)作的歷史語(yǔ)境、寫(xiě)作特征,深入探究其內(nèi)在的文化轉(zhuǎn)向的肇因,從社會(huì)學(xué)角度揭示出隱藏在詩(shī)歌寫(xiě)作背后的“文化資本”,有助于我們更加全面的理解和評(píng)價(jià)90年代詩(shī)歌,也有助于對(duì)新世紀(jì)詩(shī)歌寫(xiě)作的發(fā)展和創(chuàng)新做出理論上的指導(dǎo)和把奪。
[Abstract]:"90s is the time for poetry to return to the folk" (Yu Jian-an, "Folk Writing" of the poems studied in this paper is an important corner of poetry writing in 1990s. "Poetry to language" advocated by folk poets. The poetic ideas such as refusing metaphor and practicing poetics have exerted great influence on the pluralistic poetry writing in 90s and poetry writing since the new century. Since -10s, Chinese contemporary poetry has been marked by the local transformation of the whole social politics, economy and cultural consumption psychology on the spiritual connotation. Compared with the poetry in 80s, it constructed a discourse form with certain aesthetic legitimacy with its own unique narrative logic. Especially the poetry represented by folk writing shows the change of narrative, individualization and colloquial, which is closely related to the cultural background of the times. It is necessary to investigate folk poetry writing from the cultural background and values of the times. In 90s, the emergence and development of folk writing of poetry originated from the cultural background of the time, the sweeping tide of the market, the influx of western thoughts and the change of values, which resulted in the dissociation of the poet's identity. And the poetic discourse of the 1990s was what Pierre Bourdieu, a French sociologist, called a "literary field." Folk writing and academic writing compete for cultural resources and discourse power, which constitutes one of the most important and influential cultural landscape in 90s. Combined with the theory of folk poetry writing and text analysis, it can clearly sort out its development context and explain the significance of poetics. The full text is divided into three chapters: the first chapter explains the historical context and identity of folk writing, pointing out the origin and cultural background of folk writing; The second chapter is the focus, in addition to pointing out the folk writing and intellectual writing in the spiritual position, mode of thinking, discourse resources and other aspects of many differences. From the perspective of the ideology behind the literary discourse, the author tries to crack the "cultural power" behind the hidden literary discourse. The last chapter points out the causes of the division of folk writing and its objective influence on poetry writing in the new century. Objectively and calmly analyzes the historical context and writing characteristics of folk writing, deeply explores the causes of its internal cultural turn, and reveals the "cultural capital" hidden behind poetry writing from a sociological point of view. It is helpful for us to understand and evaluate the poetry of 90s more comprehensively, and also to give theoretical guidance to the development and innovation of poetry writing in the new century.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.25

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